Month: November 2021

Show Time: “Encanto” Review

Honestly the short film, “Far From The Tree” is the best part of the movie; but, Disney’s “Encanto” is still really good on its own.

This week, Disney releases its 60th animated studio film, “Encanto,” a story about a family blessed with magical gifts and heavy expectations.

Summary: Mirabel is the lone person in her family, the Madrigals, who doesn’t have a magical gift. Her family members can talk to animals, control the weather, hear a pin drop a mile away, and heal people with their cooking. Their lives revolve around their magical casita and the community that has built up around it. The entire town looks to the family to lead the way, but when the house starts to crack and the magic starts to fade, how will Mirabel and her family confront it?

Basic review: I really enjoyed the movie. The trailers made it feel like this grand adventure, full of physical danger and challenges. And it is… but not in the way you might think. The challenges and whatnot are much closer to home, pun intended, for the main characters. Mirabel doesn’t have to go on some far-off quest to find the answers she seeks.

I wasn’t blown away by the music. It’s fine. Nothing to hum or tap your toes to on the way home. The voice performances all felt really good, and Stephanie Beatriz was the MVP. It’s honestly amazing to think it’s the same person who plays Rosa Diaz on “Brooklyn Nine-Nine.” The animation is beautiful; they really take advantage of the color palette, and the effects for the hair and sand look incredibly realistic. Props to the animators.

About 20 minutes in, I had a strong feeling as to where the story was going and what the resolution would probably look like. And honestly, I was right. Not in a “wow, Hollywood, you’re so predictable” sort of way. More in a “the story naturally built in that direction via thematic elements, parallels, etc.” sort of way.

Honestly, the movie is good. I want to see it again: partially because the “Far From the Tree” short captured such a complex topic in such a short and cute story that didn’t have any dialogue … and partially because “Encanto” itself is great. Perhaps I’ll appreciate the music more after a second viewing.

Overall, I recommend giving it a watch this Thanksgiving / winter holiday season.

Come back to read the rest of the review once you’ve seen Disney’s “Encanto.”

SPOILER-FILLED Review:

(Warning: here be spoilers)

It occurred to me after I was driving home from the theater that this is kind of the same basic plot/conflict as “The Princess Diaries.” Grandmother, who everyone looks to as a leader in the family/community, has very high expectations of her family members. She pressures her granddaughter too much, so much so that her granddaughter feels like she can’t live up to her grandma’s expectations and, thus, doesn’t feel like she can properly be a part of the family. Granddaughter tries to run away from home at some point, and she and her grandmother reconcile when the latter realizes that her high standards as a leader have made her forget her duty as a grandmother. She spent so much time and energy focusing on the family’s public persona that she forgot that her grandkids are … kids.

In “The Princess Diaries,” Mia and Clarice have that beautiful conversation where Mia decides she doesn’t want to be a princess and Clarice tells her that she is “first and foremost” her granddaughter. And then Clarice drops her very formal manner and gives her granddaughter a much-needed hug. It’s probably my favorite moment in the movie, because it’s when Clarice verbalizes that, even though Mia (seemingly) won’t succeed her, it doesn’t matter because she’s still family.

We also see that same message more recently in “Moana.” When Moana is about to give up her quest and spirit-Grandma visits her. She says that she should’ve never put such a heavy burden on Moana’s shoulders and that if Moana wants to go home, she’ll be with her. It’s interesting that they took something that was a mere line in “Moana” and basically turned it into another Disney movie.

I really loved the themes in “Encanto” about being overworked, overburdened, and pressured to live up to family’s/society’s expectations. It’s probably best expressed in Luisa’s song, “Surface Pressure.” I appreciated Abuela’s message that the family is meant to use their gifts to better other people’s lives, but the family needed to find a balance in doing so. Luisa felt like she couldn’t stop for a second without appearing lazy, ungrateful, or weak.

The line that really sticks out to me — as I’m reading through the lyrics — is “I’m pretty surе I’m worthless if I can’t be of servicе.” Wow. Imagine how Mirabel felt hearing that, considering she felt “worthless” because she didn’t have a gift. Luisa also feels that, because she’s older than Mirabel, she has to take on more responsibility, more work. Also, pretty powerful. Sometimes the oldest sibling isn’t the most qualified for a given task, but because of familial pressure and whatnot, they might be forced into it regardless.

I think I clued into Mirabel stepping more into Abuela’s role by the movie’s end because for all Abuela talked about everyone having a gift, Abuela didn’t have one. Her family and her casita was her gift. So, it felt poignant that Mirabel’s “gift” manifested with the new casita — complete with magical door depicting her and her family. That was a great ‘full-circle’ moment.

Overall, this movie does have a few problems. As I said, I don’t the songs were particularly strong. They were just there — with the exception of “Colombia, Mi Encanto.” I can’t imagine kids 10 years from now bopping their heads to these songs as they fly around in their jet packs or whatever. They’re powerful in the context of the story, but they’re not really head-bangers on their own. (Side note: is Lin Manuel Miranda the only songwriter in Hollywood anymore?)

I honestly was surprised this was a musical. I hadn’t seen anything about it in the marketing, and so when they started breaking into “The Family Madrigal,” I had to adjust my expectations. I think sometimes the songs work with the flow and tone of the story, and other times they feel a little shoe-horned in.

I also felt like the pacing might’ve been a bit off. The third act feels a little too short and wrapped up too fast, but perhaps that’s me. I might feel differently after a second viewing.

Ultimately, I do want to see the movie again. I definitely think “Encanto” is far-and-away superior to “Raya and the Last Dragon” and I personally liked it better than Pixar’s “Luca.” Of all the animated movies I’ve seen this year, it might be the best… TBD. I’ll have to look over my list again. “Wish Dragon” was amazing, and “Vivo” had its moments. But, “Encanto” was a strong entry and I highly recommend it to everyone who hasn’t seen it.

Rod Stewart-The Tears of Hercules: Track by Track Review

Rod Stewart returns with another round of mostly original material for his 32nd solo album, The Tears of Hercules. Stewart again follows the pattern of his 2018 studio album, Blood Red Roses, which there is no really cohesive thread in the album. Not a slight, but it seems to me that Stewart now is trying his hand at all genres of music and what you will hear is a 12-track album with diverse sounds from dance music, folk, Central America influences and of course Celtic and Irish touches.

The Tears of Hercules is a fun, solid ride for a man that is now in his sixth decade making music. Make no mistake, I am a huge Rod Stewart fan and I love that he takes chances and records whatever tickles his fancy.

So I thought I would share with you yet another Rod Stewart article on my website about movies. I also decided to dive into each track. I have listened to The Tears of Hercules non-stop since its release and I think I have a pretty strong feeling on where I stand with this album. Put on your headphones and join me on a journey I think you will enjoy.

One More Time (Rod Stewart/Kevin Savigar)

The Tears of Hercules opens with a country-pop ditty about hooking up with an ex-lover for one more roll in the sack. I like this song and I love the playfulness of the lyrics. Right off the bat Stewart comes out strong with, “It’s not the color of your hair or the beauty in your eyes that I’ll be missin’. Or the sunshine in your smile or those ruby red lips I’ve been kissin’” The song starts mellow with just a guitar and slowly ramps up to the chorus.

The folk touches give way to more of a poppy-country sound. Which is fine. I would’ve liked if stayed understated but I hear the appeal. It is catchy and I heard this just today at a local grocery store so it’s getting radio play.

Overall a fun, lightweight start to the album.

Grade: B-

Gabriella (Rod Stewart/Kevin Savigar)

When I mentioned in the beginning of this article you can’t really pinpoint the genre of music to put The Tears of Hercules in, takes a 180 degree turn from One More Time to a dance infused electronic song, Gabriella.

Which I guess if there is a theme here is they are both about sex. And this song has a killer hook and I love the opening verse, particularly “A blind man could see you made a bee line for me, there was only one thing on your mind.”

Of all the songs on this album, Gabriella is the one I am most conflicted about. The guitar solo is wicked and it is fun, I am just not sure how much fun. I do like it but not sure how much. I do think Rod sounds great on the track.

Grade: B-

All My Days (Rod Stewart/Kevin Savigar)

Hey you like songs about sex? Well let’s change everything you’ve heard so far on The Tears of Hercules and take a vacation and relax with the sounds of Mexico.

Stewart throws a curve ball yet again for the third straight song as the airy, catchy, All My Days is next. Taking the same approach as Beautiful Morning, where our hero just wants to get away. All My Days is lighter and perhaps a little more fun than Beautiful Morning.

I love this song. It’s ok people to just enjoy a song. It doesn’t have to be deep, it can just be fun and All My Days is that. I love the catchy chorus, I love the horns, I love the Central American vibe.

Grade: A-

Some Kind of Wonderful (John Ellison)

The first cover that Stewart tackles is a doozy. First released in 1967 by the Soul Brothers Six, and than reaching number three on the Billboard charts by Grand Funk Railroad in 1974.

Stewart’s in a blend of the two and he dirties it up a little bit with some crunching guitars and makes it one hell of a good time. Stewart is in top form during this song and shows he still can deliver the goods on rock songs.

Grade: A

Born to Boogie (A Tribute to Marc Bolan) (Rod Stewart/Emerson Swinford)

Marc Bolan was known as one of the pioneers of Glam Rock with his band T. Rex. Bolan tragically died in 1974 and Rod pays tribute to him on a rip roaring true to its title boogie.

The opening chords will have you tapping your feet and when Stewart steps up to the mike he delivers a fun and touching song. What I love about this song is that, yes it’s a tribute but it is also one hell of a fun song. Rod’s lyrics are so clever throughout the runtime that it ends way too fast. With killer lines like, “When he played guitar he was a rock-god baby-faced assassin. He wore a black bowler hat and a jacket made of cherry red satin” Yes, Stewart rhymed “Assassin and satin”. He doesn’t get the credit he deserves as a song writer and my guess is that it will always be his fans best kept secret.

Grade: A

Kookooaramabama (Rod Stewart/Kevin Savigar)

I have no idea what this title means. And after listening to the song I am guessing it’s about sex. Rod returns to dance music with Kookooaramabama and it is ok. But I do like the the line, “try it in the kitchen when the kids are out.”

I mean I guess it has a fun beat and the lyrics are fun, but I think it is the weakest track on the album.

Grade: C

I Can’t Imagine (Rod Stewart/Kevin Savigar/Emerson

Oh the song that has divided Rod’s fans. I have read that some people think it is awful and the pendulum swings all the way to the other side where people adore it.

I think I fall in the middle. It took me a long time to warm up to it. The music video sold me on the song, seeing Rod smiling and charming his way through the song had me smiling with new appreciation for I Can’t Imagine.

I do love the message of the song, especially dig the line “And when I’ve been down and out and my back’s been against the wall, only you baby, only you stood up for me proud and tall”.

Rod dedicated this to his wife and it also reminds me of mine, perhaps that’s why I am a softie for this song.

Grade: B-

The Tears of Hercules (Marc Jordan)

The title track is a slow moving ballad written by Marc Jordan who supplied Rod with his mega-hit, Rhythm of My Heart.

The Tears of Hercules doesn’t have the punch of that song, but it is sweet and Rod is in top vocal form. It’s a little safe but well done. The best part is Stewart’s powerful reading.

Grade: C+

Hold On (Rod Stewart/Kevin Savigar)

Every Rod Stewart album has a song that is worth the price of the whole album, and Hold On is that song.

Rod is in top form, from his vocals, to his song writing and his incredible phrasing of the lyrics. Tackling the current state of the world, Rod delivers one of his most powerful songs ever.

My favorite lyric is “A Change is Gonna Come, Sam Cooke once sung, oh lay down that burden of hate.” I will be honest I shed a tear listening to this song. Music can always inspire us and Rod does just that in four short minutes

One of his best written songs in many a moons..

Grade: A+

Precious Memories (Rod Stewart/Kevin Savigar)

I never knew I wanted a Rod Stewart doo-wop song and I was wrong. Not only did I want one, now I want a whole album of them.

Rod absolutely crushes the sound of the 50’s in this absolute gem of a song. I close my eyes and picture two straws in a malt being shared by a couple of teenagers in a poodle skirt and a letterman’s sweater.

The lyrics are sweet, the saxophone is money and Rod is singing so well.

Please Rod, give me an album of originals mixed with some Buddy Holly covers.

Grade: A

These Are My People (Johnny Cash)

Rod takes a Johnny Cash country song and drastically changes it to a Scottish/Irish/Celtic ditty.

Kudos to Rod for taking a big chance a fundamentally changing the song. He is an expert at taking someone else’s song and making it his own.

Stewart changes the song as well to sort of a rally sing-along. It’s well done and Rod again is in top form.

Grade: B

Touchline (Rod Stewart/Kevin Savigar)

A beautiful heartfelt song closes out the album. A deeply personal song about Rod’s father is tear inducing, relatable to anyone.

As Rod sings this song, I reflected on my dad standing on the sidelines of my football games and being proud of me but also critical of my play. It was his way of showing love and hearing Rod sing about is tough dad showing his love the same way is deeply effective.

Stewart’s singing is with so much heart you actually hear it in his voice. What a way to close out the album.

Grade: A

I really enjoy The Tears of Hercules. It is a fun album that flies by. And with only a couple of missteps on the album make this another strong album by Rod Stewart.

Overall Grade: B

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