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Ryan’s 150 Favorite Films: Number 86, Who Framed Roger Rabbit (1988)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

86. Who Framed Roger Rabbit (1988) Directed by Robert Zemeckis

The Movie: Hollywood, 1947. In a world where ‘toons and people co-exist. Eddie Valiant (Bob Hoskins) is a private eye. Eddie has slipped into an alcohol induced depression after the murder of his brother from an unknown ‘toon.

Eddie is hired by R.K. Maroon (Alan Tilvern) head of Maroon Cartoons, to see if the rumors are true that his once bankable star, Roger Rabbit (Charles Fleischer) is depressed because his wife Jessica Rabbit (the incredible and uncredited Kathleen Turner) is having an affair.

Eddie catches a sultry performance by Jessica at the nightclub The Ink and Paint Club. After she seduces the crowd, Eddie secretly takes photos of her playing patty-cake with Marvin Acme (Stubby Kaye). Eddie shows the photos to Roger, who is distraught and refuses to believe that Jessica would cheat on him.

The next morning Acme is found murdered. Evidence seems to point at Roger as the suspect. Eddie isn’t so sure, but Judge Doom (Christopher Lloyd) is certain that it is Roger. Doom tells Eddie that there is only one way to deal with rogue ‘toons, and that is to kill them by placing them into “Dip”. A mixture of acetone, benzene and turpentine, that causes the ‘toons to melt away to nothing. Doom is helped by his five henchmen, or rather henchweasels.

Eddie returns to his office where he is stopped by Baby Herman (Lou Hirsch) who tells Eddie that Acme’s will is missing and the true motive of the murder might be that he was going to leave ToonTown to the ‘toons.

Eddie enters his office and finds Roger there. Roger pleads with Eddie to help him and tells Eddie he’s been framed. Eddie reluctantly agrees. Eddie takes Roger to a bar that his owned by his girlfriend Dolores (Joanna Cassidy) and she agrees to hid him in her back room.

Back at his office, Eddie is confronted by Jessica. She tells him that Maroon threatened Roger’s career unless she posed for the photos he took. Dolores has also uncovered that Cloverleaf Industries bought the Pacific Electric railway system and will purchase ToonTown at midnight unless Acme’s will is found.

At Dolores’ bar Doom arrives with The Weasels. They lure Roger out of hiding and nearly dunk him in “Dip”. Eddie and Roger escape and hide in a theater. There, Eddie watches a newsreel that shows Maroon selling his studio to Cloverleaf Industries.

With new information, Eddie confronts Maroon at his studio office. Maroon tells Eddie that he did not kill Acme but was trying to blackmail him into selling his company, otherwise Cloverleaf would not buy his studio. Maroon is killed while he is talking to Eddie and Eddie sees Jessica fleeing the scene. Eddie follows Jessica to the edge of ToonTown, where Eddie doesn’t want to go. Eddie eventually finds the courage to enter ToonTown.

While in ToonTown, Eddie is saved from being shot by Doom, Jessica tells Eddie that everything she has done is to save Roger. Jessica tells Eddie that it was Doom who killed Acme and Maroon. Jessica says that Acme gave her his will but when she looked at it, it was nothing more than a blank piece of paper.

The Toon Patrol and Doom capture Eddie and Jessica and take them to Acme’s factory. There, Doom explains that he is Cloverleaf Industries and he is going to sell ToonTown and the railway system to make way for a new interstate highway. His plan to get rid of ToonTown is to use a machine that will spray Dip that will erase ToonTown.

Roger attempts to save Jessica but instead is captured and tied to a chain. They are placed in the path of the Dip Machine and are about to be killed by the Weasels. Eddie realizing that if the Weasels can’t stop laughing, they will die. So he performs a vaudeville act causing them to die. Doom is unable to escape. He is run over by a steamroller, killing him, or so it seems.

Doom reveals himself to be a ‘toon. Nit just any ‘toon, but the ‘toon that killed Eddie’s brother. Eddie is able to subdue Doom by spraying him with Dip, causing him to melt away. As the police and all the ‘toons arrive, Eddie realizes that Acme wrote his will with invisible ink. They are able to reveal the will, and the ‘toons will indeed inherit ToonTown.

Why I Love Who Framed Roger Rabbit (1988): As a kid I loved cartoons. I was particularly found of Looney Tunes and the Disney shorts of the 1930’s and 40’s. By putting all of my favorite cartoon characters in one movie made Who Framed Roger Rabbit a childhood favorite.

As I got older, I fell in love with it more. As my love for film noirs of the 1940’s grew it made Who Framed Roger Rabbit that much better. It is funny, it has a wicked sense of adult humor and it is a technological marvel. It is one of the first movies that I remember watching falling in love with the process of movie making. What Zemeckis and his extraordinary team did to achieve the movie magic of Who Framed Roger Rabbit is nothing short of mind blowing.

A movie that plays to not only adults but children as well is not easy. But all the actors and voice actors pull it off with ease. The world that is built is incredible. When I was younger, I wished Mickey Mouse was real and I could go watch Donald and Daffy Duck play dueling pianos.

Who Framed Roger Rabbit is a funny, beautiful and innovative film that not only is brilliant but must be seen multiple times to get all the jokes and catch all the characters.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 87, Wayne’s World (1992)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

87. Wayne’s World (1992) Directed by Penelope Spheeris

The Movie: Wayne Campbell (Mike Myers) is the host of Wayne’s World a popular show on public access TV in Aurora, Illinois. His co-host/best friend Garth Algar (Dana Carvey) broadcast from Wayne’s parents basement. One night TV executive Benjamin Kane (Rob Lowe) watches the episode, and while he doesn’t understand the appeal, he thinks he has the perfect show to pair with Noah’s Arcade.

Wayne and Garth decide to go out in Garth’s Mirthmobile. Around town Wayne stops to admire a 1964 Fender Stratocaster, that he declares “it will be mine, oh yes it will be mine.” The guys also stop by Mikita Donuts, where we meet the manager, Glen (Ed O’Neil) and Garth’s dream woman (Donna Dixon). And Wayne’s crazy ex-girlfriend Stacy (Lara Flynn Boyle) who gifts Wayne a gun rack.

The guys next hit up the nightclub Gasworks and meet Cassandra (Tia Carrere). Bass player and lead singer of the band Crucial Taunt. Wayne immediately is attracted to her and decides to see her the following week.

Benjamin meets with Wayne and Garth and offers them $5,000 each to bring Wayne’s World to a network. Wayne and Garth agree and it’s on to the big time. Wayne meets Cassandra and she too likes him. She is impressed that Wayne has taken the time to learn Cantonese. Benjamin also meets Cassandra through Wayne and begins to try and move in on her.

In a ploy to spend time alone with Cassandra, Benjamin secures tickets and backstage passes to Alice Cooper for Wayne and Garth in Milwaukee and finances Crucial Taunt’s music video. In Milwaukee Wayne and Garth meet Alice Cooper and a security guard (Chris Farley) who knows a lot about the itinerary of Frankie Sharp (Frank DiLeo) head of Sharp Records and music producer.

At their new studio setup, Wayne dislikes that he has to have a sponsor. Noah Vanderhoff (Brian Murray) is required to be on the show, much to his chagrin. Wayne, has ideas of his own and writes jokes on the back of the cards Benjamin asked him to read. This infuriates Benjamin who fires Wayne in the middle of the show, leaving Garth all alone.

Later that night, Garth tells Wayne that he is being selfish and tells Wayne off, leaving Wayne alone. The next morning at Cassandra’s, Wayne is still pissed and belittles Cassandra who tells Wayne to leave as well. Wayne, realizing that he has not been a good friend or boyfriend devises a plan to show Crucial Taunt to Frankie Sharp in his limo.

Garth’s plan is to infiltrate the satellite systems and Wayne goes to Cassandra in an attempt to expose Benjamin and confess his love for her. Wayne is able to get Cassandra to appear on his show, and she and Crucial Taunt perform. Frankie Sharp arrives at Wayne’s home and


Sharp refuses to give Crucial Taunt a record contract. Cassandra breaks up with him and leaves with Benjamin to paradise. Stacy also reveals that she is pregnant with Wayne’s baby. An electrical fire breaks out in the basement and it kills Garth.

At that moment, Wayne and Garth tell the viewers that they dislike that ending and change it to the Scooby-Doo ending. In this ending, Wayne unmasks Benjamin and reveals him to be “Old Man Withers” the guy who runs the haunted amusement park! Although they like that ending more, they decide to do the “Mega Happy Ending”.

Cassandra is offered a contract and kisses Wayne. Dream woman and Garth get together and Benjamin learns that money can’t buy everything.

Why I Love Wayne’s World (1992): Insanely quotable, I fell in love with Wayne’s World the moment I begged my mom to take me to see it in theaters. And when my mom asked what I wanted for Christmas that year, it was the VHS of Wayne’s World.

I must have watched it a hundred times and I still laugh every time I watch it. The film is incredibly silly, but it also has a lot of heart. By not taking itself seriously, and with every actor buying into the world make it comedy gold.

Myers’ breaking of the fourth wall lets us the viewers into his world and immediately part of his group. He and Carvey want us to be a member of his crew and by constantly talking to “you” as if you are the one filming the movie lets us join in the fun. The cameos are great, with my favorite being Ed O’Neil as the disgruntled manager of Mikita Donuts. “Why is it, when a man kills another man in battle, it’s called heroic, yet if he kills a man in the heat of passion, it’s called murder?”

Articles, Review, Show Time

Movie Madness 2024: Selection Sunday Announcement

It’s hard to believe this will be our FIFTH Movie Madness tournament. Didn’t we just start this thing, like, yesterday?

In case you missed it, in 2020, because the post-season college basketball tournaments were canceled, I thought, “What better way to keep the crazy competitiveness of March alive than with a movie tournament?”

So, I introduced Corinne’s Movie Madness.

Just like the basketball tournaments, we had a field of competitors facing off in one-on-one competitions. You, the Reel Nerds fans, decided which of the two movies in a given matchup advanced to the next round.

Our past four winners are:

  • The Princess Bride, 2020 (Corinne’s Random Movies Bracket)
  • Beauty & The Beast, 2021 (The Nerds’ Favorite Disney/Pixar Movies Bracket)
  • Logan, 2022 (DC vs. Marvel Bracket)
  • Remember The Titans, 2023 (Post-1990 Sports Movie Bracket)

This March, we’re celebrating the Reel Nerds’ favorite movies of the 2020s (so far)!

The competitors and bracket mechanics

A special thank you to Brad for the excellent graphic!

Unlike the NCAA basketball tournaments, this one is very selective. Only 16 films qualify for a coveted spot on the bracket.

Once I decided to do 2020s movies, I reviewed all the Nerds’ Filmsplosion lists from the last four years. Each year would have its own ‘region’ complete with four films — one for each Nerd. My initial thought was to pick each Nerd’s No. 1 film from each year, but I thought we’d get better matchups by expanding it to other films on our lists.

So, I picked one movie from each Nerd’s list from 2020-2023. The movie was either the Nerd’s No. 1 movie of the year OR they were the only person who had it on their list OR they were the Nerd who had it the highest on their list. (I acknowledge that many of these movies ended up on multiple Nerds’ lists in their given Filmsplosion year, for the record.)

Then, I matched everyone up round-robin style based on what I felt would be the best matchups in a given year. I think you’ll understand better once you see the bracket.

Subsequently, we’re not doing “seeds” or rankings for each movie this year. It would’ve complicated things much more than necessary.

How you participate

Just like the college basketball tournament, Movie Madness will start Thursday, March 21!

That day, we will post the first matchup on the Reel Nerds’ Twitter page so you can cast your vote! Simple as that.

For instance, March 21 will feature our first 2020 matchup; whichever movie receives more votes by the time the poll ends will advance to the next round. (If there happens to be a tie, I’ll cast the deciding vote.)

On March 29, we will start the quarterfinals, and the procedure will be the same until a movie is crowned the winner. If I’m counting right, our championship matchup should be on April 4.

Announcing the field

Here is your full field:

  • Thursday, March 21: Let Him Go vs. The Invisible Man. So, we have Ryan’s No. 1 from Filmsplosion 2020 vs. Zach’s No. 1. I haven’t seen either of these films, but according to Ryan, both are very dark and depressing.
  • Friday, March 22: Soul vs. Onward. My No. 2 from Filmsplosion 2020 vs. Brad’s No. 2. A Pixar head-to-head, as both movies got the shaft due to theaters being closed during the pandemic. So, I thought now would be the time to give them some extra love.
  • Saturday, March 23: Dune vs. Spider-Man: No Way Home. My No. 3 from Filmsplosion 2021 vs. Ryan’s No. 1 (and my No. 1 as well, TBF). With Dune: Part 2 in theaters right now, and with Ryan never shutting up about Spider-Man, I thought this would be a fun matchup. Also, Zendaya is in both of these, so that’s neat.
  • Sunday, March 24: The Suicide Squad vs. Last Night in Soho. Brad’s No. 1 from Filmsplosion 2021 vs. Zach’s No. 2. I was tempted to put TSS up against Zach’s No. 1 Belfast, but considering that both James Finger Gunn and Edgar Allan Wright have very active (read: annoying) fanbases, I thought it’d be fun to pit these films against each other.
  • Monday, March 25: The Batman vs. Top Gun: Maverick. Brad’s No. 1 from Filmsplosion 2022 vs. Ryan’s No. 1. These were two of the biggest movies of the year, at least among us Nerds. So, it seemed like a no-brainer to pit them against each other.
  • Tuesday, March 26: Everything Everywhere All At Once vs. Glass Onion: A Knives Out Mystery. Zach’s No. 1 from Filmsplosion 2022 vs. my No. 3. Glass Onion made like 3-4 Nerds’ lists that year, but I think EEAAO only made mine and Zach’s. However, the latter ended up going on to win a bunch of awards, including the Academy Award for Best Picture. And, with the Oscars just being recently, I know several people were revisiting last year’s speeches amid the EEAAO sweep. So, this felt like an interesting matchup.
  • Wednesday, March 27: Barbie vs. Oppenheimer. My No. 2 from Filmsplosion 2023 vs. Zach’s No. 3. I mean, this is a no-brainer. I wanted to see a Barbenheimer rematch on the Movie Madness stage!!
  • Thursday, March 28: Spider-Man: Across the Spider-Verse vs. Guardians of the Galaxy Vol. 3. Ryan’s No. 1 from Filmsplosion 2023 vs. Brad’s 3. Another superhero head-to-head to round out the first-round matchups.

Thus, on Friday, March 29, we will start the quarterfinals and on April 4, we will host our championship showdown with the final two films.

Which sports movie will take home the 2024 Movie Madness Trophy? Which Cinderella story will take the crown? Which set of underdogs will triumph in the end?

You decide!

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 88, The Eagle and The Hawk (1933)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

89. The Eagle and The Hawk (1933) Directed by Stuart Walker and Mitchell Leisen

The Movie:The Great War in Europe rages on and two American pilots Lieutenant Jerry Young (Fredrick March) and Mike Richards (Jackie Oakie) join Britain’s Royal Flying Corps. Their missions are the most dangerous ones, they must fly reconnaissance missions over enemy lines. Lt. Young struggles with the deaths of many of his gunners.

In walks in the cocky Henry Crocker (Cary Grant) who is the only one left to fly with Lt. Young. Young despises Crocker as they have fought before. During a mission, Young’s hatred for Crocker grows as he kills a defenseless German observer who was parachuting to safety after his airship was shot down.

Crocker soon realizes that Young is struggling with his role in the war, and the two slowly become friends. The German’s attack the base, Crocker lets his commanding officer, Major Dunham (Guy Standling) that Young needs a leave. Dunham agrees, and orders Young to take a leave to London.

In London, Young meets a beautiful young woman (Carole Lombard), whom he confides to. After a brief stay in London, Young is called back to the front lines. Young is devastated to learn that Richards was killed in battle. He is further enraged when he learns that Crocker forced him to return to the enemy lines, leading to his death. Young refuses to fly with Crocker and is given a young observer, the new recruit Lt. John Stevens (Kenneth Howell).

On their first flight together, Stevens is killed when he falls out of the plane during a dogfight with the famous German Ace, Voss. Young chases down Voss and shoots him down. Young lands his plane near Voss’ downed plane. Young is shocked to learn that Voss is also just a young man.

At a party later that night, the company celebrates Young’s triumph, Young however is distraught and does not want the accolades. Young retires to his room and shoots himself in the head.

Crocker discovers Young’s body and although they had their differences, he doesn’t want Young’s death to tarnish his heroism. Crocker takes Young’s body out onto a his airplane and flies into enemy territory. Crocker makes it appear that Young died in battle, preserving his reputation.

Why I Love The Eagle and the Hawk (1933): A few years ago, I decided to watch all of Cary Grant’s movies. It was a magical journey. Grant is the epitome of a movie star. He is incredibly handsome and has charisma to spare. But my favorite part of that journey was finding hidden gems.

The biggest surprise was The Eagle and the Hawk. A film that explores not only the romanticism of war but also the heartbreak. Also, the more you explore early Hollywood you realize how many films were ahead of their time. The Eagle and the Hawk is such a film. Removing the rose colored glasses of what it means to be a hero, the film explores the weight of such a journey.

Fredric March is in top form as the conflicted and depressed hero. His realization that the “bad guys” are just kids and that he is responsible for their deaths is heartbreaking.

Carole Lombard has a very small part, but she is stunning in it. Lombard is beautiful and sympathetic, magnetizing you as soon as she is on screen.

Cary Grant is the antagonist of the film. With his cocky, sure handed approach he commands the screen whenever he is on.

The ending is devastating, and it is a gut punch. I was speechless. I was heartbroken. And a tear rolled down my eye.

Articles, Review, Top Lists

Ryan’s 150 Favorite Films: Number 89, The Suicide Squad (2021)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

89. The Suicide Squad (2021) Directed by James Gunn

The Movie: Amanda Waller (Viola Davis) enlists Task Force X or the “Suicide Squad” to infiltrate the island of Corto Maltese after an anti-American regime is able to overthrow the government. The team of Rick Flag (Joel Kinnaman), Harley Quinn (Margot Robbie), Savant (Michael Rooker), Captain Boomerang (Jai Courtney), Blackguard (Pete Davidson), T.D.K. (Nathan Fillion) Weasel (Sean Gunn) and Javelin (Fula Borg) are quickly killed after being double crossed by Blackguard, who is killed as well. Harley and Flag survive.

On the other side of the island, a second Suicide Squad is also launching a simultaneous mission. Led by Bloodsport (Idris Elba) who is being blackmailed by Waller to join the mission to keep his estranged daughter Tyla (Storm Reid) from going to jail. This team consists of Peacemaker (John Cena), King Shark (Sylvester Stallone), Polka-Dot Man (David Dastmalchain) and Ratcatcher 2 (Daniela Melchior). Both teams were tasked with destroying a Nazi-era laboratory named Jotunheim and discover what Project Starfish is.

Waller orders Bloodsport to find and rescue Flag. Bloodsport’s team finds a military outpost and starts slaughtering all the soldiers there. They learn that they just attacked the rebel camp, whose leader Sol Soria (Alice Braga) already agreed to help Flag after she rescued him from the beach. Soria, although appalled at what happened to her men, agrees to help them capture the lead scientist on the project, The Thinker (Peter Capaldi). The team is able to capture The Thinker and will use him to break into Jotunheim.

Harley has been captured by the regime that overthrew the Corto Maltese government and its leader, Silvio Luna (Juan Diego Botto) wishes to marry her. Harley learns of Luna’s plan to use Project Starfish to kill political rivals and kills him. She escapes just as The Suicide Squad arrived at the compound to save her.

The team enters the secret laboratory and learns that Project Starfish is Starro, a kaiju that is quite literally a giant starfish with the ability to “birth” thousands of tiny versions of himself, that latch onto people and allow Starro to control them. The Thinker explains that Starro was brought to Earth by the United States government and that they have secretly funded the experiments on it for decades. Flag, although a proud US military man decides that he must use the hard drive they recovered to expose the United States involvement in Project Starfish. Peacemaker confronts Flag and it is reveled that he had a separate mission; do not let the United States governments involvement be leaked out. Peacemaker and Flag fight with Peacemaker killing Flag.

The Suicide Squad are surrounded by the Corto Maltese military while inside Jotunheim. As they fight each other, Polka-Dot Man accidentally sets the explosives off too early, causing Jotunheim to implode and frees Starro. The explosion causes Peacemaker to drop the hard drive and Ratcatcher 2 grabs it. Peacemaker sees this and tries to kill her, only to be shot be Bloodsport who takes the hard drive.

Starro unleashes his mini-me’s who infect the citizens of Carto Maltese. Waller informs the team that their mission is over and if they don’t return now she will set off the explosives in their heads, killing them. Waller’s team however knock her out and agree to help the Suicide Squad.

Starro’s rampage continues and it kills Polka-Dot Man and when all seems lost they develop a new plan. Harley uses her gymnastic ability to vault on roofs, jump at Starro’s eye and pierce it with her javelin. Ratcatcher 2 sees an opening and summons all the rats on the island to go to the hole Harley just made. The rats do and chew Starro inside out, killing it.

Waller comes to and Bloodsport blackmails her. Bloodsport tells Waller to let the rest of the Squad go and to release his daughter. When she does that, he will keep the contents of the hard drive a secret. Waller agrees and the Squad leave the island.

In two post credit scenes, we learn that Weasel did not drown at the beginning and runs away. And in a hospital, Waller informs her team that she has a new mission for Peacemaker, who has survived.

Why I Love The Suicide Squad (2021): The first Suicide Squad film was ok. Margot Robbie’s Harley Quinn was by far the highlight. It looked cool, but it took itself way to serious.

In comes James Gunn, who was unfairly fired (at least until they realized they needed him) from Marvel. In swoops DC. They want him to take his incredible gifts for crafting a film about outcasts and make a better Suicide Squad film. Gunn does just that by keeping some of the same cast members, Viola Davis, Joel Kinnaman and Robbie to make an R-Rated blood soaked hell of a good time film.

Gunn just gets these types of characters. The way he writes each character giving them a unique voice is amazing. How he is able to take a sprawling cast and not make it feel over crowded is brilliant.

The film looks incredible. It has a nice balance too of humor, drama and yes horror. The people that have a Starro mini on them are effectively zombies, but the horror also comes from power hungry men. The scene with Harley and Luna, where she realizes that he is a sick man that reminds her of The Joker is so good. The Joker is never mentioned but through the writing and Robbie’s incredible performance you know exactly what she is thinking.

The special effects are dynamite too. Starro is one of the coolest looking bad guys ever. Harley’s escape full of color and action is some of the most fun you will have watching a movie.

It’s too bad DC soiled their name before this came out. It deserved to be such a huge hit. From A-list casting, directing, cinematography and writing The Suicide Squad hits the bullseye.

Articles

Rod Stewart: Year by Year, Track by Track Part 10 1993-2000

Part 10: In Which Our Hero Returns to His Roots

In 1993, Rod Stewart continued his chart topping ways with Unplugged
.and Seated. And contrary to what was said in the music scene, he actually never left. Although his albums in the mid 1980’s did not reach the heights of his 1970’s output, the music “critics” seemed to forget that all of his albums in the mid 1980’s had at least a top 15 hit. Stewart followed the mid 1980’s with a string of four consecutive platinum albums.

What Unplugged
and Seated did was have Stewart rediscover his love of folk/rock songs. It would guide him on his next album, but before we get there, Stewart had a couple of B-sides that were included with his Unplugged
and Seated singles.

358. Love Wars (Cecil Womack, Linda Womack)

The original version of Love Wars is a funky driving song that Cecil Womack owns from his debut album from he and his wife, Linda also titled “Love Wars”. The bass drives the song that is peppered with a drum machine and a synthesizer.

Stewart’s version loses the funk and leans into strings with the bass not quite up front and center. Also, I can’t find a credit for who sings the song with him so any help from the fans out there would be appreciated. But back to the song, not as strong as Womack and Womack’s but Stewart sounds great. I am guessing it is from the Once In A Blue Moon sessions, but again I am not sure. Admirable.

Grade: B-

359. One Night (no idea, I can’t find the songwriting credit, Rod Stewart?)

A mellow adult contemporary song that Stewart totally crushes. He is in top vocal form. Our Hero is singing his heart out giving the chorus some extra oomph. His plead, “Whoa whoa One night! Just one night with you.” Is achingly beautiful.

Another credit that I can’t find, I have no idea who wrote this song. I am guessing it might be a cover because it appears to also be from Once In A Blue Moon sessions. But, either way Stewart crushes it.

Grade: A-

360. Love In The Right Hands (Billy Burnette, Simon Climie, Dennis Morgan)

Written and recorded by English songwriter Simon Climie on his 1992 album, Soul Inspiration, Love In The Right Hands has become a somewhat Christian standard, covered by Clay Crosse as well in 1993, the big difference is Our Hero took the song and made it more palatable.

The lyrics are slightly silly but with Stewart on vocals it gives the song a lot more weight. As you listen to the lyrics you can see how the narrative can be switched from a man in love to God’s love. “Love in the right hands is such a powerful thing, so put your hands in mine.” One of the songs that Stewart sings well and I am cool with it being a b-side single.

Grade: C+

361. Don’t Break Your Promise (Too Soon) (Bobby Womack)

In 1994, Our Hero appeared on one of his heroes albums. The song, Don’t Break Your Promise (Too Soon), is a slow groove with two incredible singers. Both are at full strength and deliver the goods. Stewart starts the song as a background echo for Womack, then takes over lead vocals.

His open “You swore you would never ever see him, he’s just someone from your past” is chill inducing. Stewart hangs around for a little longer and then the song takes a weird turn.

Stewart disappears and a cool slice of early 90’s R&B fades away to a mini biography of Sam Cooke. I love Sam. I love Womack. It makes no sense in the context of the song and Rod never comes back. So close to being such a cool song.

Grade: C+

Stewart in the eyes of the public had taken 4 years off from making a studio album. Unplugged
and Seated was a live album and this would mark a period were Rod really slowed down. In Stewart’s career up to that point he never went more than 3 years between albums. Now, he did record Once In A Blue Moon in 1992, but that was scrapped after it was done and the success of Unplugged
and Seated. In 1995, Stewart finally released a new album, that took him almost two years to make, which also went against how long he felt albums should take to be made. And much like albums released in 90’s and 2000’s, he had a lot of producers help, seven in total. But there was a new found love for the folk sound, which critics had been begging Stewart to return to. He did. The album, A Spanner In The Works was a return to form for Stewart in so many ways. It also had some of the most serious looking album art of Stewart’s career.

A Spanner In The Works May 29, 1995

362. Windy Town (A Spanner In The Works version) (Chris Rea)

Stewart, unknown to the public had already tackled, Windy Town on his lost album, Once In A Blue Moon. Here he adds a lot more flourishes. The vocal take is slightly different. The ending also is bigger with Rod also adding some more oomph to the chorus during several parts of the song.

A good song. I prefer the Once In A Blue Moon version, but you can’t go wrong with either one.

Grade: B+

363. The Downtown Lights (A Spanner In The Works version) (Paul Buchanan)

Also first recorded for Once In A Blue Moon, The Downtown Lights takes a more driving force here. With more vocal nuances and studio embellishments.

I like this version slightly more. Stewart and Trevor Horn bring more out of this take. Stronger vocally and more forceful. Stewart is in top vocal form, I love the way Stewart sings, “Let’s walk in the cool evening light, Wrong or right, the endless sight.”

Grade: A

364. Leave Virginia Alone (Tom Petty)

Given to Rod by Tom Petty’s manager, Leave Virginia Alone is a brilliant mix of what Stewart does so well, singing songs of heartache and longing, and what Petty does so well.Paint a story of an outcast. It is said that Petty thought it sounded too much like another one of his hits.

Leave Virginia Alone was not even originally on the album. The album was mastered and about to go into production. Stewart told Billboard “It absolutely went by me. It took me two or three good listens. I had to be persuaded to do it, in other words. But now I’m glad we did.”

I am too, as I can’t picture this album without it. To me it is the centerpiece of the album and reminds everyone why Rod is the best at interpreting other peoples songs.

The video is brilliant too.

Grade: A+

365. Sweetheart Like You (Bob Dylan)

Dipping his hands into the familiar world of Bob Dylan, Stewart once again proves that he is the best at covering Dylan.

Our Hero doesn’t change too much of the original version but again, he takes the vocals to levels that can’t be touched. Dylan does sound pretty good, but he can’t maintain the quality of Stewart. Look no further then, “You know a woman like you should be at home, that’s where you truly belong.” Dylan of course mumbles his way through the lyrics, Stewart makes it personal and empathizes different words, making it more intimate.

Grade: A-

366. This (A Spanner In The Works Version) (John Capek, Marc Jordan)

A slightly different mix here than on Once In A Blue Moon, This is a powerful song that Stewart owns.

Sitting on the shelf for three years, when This was revisited the instruments were brought way more out front. The vocals take is slightly different, but still amazing.

Grade: A

367. Lady Luck (Rod Stewart, Carmine Rojas, Jeff Golub, Kevin Savigar)

With a pinch of the Irish, Lady Luck is a whip smart awesome song that should’ve been a hit. From the opening of “Lady Luck, here I am on time.” Stewart’s songwriting again is over looked with clever rhyming like, “Now you may say that it’s a funny old world, you may say that the game ain’t fair, Is there a plot or do you improvise, Or maybe you don’t even care.”

The song is fun, happy and bouncy. It was released as a single but failed to really catch on.

It’s a shame, I love this song and find any excuse to listen to it. Stewart keeps the fun going with, “‘Cause I’ve seen some rainy days, My patience all ripped and torn, now the sun come shining through I’ve cried in my beer too long”.

Grade:A+

368. You’re The Star (Billy Livsey, Frankie Miller, Graham Lyle)

Stewart tackles Scottish singer, Frankie Miller on You’re The Star. Stewart obviously adored Frankie Miller. Miller never got the recognition he deserved and suffered a devastating brain aneurysm in 1994.

Stewart for his part always thought of Miller and would spearhead a project involving Miller and guests a few years later.

Here, Our Hero sings his heart out and delivers a powerful love ballad made to sing along. The song never really caught on despite having a really cool music video and a winning performance by Rod. The way Stewart phrases “I wanna wrap you in my arms and keep you warm” is bump inducing.

Grade: A

369. Muddy, Sam and Otis (Rod Stewart, Kevin Savigar)

Stewart’s music heroes are given the spotlight in this touching tribute song about Muddy Waters, Sam Cooke and Otis Redding. Stewart recounts how hearing his heroes sing, “stayed up all night trying to sound like you”.

What is really sweet and not at all pandering is Stewart’s love of these artists. My favorite line by far is “But angels need a soul man for the celestial blues band, they took him home”.

A hidden gem.

Grade: A

370. Hang on St. Christopher (Tom Waits)

Stewart tackles Tom Waits again, with a different song than before. Gone is the sweeping romanticism of Downtown Train and the longing meandering of Tom Traubert’s Blues. Here we got more of a blues boogie.

Waits’ original is bizarre. He sings through a filter, with the band not playing tight at all. It’s more loose and not as punchy as Rod’s. It makes sense that Stewart would tackle this song as the lyrics are very unusual and descriptive, the song just needed someone of Stewart’s considerable talents to tackle the song.

Grade: B

371. Delicious (Rod Stewart, Andy Taylor, Robin LeMesurier)

Stewart reunites with his Out of Order partner Andy Taylor and gives us a crunchy, sexy, straight up rock song.

With lyrics like, “While you lie on the bed with your long legs spread”. Fighting guitars, and pulsating drums give Delicious more edge than anything on A Spanner In The Works. But being so intoxicated by a woman is something I think most men can relate to.

And although I think the song the cut (most likely) for Delicious is better, it still rocks.

Grade: B-

372. Soothe Me (Sam Cooke)

It had been years since Rod has covered Sam Cooke. Our Hero reminded everyone why he is the best at singing Sam. And Stewart will freely admit that he can’t out “Sam Cooke” Sam Cooke, he takes Soothe Me into a banger of a rock song.

Rod taught me to love Sam Cooke and Soothe Me is one of my favorite Sam Cooke songs, and it is my absolute favorite Rod Stewart cover of a Sam song. Our Hero even sneaks in the famous Hot Legs guitar licks for good measure.

I freakin’ love this song. You should find the live version of this song that Stewart torches through when he was on The Tonight Show on YouTube, it will blow your mind.

Grade: A+

373. Purple Heather (Traditional; arranged by Rod Stewart)

A show stopper and an absolute legendary closing to an album. Stewart takes the traditional Wild Mountain Thyme and gives it an updated sound with a sweeping chorus that begs to be sung along to.

Trust you will belt out “And we will all go together to pick wild mountain thyme”. Although he never sings this song here in the States, I’m pretty sure I would cry if he did.

Grade: A+

There is an acoustic version of Purple Heather that appears on the digital deluxe version of A Spanner In The Works with slightly different lyrics. It is beautiful. Nothing is a stunning as hearing Rod Stewart and just a guitar. It changes the song from the arena rock ready album version to an intimate version you might hear in a local pub.

Grade: A+

Stewart made an album in 1995 that more or less mirrored his early acoustic efforts. And although it didn’t set the Billboard charts on fire, peaking at #35, it had staying power due to its quality, eventually going Gold.

In 2009, several unreleased tracks made into the public for consumption.

374. Separate Ways (Bob West, Richard Mainegra)

Rod’s vocals warmly wrap around some wonderful lyrics about losing someone. “Yes it’s lonely going our separate ways, You should for all of my nights and my days, You’re in my heart”. I can;t seem to find any other versions of this song, so Rod might have been the first to tackle it, but I am not sure.

The song is well written, it loses some punch for me when the back up singer enters the song and reiterates what Our Hero has already sung. Still a solid song.

Grade: B-

375. (You Gotta Walk) Don’t Look Back (Smokey Robinson, Ronald White)

Made popular by The Temptations in 1965, Rod takes a Motown classic and punches it up. Stewart loses the doo wop and makes it more driving with drums and guitars.

Stewart wraps his wonderful rasp around this bouncy, fun song. Listening to it feels like maybe it was about 95% done as it seems that there might have been one more go in studio with some more instruments and Rod is also shouting out directions and talking to the band.

It is still brilliant.

Grade: A-

376. Shock To The System (Rod Stewart, Andy Taylor)

The B-side to Leave Virginia Alone, of all the songs that made it onto A Spanner In The Works, it should’ve been Shock To The System. This song freaking rocks. I think they settled on Delicious for the album, but Shock To The System is a better song hands down from beginning to end.

Our hero sings of a woman who left the “Motor City from a clean white neighborhood” and came out to Hollywood. She is beautiful and educated but she wants to live the party life. She also wants the “Porsche body, plays piano in a rock and blues band.”

The driving force and the clever lyrics make Shock To The System, Stewart at this rock ‘n’ Roll best. Oh, how I wish this was on the album, but at least it is easily available now digitally so you can go on the journey of a beautiful young woman who struck out in Hollywood.

Grade: A+

377. I’m A King Bee (James Moore)

A blues song that Our Hero brilliantly sings and was left off of A Spanner In The Works. Originally a Slim Harpo blues number, Rod does Harpo proud. The original is awesome and you should seek it out. People might be shocked to learn that Rod doesn’t really take the edge off. For all the unfair flack Stewart gets for polishing his songs too much in the 90’s, on I’m A King Bee proves he is a blues master. For comparisons, it is fun to listen to The Rolling Stones version, it features some nifty slide guitar work by Brian Jones.

Grade: B+

378. Looking For A Love (James W. Alexander, Zelda Samuelson)

A light breezy song made famous by Bobby Womack, Stewart takes somewhat a safe approach with Looking For A Love. Stewart does song his heart out, it sounds great but I have feeling that this was left off of A Spanner In The Works because it did not quite have enough bite.

If you want to hear a different take, seek out the live version by J. Geils Band, it’s a blistering take.

Grade: B-

379. Kiss Her For Me (Scott English, Frankie Miller)

Wow. This song is brilliant. Stewart’s voice wavers and breaks as the lyrics call for it. Our Hero proves that he is the best damn interpreter of songs in music. Miller’s infectious lyrics that bring up visions of heartache and love.

Stewart’s amazing vocals are on full display in moments like, “if you see her on the street, smile and say hello just for me.”

Stewart would tackle this song again in a few years on an album that was his idea, were his famous friends would “sing” with Miller to bring awareness to his brilliance.

Grade: A+

380. So Far Away (Carole King)

Speaking of iconic singers and albums, Stewart was asked to be a part of a tribute to Tapestry, Carole King’s 30 million plus selling album.

Stewart’s version was selected as a single to the tribute album and it would soar to #2 on the Adult Contemporary charts.

Stewart’s video is brilliant and captures the longing of the lyrics. Stewart also punches up the song with strings and more of arena rock ready chorus. King’s 1971, version is a classic, but Stewart does it justice.

Grade: B

A Spanner In The Works, although not a smashing success, still went gold in America and gave Stewart some good reviews from music critics that wrongly wrote him off. Stewart would release a new album in 1996, but it was a quasi-compilation album with some of his more mellow hits and some Adult Contemporary radio ready new songs. The album, If We Fall In Love Tonight was born and proved to be another hit for Our Hero.

If We Fall In Love Tonight, November 4, 1996

381. If We Fall In Love Tonight (Jimmy Jam, Terry Lewis)

The title track was specifically written for Rod. And it is such a great song. It is mellow, but it is so good. From the sound of a record needle faintly in the background to the smooth R&B feel of the music and the brilliance of Rod’s voice make this a winner.

The lyrics are so good, “Blame whose fault is it this time, I can see it in your eyes.” And the singalong chorus, “And now anticipation waits for love, will it be everything you’ve dreamed?” “Open your heart and love again” I adore this song. “Honey I don’t, I don’t want you to have any doubts, about me, whatever makes you happy, I’m gonna do!”

Grade: A+

382. For The First Time (Jud Friedman, Allan Rich, James Newton Howard)

A sugary sweet song that was again written for Rod on this album. The song is really corny, but somehow, Rod’s amazing vocals make it tolerable. I hate to admit it but when it comes on, I get lost in Stewart’s voice and forget how silly the song is.

If you’re thinking I’ve heard this song, but I can’t remember where, well Kenny Loggins sang it for the film One Fine Day and scored a hit. It is not good and loses Rod’s powerful reading and goes straight into lameness.

Grade: B-

383. When I Need You (Carole Bayer Sager, Albert Hammond)

Take about a lame song that was a huge hit for Leo Sayer in 1977. In Stewart’s hands we get an overproduced, incredibly sung song with an inspiring gospel choir adding to the power of the chorus. But, it can’t overcome the overall lameness of lyrics.

Stewart famously did not like his hit song Love Touch. At least Love Touch is fun. When I Need You is just a song without balls.

Stewart does sing the song well. And the video is beautiful.

Grade: C-

384. Sometimes When We Touch (Barry Mann, Dan Hill)

Dan Hill scored a massive hit with his single, Sometimes When We Touch in 1977. Another song that is a wussy love song. Although massively popular, I just can’t get into it. I like my love songs to have a little more bite, or be a little sexy, not poor me.

Stewart, again sings this song like a pro and adds a ton of embellishments that was missing from Hill’s original.

Grade: C-

385. Forever Young (If We Fall In Love Tonight Version) (Rod Stewart,Jim Cregan, Kevin Savigar)

Rod goes back to 1988 and slows down one of his most famous songs. The mellowness fits well onto If We Fall In Love Tonight. Although it’s not as powerful as the original, Stewart’s voice makes it a winner.

Grade: A

Stewart might have not released a full length album of new material in 1996, he did score a massive hit with If We Fall In Love Tonight. The album went platinum all around the world.

Stewart did not release an album in 1997, but he did take part in a huge benefit concert, Songs and Visions in Wembley, which he performed some new cover songs.

387. Papa Was A Rollin’ Stone (Live) (Norman Whitfield, Barrett Strong)with Chaka Khan, Mary J. Blige and Steve Winwood

Rod crushes this song. I would love a version just with Rod, but Winwood is also very good. The ladies hold their own and overall it’s a cool live rendition to an all time classic.

Grade: B

389. In The Midnight Hour (Live) (Wilson Pickett, Steve Cropper)

Stewart yet again proves that he can sing soul almost better than a one else. This little gem is somewhat buried in the concert but Stewart owns it.

Why this song works for Rod is it is a fun double entendre and down and dirty vocals.

Grade: A

390. Nothing Compares 2 U (Live) (Prince) with Mary J. Blige

One of the most famous covers first made a hit in 1990 by Sinead O’Connor, and boy oh boy does Stewart crush this song. I would kill for just a Rod only version of Nothing Compares 2 U.

When the second verse opens and Stewart pleads “It’s been so lonely without you here, like a bird without a song.” It reminds everyone that he could sing the phone book.

The only part that keeps this cover for reaching legendary status is Mary J. Blige. Who is a great singer but she gets in her own way here and tries to out sing Rod and she comes across as too much. Just relax Mary, you can sing!

Grade: A+ for Rod, B+ for the rest of the song

391. Heartbreak Hotel (Live) (Mae Boren Axton, Tommy Darden, Elvis Presley) with Robert Palmer, Jon Bon Jovi and Steve Winwood

A fun cover featuring some incredible talent, and there is something really cool about seeing all these legends on stage together. My biggest gripe is that it loses the “heartbreak” and is a little too upbeat. And it’s over really quickly.

Grade: B-

392. Hey Jude (Live) (Paul McCartney, John Lennon) with K.D. Lang, Toni Braxton, Chaka Kahn, Jon Bon Jovi, Steve Winwood, Mary J. Blige, Robert Palmer and Seal

No better way to end a huge concert than having a sing along to maybe the ultimate sing along song of all time.

Everyone is bringing it. It sounds great and everyone is having fun.

Grade: B

After the success of his ballads only album, If We Fall In Love Tonight, Our Hero decides that he needs to get back to what he is best at. Good old rock ‘n’ roll. Rob Dickins come up with an idea where Rod would cover some of the younger songwriters and give them the Stewart treatment. Stewart wasn’t onboard right away, but according to Dickins when he heard Cigarettes and Alcohol by Oasis he warmed up to the idea and When We Were The New Boys was born.

When We Were The New Boys May 29, 1998

393. Cigarettes and Alcohol (Noel Gallagher)

The album definitely starts off rocking. Stewart’s version forgoes the slow opening and goes right into the crunching guitars. Stewart also reads the lyrics differently than Gallagher. He doesn’t lose the pulse of the song, he turns into more of a Faces style song and does it well.

There is an alternate take of Cigarettes and Alcohol on the digital deluxe version of When We Were The New Boys. A little more less polish, but still great vocals by Rod.

Grade: A

394. Ooh La La (Ronnie Lane, Ronnie Wood)

Ronnie Lane sadly passed away in 1997 after a long battle with MS. Stewart decided he would pay tribute to Lane by finally singing one of Ronnie’s best songs.

Rod makes his version different by adding a sprinkle of Irish flavor by enlisting The Corrs to help him get the sound he wants.

Not only is this song amazing, but it gets your feet tapping and the chorus is so sing along great, “I wish that I knew what I know now, when I was younger. I wish that I knew what I knew now, when I was stronger!”

This was the biggest hit on the album, it went to #39 on the Billboard Charts, but it remains rightfully so one of the highlights of any Stewart concert.

Grade: A+

395. Rocks (Billy Gillespie, Andrew Innes, Robert Young)

The Scottish rock band Primal Scream recorded Rocks in 1994. Their version reminds me a lot of a mix of T. Rex and The Rolling Stones.

Stewart adds a lot more instruments and sings it with more urgency, giving Rocks more propulsion. Stewart doesn’t lose the fun of the song, in fact I think he actually adds a whole new layer to it. The song is also sneaky dirty, “Get your rocks off, get your rocks off Downtown!”

Grade: A

There is an alternate take of Rocks on the digital deluxe version of When We Were The New Boys. It is nearly identical, it adds some guitar feedback, a different vocal take by Stewart and it slows down ever so slightly. The album version is slightly better

396. Superstar (Joseph McAlinden)

Stewart slows the album down with the soaring ballad Superstar. The lyrics are there but the original version by the band Superstar is lacking the power of Rod Stewart’s voice and interpretive skills, not only as a singer but as a musician. The original has a weird organ front and center which loses the group in the mix.

Stewart places himself front and center and gives a wonderful performance.

Grade: B

397. Secret Heart (Ron Sexsmith)

A stripped down beautiful song. Our Hero is at his singing best here. Secret Heart was suggested to Rod by Elvis Costello. And Costello was 100% right, Rod crushes it.

The original by Ron Sexsmith is brilliant too. Stewart strips it down to its bones. Sexsmith doesn’t go crazy with his original version, but Stewart’s is even more stripped down. Sexsmith also adds background singers a little more out front, Stewart’s version keeps them a little more in the back. Both versions are great.

Grade: A

398. Hotel Chambermaid (Graham Parker)

After a slight detour into ballads, Stewart comes roaring back with Hotel Chambermaid. A song that would be a fit in The Faces set list.

Graham Parker’s original is not as rocking as Stewart’s, but the song is a riot. It is fascinating when you hear how Stewart interprets songs and how he emphasizes different words and rearranges, and replaces some words. As simple as “while the river is rolling” in Parker’s version to “while the river’s flowing” in Stewart’s. And just a slight change of “I didn’t pay my bill but I had my fill all right” in the Parker’s version to “I didn’t pay my bill but then I had my fill all night!” Subtle but it changes some of the context of the song.

Parker’s version is great, Stewart adds to it. I love this song. I’ve mentioned many times I love Rod’s rascal, sexy songs. Hotel Chambermaid fits the bill quite nicely.

Grade: A+

399. Shelly My Love (Nick Lowe)

Another ballad suggested to Stewart by Elvis Costello, and again proves Costello knows a song that Stewart will crush.

Nick Lowe is amazing. And he proves it on his song, Shelly My Love. Rod rightfully doesn’t change anything in this song. The lyrics and music speak for themselves.

You should seek out Lowe’s version, it is brilliant. Stewart’s version is too. Both deserve to be on your playlist.

Grade: A

400. When We Were The New Boys (Rod Stewart, Kevin Savigar)

The only original song on the album proves that no one can stir up memories of a life lived like Rod Stewart.

As Our Hero rips through his life he makes the song catchy, heartbreaking and up lifting. The music written by Kevin Savigar is soaring and beautiful.

Easily the best lyrics are the ones that open the final verse, “All these friends have long since gone, blown and scattered like autumn leaves, some are lawyers and some are thieves, some are now behind the sun.”

Grade: A

401. Weak (Deborah Dyer, Martin Kent, Robbie France, Richard Lewis)

Speechless. Hands down the best/unknown song on the album. Stewart sings the hell out of this song. His rough and pained reading of the lyrics is palpable.

Skunk Anasie’s original version is amazing as well. It is interesting hearing it come from a woman’s voice. Stewart is focusing on anger and pain. So too does, lead singer Deborah Dyer but it seems to come from a different place. Both versions beg to be heard. Stewart also ditches any background singers and focuses solely on his voice. Dyer’s version brings it home during the climax, proving her voice is incredible as well.

Stewart’s version opens with howling winds and distorted guitars, signaling the mood of the song. A broken person, who lashes out at the person who believes they are weak, but they are not, “weak as I am, no tears for you, weak as I am no tears for you, deep as I am I’m no one’s fool” Stewart’s cracking voice “with this tainted soul and this weak old heart, oh baby ain’t I too much for you?” Is so good, followed up by an angry guitar solo.

This song is one of Rod’s best. Promise. My wife loves it too.

Grade: A+

There is an alternate take of Weak on the digital deluxe version of When We Were The New Boys. The vocals are a slightly different take but don’t lose the power of the album version. The music is a different mix, not as strong as the album version, but still a great listen.

402. What Do You Want Me To Do? (Mike Scott)

After the burning hatred of Weak, Rod closes the album with a self reflective What Do You Want Me To Do?

The biggest change for Rod’s version is the harmonica is a little more subtle than Mike Scott’s original.

The plead in both versions is felt. I guess Stewart did not want to end the album on such an angry song and goes a little safe to close the album out.

Grade: B

When We Were The New Boys was a moderate hit for Stewart. It peaked at #44 on Billboard. It also marked the end of Stewart’s time at Warner Bros. Records. After 23 years, Rod was a free agent. Before we leave 1998, let’s dive into some of the songs from When We Were The New Boys sessions. One was a b-side single, the others were in the vault until 2009.

403. Careless With Our Love (Rod Stewart)

I am not sure this song was recorded for When We Were The New Boys. It sounds really out of place. I am guessing maybe for Once In A Blue Moon. It is a little too polished for Boys.

It is a breezy light, adult contemporary song that maybe had a place on If We Fall In Love Tonight. Being a Stewart original it gets some points from me, not his strongest effort, but he sounds incredible on the song and it carries the song to the end.

Grade: B-

404. The Long Journey Home (Elvis Costello, Paddy Maloney)

A beautiful song that has some wonderful and heartbreaking lyrics about the Irish’s journey to America.

Costello’s version is more sweeping and sounds like an anthem. Stewart goes the tender route. It is beautiful, “As the color bleed as they over flowed, red, white and blue, green, white and gold.”

I prefer Stewart’s version. Costello’s version is wonderful too, I just like the more nuanced version of Stewart’s.

Grade: A-

405. Now That You’re On Your Own (Rod Stewart, Oliver Leiber, John Shanks)

“You’re a high flying mother fucker!” Stewart goes angry and bitter with a break up from his girlfriend.

As you dig into Stewart’s last few years at Warners, you see that the story that Dickins fed everyone that he had an idea that Rod should cover other people’s songs and he only wrote one song for When We Were The New Boys is a false narrative. It seems that the executives didn’t want Stewart originals anymore, and it would send Stewart on a 15 year break from writing songs.

Stewart proved not only could he still write songs, but they were really good. Now That You’re On Your Own is almost done and it is good. How I wish Stewart was given a chance to finish it 100%.

Grade: B

406. Dylan’s Day Off (James McCall)

I am not sure what the title means, and the original is a lot more happy go lucky. I can see why Stewart would be drawn to this song, it’s fun and easy going. Stewart I am guessing knew he could add something to the original.

You can find the original on YouTube and it is a fun little ditty. Stewart knows how to make a song his, I am going out on a limb that Rod also liked the somewhat pubhall sound of the original and gave it a go.

Again, I have no idea where the title comes from, the chorus is “My heart, my heart you’re a subject close to my heart.”

Grade: A-

407. On and On (Crispin Hunt)

Another song in the vein of Weak, about a break up that Our Hero pleads with his lover “I wish you would leave me.”

According to the Rod Stewart Sessions, Rod heard The Longpigs version of On and On. Their version is more pop-y but still pretty solid. I will take Stewart’s pained version however, he gets way more into the lyrics delivering some great vocals over a more polished sounding band.

Good stuff. should’ve been on the album.

Grade: A

408. Rockin’ Chair (Noel Gallagher/C. Griffiths)

Another Oasis song, Stewart decided on Cigarettes and Alcohol instead of Rockin’ Chair.

More of a mid-tempo song, not the ball busting power of Cigarettes and Alcohol.

I think Rod made the right choice for his album on the Oasis song. Rod’s version of Rockin’ Chair is a little too safe. Not bad, just not as fun as Cigarettes and Alcohol.

Grade: B

409. Sugar Lips (Rod Stewart, Oliver Leiber)

Not close to being finished, and some rough vocals but there is a sliver of an idea here. I think if Stewart didn’t abandon Sugar Lips, he could have a fun dirty song on his album.

With lines like, “Six foot five, bet your life, never got better than a
(no idea what he is singing here), hey ho! Sugar Lips!” “Inside out, back to front, screwed me rotten with my cold old son, hey ho! Sugar Lips!”

Almost a genius song, but alas never finished.

Grade: C

410. The Changingman (Brenden Lynch, Paul Weller)

This song would’ve found a place very easily on When We Were The New Boys. Fighting power guitars, powerful singing from Our Hero makes The Changingman a winner.

Weller’s original version is not as down and dirty as Rod’s. I am biased but Rod’s version is much better and so suited for rock ‘n’ roll.

Grade: A

Stewart was about to embark on a new journey, one that would take him into uncharted territory, but before he did that, he had one more song to sing for Hollywood.

411. Faith of the Heart (Diane Warren)

In the fun and sweet film, Patch Adams Our Hero performed the signature song for the movie. Stewart’s power is on full display. Soaring choruses with a powerful voice make this song awesome and uplifting.

The journey through the song is fun and it never surrenders to slowing down, once it hits its crescendo it never stops. It’s fun and a good song to play at full volume and sing your heart out too.

Grade: A-

Stewart was about to embark on a new journey. Not only was he looking for a new record company, but something a lot more serious was peaking around the corner.

Stay tuned for part 11, In Which Our Hero Defeats Cancer and Dusts Off Some American Classics.

Articles, Review, Show Time

Show Time: A Statistical Recap of Filmsplosion 2023

Well, it’s been a few days since Filmsplosion 2023 came out. Have you finished listening to it yet? If not, don’t read the rest of this post, as we’ll be looking at all the Nerds’ Top 10 lists.

So, in putting this together, I basically assigned every movie a scored based on where it was on a Nerd’s list. If it was their #1 film, I gave it 10 points; if #2, 9 points; and so on until our #10 films received 1 point each. If it was one of the eight films that appeared on more than one list, then it has a combined score.

(In case you forgot, I did this for Filmsplosion 2019, 2020, 2021 and 2022.)

Now, we’ll get to which movies had the highest average score, but first, we’ll look at the movies that scored the highest overall.

So, here are the HIGHEST SCORED MOVIES of Filmsplosion 2023:

  1. Barbie – 28 points
  2. Across the Spider-Verse – 19
  3. Bottoms – 18
  4. Guardians of the Galaxy: Vol. 3 – 16
  5. THREE-WAY TIE – The Boy & The Heron, Killers of the Flower Moon, TMNT: Mutant Mayhem – 10*
Zach picked this movie as his No. 1… for some reason (lol jk. Give Lily Gladstone an Oscar ASAP!!!)

The asterisk denotes that each was #1 on an individual Nerd’s list, thus earning 10 points but only 10 points.

The other movies that appeared on multiple lists but didn’t score more than 10 points were: Evil Dead Rise (9 points), Poor Things and Godzilla Minus One (8 points each), and John Wick 4 (7 points).

Unsurprisingly, if we look at these films’ average scores (total score divided by number of lists it appeared on), the order is a bit different.

THE AVERAGE SCORES for the four highest-scoring movies:

  1. Bottoms – 9 points
  2. Guardians of the Galaxy: Vol 3 – 8
  3. Barbie – 7
  4. Across the Spider-Verse – 6.3

So, while Barbie was the only movie to make all the Nerds’ lists, it still lost out because Ryan sandbagged it so he and Brad could tag-team Guardians at #3 and Bottoms at #2. I see how it is, Ryan. *evil glare*

Now, looking at the 10 highest-grossing movies of 2023, in terms of domestic box office, four of them appeared on multiple lists (Barbie, Spider-Verse, Guardians and John Wick 4) and two of them appeared on just one list (Oppenheimer and Taylor Swift: The Eras Tour). Looking at #11-20 for domestic box office, three more appear in Filmsplosion 2023 (MI:7, The Hunger Games and TMNT).

I didn’t see this movie. Should I have? I’m kinda over the MCU, tbh.

One more thing I wanted to examine is how our selected films break down by genre. How many action movies do we have? How many dramas? Super-hero flicks? etc.

So, for this assessment, I went by each film’s most basic genre. Our choices are: animation, action, comedy, drama, horror and superhero.

I didn’t include Taylor Swift: The Eras Tour, because I didn’t know how to categorize that. A documentary? We have had documentaries in the past, but it’s not a real category this year. Oh well.

By the way, I’m generalizing which category it’s in based on my own experience in either seeing the movie or watching the trailer, and most were pretty straightforward to categorize. In the few cases where I was uncertain, I went by which genre was listed first on its IMDB page.

So, without further ado, let’s look at the BREAKDOWN OF THE FILMSPLOSION LISTS BY GENRE:

  1. TIE – Action and Comedy (7)
  2. Animation (5)
  3. Drama (4)
  4. Horror (3)
  5. Superheroes (1)

Wow! After reigning supreme for four years, Dramas finally fell off the podium and fell all the way to third (or really fourth) place! I chalk that up to no James and Henry entries this time. Even Animation outdid Dramas this year.

Now, to be fair, we had several movies that were counted as Comedies but were probably more dramedies. The Holdovers, Poor Things and Are You There, God? It’s Me, Margaret all fell into this gray area for me, but IMDB counted them as comedies first and dramas second. But it’s hard to count any of those as pure Dramas when you also have something like Oppenheimer in that mix.

Uhh… should I see Bottoms? It’s only streaming on MGM+ (lol what is that?) and the library doesn’t have it. 🙁

Comedies and Action tied for first this year. Comedies have been stuck with silver for a long time, so it’s good to finally see them at the top of the podium, even if they have to share it.

I do think it’s interesting that we’re seeing more Action movies among the Nerds’ lists. (Although, as I said, that’s probably due to no entries from James and Henry this time around). Or maybe it’s that Action movies are starting to fill the void that Superhero movies have left.

Speaking of which … for the first time in five years, we only had one Superhero entry. Technically two, if you want to count Spider-Verse, even though I counted it as animation for our purposes.

Still, even if you have Spider-Verse switch teams, Animation still beats out Superheroes for the second time in two years.

I pointed out this decline in Superhero movie quality last year. In retrospect, LOL.

After reigning supreme for so many years, the MCU has definitely taken a tumble in our esteem, it seems. No Multiverse of Madness from Ryan and no Thor: Love & Thunder from anyone… which, sadly makes a lot of sense. We’ll see if Superhero does better at Filmsplosion 2023, as we’ve got Guardians of the Galaxy: Volume 3, Shazam 2, The Flash and others dropping this year.

Show Time: A Statistical Recap of Filmsplosion 2022

Looking ahead for 2024, I have a feeling Deadpool 3 and/or Joker 2 will be Filmsplosion entries, but I don’t know what else could. If Beyond the Spider-Verse does actually come out in 2024 like the creators intend, I know that’ll make our lists, but I honestly think it’ll get pushed to 2025.

I am surprised we had so few horror entries this year, considering how many horror movies the Nerds saw as their Movie of the Week. I’m surprised M3GAN or something else the Nerds reviewed didn’t make it. It’s probably because 2023 offered so many amazing action and dramadies/comedies that only a few horror movies made the cut.

Barbie >>>>> Oppenheimer

I’ll throw in one final observation: despite the whole Barbenheimer trend and how drama-heavy the other Nerds tend to be with their Filmsplosion lists, I’m surprised Oppenheimer was only made Zach’s list. (It wasn’t going to make my list, because — while I believe that movie is very well-made — it also gave me a headache and I have no desire to sit through the whole thing again.) I figured Zach or Ryan would have it on theirs, especially with how much Ryan loves RDJ.

Anyway, that’s almost a wrap on A Statistical Recap of Filmsplosion 2023!

Thanks to Brad, I put all everyone’s lists below so you can see for yourselves which genre I slated for them. As always, it’s interesting to see how everyone’s lists look by genre, as some Nerds lean heavily one way and others, another. This year, there were several entries where I didn’t have to change the genre from last year’s entry, just the movie title. LOL

Corinne

  1. The Boy & The Heron – animation
  2. Barbie – comedy
  3. Puss in Boots: The Last Wish – animation
  4. Across the Spider-Verse – animation
  5. Godzilla Minus One – action
  6. Dungeons & Dragons: Honor Among Thieves – action
  7. The Hunger Games: The Ballad of Songbirds and Snakes – action
  8. Are You There, God? It’s Me, Margaret – comedy
  9. Leo – animation
  10. My Happy Marriage – drama

Zach

  1. Killers of the Flower Moon – drama
  2. Barbie – comedy
  3. Oppenheimer – drama
  4. Talk to Me – horror
  5. Asteroid City – comedy
  6. Evil Dead Rise – horror
  7. Sisu – action
  8. Brooklyn 45 – horror
  9. Taylor Swift: The Eras Tour – filmed concert
  10. Godzilla Minus One – action

Ryan

  1. Across the Spider-Verse – animation
  2. Bottoms – comedy
  3. Guardians of the Galaxy: Vol 3 – superhero
  4. Mission Impossible: Dead Reckoning – action
  5. John Wick 4 – action
  6. Poor Things – comedy
  7. Evil Dead Rise – horror
  8. Barbie – comedy
  9. Polite Society – action
  10. Godzilla Minus One – action

Brad

  1. TMNT: Mutant Mayhem – animation
  2. Bottoms – comedy
  3. Guardians of the Galaxy: Vol 3 – superhero
  4. Barbie – comedy
  5. Theatre Camp – comedy
  6. Blackberry – drama
  7. The Holdovers – comedy
  8. Poor Things – comedy
  9. Across the Spider-Verse – animation
  10. John Wick 4 – action

Cheers, everyone! See you all again for Filmsplosion 2024!

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 90, Bottoms (2023)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

90. Bottoms (2023) Directed by Emma Seligman

The Movie: PJ (Rachel Sennett) and her best friend Josie (Ayo Edebiri) head into their senior year of high school with a plan. They are going to finally tell their crushes, cheerleaders Brittany (Kaia Gerber) and Isabel (Havana Rose Liu) how they feel. They plan on making their move, just to talk to them at the fair.

When they get there they meet up with their friend Hazel (Ruby Cruz) and awkwardly try and talk to Brittany and Isabel. Josie sees an opportunity when Isabel has an argument with her boyfriend Jeff (Nicholas Galitzine) the star quarterback of their high school for them to play heroes. Isabel gets into PJ’s car and Jeff stands in front of the car and won’t let them leave. The car inches forward and barely touches Jeff’s knees. Jeff however falls onto the ground in agony.

At school a rumor starts that the girls went to juvie for their “attack” on Jeff. This outrages the students and PJ and Josie are sent to the principals office. Principal Meyers (Wayne Pere) says he will suspend them. Josie quickly lies and says that they attacked Jeff as practice for a “feminist defense club”. PJ and Josie decide to set the actual club up at school with help from Hazel.

The ladies need an advisor at the school for it to be official, so they reach out to the recently divorced and disinterested teacher, Mr. G (Marshawn Lynch), he agrees and the club is one official.

At the first club meeting, Mr. G threatens to shut it down due to the violence. But is convinced by PJ and Josie that it is for feminism and Mr. G not only agrees to allow it to continue, but he becomes more involved as well.

The club brings the ladies closer together and also makes other students at the school uncomfortable, none more than Tim (Miles Fowler) a fellow football player who doesn’t believe that PJ and Josie went to juvie. Tim is able to discover the truth after he calls the detention center and there is no record of PJ and Josie being there.

Hazel comes home one day and finds that her mom is sleeping with Jeff. Hazel knows she has to tell Isabel. She does and Isabel breaks up with Jeff in the cafeteria. The club also decides that they are going to vandalize Jeff’s house with eggs and toilet paper. Hazel, hurt more than anyone makes a bomb and blows up Jeff’s car. Tim suspects that the club is behind Jeff’s car being blown up and tells Principal Meyers, who agrees with Tim. Josie believes that there isn’t a way forward for the club and thinks it should end as well. She and PJ have a falling out which leads to them having dates with their respective crushes. Josie and Isabel realize there is mutual attraction and have sex. PJ strikes out with Brittany when Brittany informs PJ that she is straight.

At a pep rally for the big homecoming game against Huntington High, Tim calls out the women’s fight club to fight the schools top boxer, who happens to be locked in a cage because he is so demented. Hazel is chosen to fight him, and although she puts up a good fight she eventually loses. Tim reveals to the school that Josie and PJ were never in juvie, which fractures the club further. Even Mr. G is devastated and gives up on feminism to go back to his chauvinistic ways.

As the game draws near and Josie and PJ not speaking, Josie seeks advice from her babysitter Rhodes (Punkie Johnson). Rhodes informs Josie that Huntington plans on killing a Rockbridge High School football player as that is a tradition. Realizing that the fight club might be the only chance to save someone, PJ and Josie are able to bring them back together. PJ and Josie learn that Huntington has hooked up pineapple juice to the football field’s sprinkler system to kill Jeff who is allergic.

At the game, Hazel intends to blow up a tree to distract everyone. When that fails Hazel and PJ make out, which works to distract everyone. As Huntington arrives, the club reforms, with Isabel and Brittany. A bloody battle ensues with the death of several Huntington football players. Josie save Jeff by carrying him off the field. The sprinklers start spraying pineapple juice and Tim realizes that the ladies saved Jeff and cheers them on.

Why I Love Bottoms (2023): I remember seeing the trailer for Bottoms and thinking that looks really funny with a talented cast. What it ended up being is one of my favorite movies of not only of 2023 but ever, and one that requires multiple viewings to catch all the jokes.

The leads are fantastic. Ayo Edebiri and Rachel Sennott are not only great actors but are willing to be the butt of a joke which makes them instantly likable. The film is whip smart. It doesn’t force feed you its message it gives it to you in a funny and intelligent way.

I also too love comedies where just because there is a certain focus in a scene doesn’t mean there isn’t other shenanigans happening in the frame. Bottoms is peppered with silly, funny background actions that if you blink you will miss.

The dialogue comes at you with a blink and you will miss rapid fire of poignant and silly lines. The characters of PJ and Josie are so relatable because they talk like you talk to your friends. Making fun of each other, but also and always with a glimmer of love.

Bottoms also pulls no punches. It is violent, profane and all the better for it. Bottoms fully embraces its premise, never skimping on showing you the brutality of the fights and the vulgarity of the language.

But just because the violence and the language are over the top, I think it is a movie anyone and everyone will enjoy. My mom, yes my mom asked for a movie recommendation for her and my cousin to see. I told her Bottoms. She loved it.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 91, Jojo Rabbit (2019)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

91. Jojo Rabbit (2019) Directed by Taika Waititi

The Movie: In the wanning days of World War II, Nazi Germany is on the verge of collapse. But that doesn’t stop a young German boy, Johannes “Jojo” Betzler (Roman Griffin Davis) from joining the Deutsches Jungvolk, more commonly known as the junior Hitler’s Youth. Jojo loves Hitler and Germany. In fact, he loves Hitler so much that he has his own imaginary Hitler (Taika Waititi). Jojo also has a friend named Yorki (Archie Yates) who is as a precocious youth as well. Jojo goes to a training camp, where he meets Captain Klenzendorf (Sam Rockwell). Jojo earns the nickname “Jojo Rabbit” after he refuses to kill a rabbit and is bullied for it.

Hitler attempts to encourage Jojo, which leads him to run through the other youths and throw a grenade. This ends horribly as the grenade bounces back to him, blowing up at his feet. This leaves Jojo injured. Jojo’s mother, Rosie (Scarlett Johansson) pleads with Klenzendorf to let Jojo stay and give him jobs he can complete. Klezendorf relents and Jojo is now tasked with delivering propaganda.

Back at home, Jojo is shocked to discover one day that his mother has hidden a young Jewish girl named Elsa (Thomasin McKenzie) in his late sister’s bedroom cupboard. At first, Jojo is scared of the young girl, but he decides that he is going to learn her “Jew secrets” and make a book called “Yoohoo Jew”.

Despite what he thinks he knows about Elsa, he forms a friendship with her. Jojo soon falls in love with Elsa, and writes phony letters from her fiancĂ© Nathan. This leads Jojo to questions his belief’s which does not sit well with “Adolf”.

Rosie is revealed to be part of the anti-Nazism movement which leads the Gestapo lead by Captain Deertz (Stephen Merchant) to pay a visit to her house. Captain Deertz confronts Jojo and Elsa about their loyalty to the Nazi’s and Hitler. Jojo and Elsa are helped by Captain Klenzendorf to hide Elsa’s identity.

After sometime, Jojo is walking through the town square, where he finds his mother has been executed. Enraged, Jojo returns home and attacks Elsa. Jojo breaks down in tears and is comforted by Elsa who reveals not only has his mother helped fight against the Nazi’s but so too has his missing father. Jojo and Elsa learn to survive by helping each other.

Hitler commits suicide and the city of Falkenheim must help the German cause which includes the children. Jojo runs into Yorki and the two embrace. They go their separate ways and soon the Allies have victory over the Nazis.

Because Jojo is a Hitler Youth he is seized by the Russians. Captain Klenzendorf, tears off Jojo’s jacket and starts screaming at him that he is a Jew. This leads the Russians to push Jojo away, grab Klensendorf and execute him.

Jojo runs home and lies to Elsa. He tells her that the Nazi’s have won the war. Jojo forges one last letter from Nathan and tells Elsa they can escape to Paris. Elsa tells Jojo that Nathan died of a disease the year prior. Jojo confesses his love for Elsa, Elsa says she loves him too, but as a brother. Jojo also frees himself from Hitler by kicking him out of the window.

Elsa and Jojo go outside and she realizes that Jojo lied to her when she sees American soldiers. She slaps Jojo. Elsa takes a beat and starts to dance. So too does Jojo.

Why I Love Jojo Rabbit (2019): A funny, emotional film that examines how we make friendships, follow leaders blindly and the innocence of children. Poking fun at the real atrocities of Hitler and the Nazi regime is a dangerous line to walk. But in the hands of a skilled filmmaker like Taika Waititi it works. What is equally brilliant is his portrayal is funny but also terrifying when it needs to be.

Of course the burden of the film rests on the young and able shoulders of Roman Griffin Davis. Who is marvelous. When he speaks of his love of Hitler and his hate of the Jewish people it is heartbreaking. His innocence is conveyed through smart writing and brilliant acting that showcases his vulnerability in each of his scenes. Thomasin McKenzie is equally amazing as her teasing of what Jojo believes are facts about the Jewish people is scary and funny all at the time. And the quiet MVP of the whole picture is Scarlett Johansson. As a mother trying to protect her son and fight against the Nazi’s is a subtle moving performance. I cried like a baby when it was revealed only by her shoes that she has been executed.

Jojo Rabbit also mirrors what’s happening in the real world today as well adding to its brilliance. Blindly following a leader without facts or the truth will only leave you hurt and confused. As Jojo navigates the final third of the film, realizing everything he believed was a lie is relatable to almost everyone.

Smart writing, great direction and a talented cast make Jojo Rabbit an absolute winner.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 92, WALL*E (2008)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

92. WALL*E (2008) Directed by Andrew Stanton

The Movie: In the 29th Century, the Earth we know no longer exists. It now is a barren wasteland with no signs of life. And, the Earth could not support it.

There is one last robot on Earth. Waste Allocation Load Lifter: Earth Class or WALL*E. WALL*E has taken refuge in a truck with his only companion, a cockroach. WALL*E spends his days collecting and compacting the trash. Also, WALL*E collects anything he finds interesting to take back to his truck.

One day as WALL*E is out and about he observes a probe that is flying around, the probe named EVE (Extraterrestrial Vegetation Evaluator) is scanning Earth for signs of life. WALL*E falls for EVE and shows her his belongings, which includes a living plant.

By doing this, WALL*E inadvertently triggers EVE’s standby mode, which leads to a ship arriving to collect EVE and the plant. Desperate, WALL*E clings to EVE and is pulled onto the ship, which returns to its base, the mothership, Axiom.

On board we learn that humanity has left Earth centuries ago and now live onboard as morbidly obese people who are scooted around on hoverscooters and have robots do all “physical activity” for them. EVE is brought to the ship’s Captain, McCrea. McCrea learns that if life is found on Earth, the Axiom will return to Earth with the hopes of life starting there again. When McCrea checks EVE for the plant, it’s gone. McCrea believes that EVE must be broken and sends her to be checked.

When WALL*sees what might happen to EVE, he intervenes, saving her and releasing all the other “faulty” robots in the process. EVE grows frustrated with WALL*E and tries to send WALL*E back to Earth. EVE observes that the plant is in the possession of a robot that is attempting to destroy the plant in a self-destructing escape pod. WALL*E attempts to get the plant but is launched into space. EVE goes after WALL*E and the plant. EVE is shocked when the pod explodes, but WALL*E survives, he has the plant safe and sound. EVE realizing that WALL*E did not take the plant from her, starts to have feelings for WALL*E as well. The two robots dance outside the Axiom.

EVE returns to McCrea and gives him the plant. McCrea is excited to return to Earth, but AUTO, the AI auto-pilot, reveals to the Captain that, they will never return to Earth. The big corporation Buy N Large has programmed AUTO to override any attempt to return to Earth as the company wants everyone to be reliant on them for their greedy needs. McCrea, decides to override this order, which triggers AUTO and GO-4 to attack the Captain. The robots throw McCrea in his living quarters, electrocute WALL*E, put EVE in standby mode and throw the robots down a chute.

Almost thrown out of the Axiom, EVE was activated by a robot and both she and WALL*E were saved by a cleaning robot who was following WALL*E’s dirt trail.

With the humans and robots working together now to stop AUTO and Buy N Large from keeping them in space, WALL*E, EVE and McCrea confront AUTO and fight him to gain control of the ship. AUTO is able to smash WALL*E seemingly killing the robot. McCrea is able to overpower AUTO with EVE inserting the plant into the ship which triggers the ship to go into hyperspace and return to Earth.

On Earth, EVE is able to repair WALL*E but at a terrible cost. WALL*E does not have any memory of his time with EVE and his personality is gone. Devastated, EVE gives WALL*E one last kiss. This reverts WALL*E back to his former self.

Why I Love WALL*E (2008): The artistry of PIXAR has never been more perfectly captured than in WALL*E. The amount of emotion that WALL*E and EVE convey with minimal noises is nothing short of astonishing.

Not only is the film beautiful to look at, but it might be the most beautifully animated film, ever. The drab colors of an Earth long dead and the beauty of space are brought to vivid life by the artists at PIXAR. The fluidity of the robots gives the characters each a distinct look and feel.

I cried multiple times watching this film. From the beginning of EVE and WALL*E’s relationship, to the beautiful dance through the stars and finally to the sweet kiss at the end, WALL*E tugs at the heartstrings.

WALL*E is an achievement that few studios can accomplish. The film, to this day sets the standard of what a moving picture can do with no words, just incredible artists at the top of their game telling a story that not only touches on the longing for companionship and love, but also what happens when greed and over commercialism takes over.

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