Month: July 2023

Ryan’s 150 Favorite Films: Number 101, The Kid (1921)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

101. The Kid (1921) Directed by Charlie Chaplin

The Movie: Filled with pain, an unwed Mother (Edna Purviance) abandons her child by placing him into the back of an expensive car, hoping that the boy will have the life she could not give him. With a note pinned to the child she leaves. The car is stolen by thieves who leave the child in an alley.

The child is found by A Tramp (Charlie Chaplin), who tries very hard to give the child to strangers on the street. Tramp finds the note on the boy that states, “Please love and care for this orphan child.” Tramp is moved by the note and takes the boy home. There he names the boy John and starts adjusting to a life of a caregiver.

It’s been five years and we catch up with John “The Kid” (Jackie Coogan) and the Tramp. They still live in Tramp’s cramped room and have little to no money. They do however have a scheme they pull off to make money. The Kid throws rocks threw windows, and The Tramp repairs them. The Mother, now a famous and wealthy actress does charity work by giving gifts to poor children. The Mother and The Kid unknowingly meet.

Later, The Kid gets into a fight and wins. This angers the other kid’s older brother. He attacks The Tramp who is “saved” when Mother breaks the fight up. When she leaves the fight continues. The Tramp is victorious with the help of some well-placed bricks.

The Kid soon falls ill and the Mother has The Tramp call a doctor. The doctor learns that The Tramp is not the father of The Kid. Men come to take The Kid to the orphanage but he and The Tramp escape. The doctor shows Mother the note he finds and she learns that The Kid is her son that she abandoned all those years ago.

While at a flophouse, the manager learns that there is a $1,000 reward for The Kid. He takes The Kid to the police station in the middle of the night while The Tramp is asleep. The Mother and The Kid are reunited. The Tramp after searching for The Kid returns home, and falls asleep in the doorway. In his dreams, his neighbors are all angels and devils. The Tramp is roused by a policeman, who takes The Tramp to a mansion. The Tramp confused as the door opens and he sees The Kid and The Mother, who welcome him into their home.

Why I Love The Kid (1921): Brilliant, funny and heartwarming. The Kid delivers on a wide range of emotions. Chaplin rightfully earned his place as one of the first true movie stars with films like The Kid.

Not only was he the star of the picture, but he was also the writer, editor, producer and composer. He wore many hats in his career and to me The Kid is the best and most successful of all of his films.

Laugh out loud moments are peppered throughout the film, but the chemistry between Chaplin and Coogan is what separates The Kid.  The power of motion pictures as an art form is maybe the strongest on The Kid. As this is a silent picture all of the story is told by the actions of the stars. The act of physical comedy in The Kid is nothing short of amazing. But, how brilliant the physical comedy is, the emotions that Chaplin and Coogan put on screen make The Kid an all time classic tear jerker as well.

From well-choregraphed physical comedy, to heart warming and beautiful scenes, The Kid is the gold standard of silent films.

Ryan’s 150 Favorite Films: Number 102, Night of the Living Dead (1990)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

102. Night of the Living Dead (1990) Directed by Tom Savini

The Movie: Johnnie (Bill Moseley) and his sister Barbara (Patricia Tallman) are on their way to their mother’s grave. They picker like siblings. At the cemetery, Johnnie teases Barbara about someone coming to get her. “They’re coming to get you Barbara!” Barbara pleads with her brother to stop, he doesn’t. The teasing continues as Johnnie notices a man stumbling towards them. Johnnie tells Barbara that the man is after Barbara. Barbara is horrified and tells Johnnie the man will her him teasing.

As the man approaches Barbara, he seems confused and injured. The man has a far away look in his eyes, and says, “I’m sorry.” Johnnie now concerned asks if the man is ok. Out of nowhere Barbara is attacked by a hideous looking man. Johnnie attempts to save Barbara and pulls the man off of her. Johnnie, however trips and hits his head on a gravestone, killing him. The man now sets his sights on Barbara and chases her to her car. Barbara gets inside and the man pursues her. Barbara gets away and runs to a farm house.

Inside the farm house all is quiet. Bacon is cooking on the stove and burnt. Barbara is attacked by another man. She is able to kill him and she runs outside. Pulling up in a pick up truck is a man named Ben (Tony Todd). Ben fights off more people who try attack them. Barbara is in shock. Ben explains to Barbara that he escaped a diner that was under attack by a horde of people. Ben explains to Barbara that he saw the people in the horde take may shots from a gun, and get right back up. Ben shares with Barbara that the only way to stop the dead is to incapacitate the brain.

Night falls in the farm, and more dead are slowly moving towards the farm house. Ben and Barbara learn that there are more survivors in the basement of the home. Harry Cooper (Tom Towles), his wife Helen (McKee Anderson) their sick daughter Sarah (Heather Mazur), Tom (William Butler) and his girlfriend Judy Rose (Katie Finneran). Ben and Harry are odds right away. Ben says that he could’ve used his help and Harry states that he didn’t know if Ben was one of the dead or not. Ben and Harry are more at odds as Harry believes that the safest place in the house is the basement and Ben says that they should stay upstairs, board up the windows and fight the dead where they can run away if they need to.

Barbara explains to Ben that the dead are “so slow” and says they have guns they could walk right past them. Ben isn’t sold on Barbara’s idea and they continue to board up the house. Ben learns that Sarah is sick is because she was bitten by one of the dead. Little do the survivors know, but the noise of them boarding up the house is attracting a lot of the dead. Tom tells Ben that there is a gas pump on the farm and they could drive Ben’s truck there and fill up the gas and escape. Tom tells Ben that it is Uncle’s home and that he might have the keys around the house. They find a set of keys on Tom’s Uncle’s corpse and they make their way to the gas pump. Ben is thrown from the truck and is tied up fighting the dead. Judy Rose and Tom arrive at the gas pump and are shocked to learn that the keys do not unlock the gas pump. With the dead closing in, Tom panics and shoots the pumps lock causing a massive explosion, killing him and Judy Rose.

Ben makes his way back to the house and is locked out. Harry has attacked and taken Barbara’s gun. In the basement, Sarah rises and is now one of the dead. She attacks and kills her mom. Ben is able to get inside and he starts to fight Harry. Sarah shambles her way upstairs and Ben pleads with Harry to kill her. He refuses. Ben kills Sarah, which leads to a gun fight between the two men as the dead start to pour into the house. Ben and Harry shoot each other and are badly wounded. Harry escapes upstairs and finds a string to the attic door and retreats there. Ben tells Barbara to leave which she does reluctantly. Ben makes his way to the basement and kills Helen as she is now one of the living dead. As Ben sits down by the workbench in the basement he notices a key that is labeled “gas pump”.

Barbara learns that she was correct in her assessment of the dead. They move very slow and if walks fast enough they cannot catch her. Barbara finds a group of locals that are hunting the dead and looking for survivors. Barbara is shocked to learn that the locals are hanging the dead from trees and using them as target practice and wrestling them drunk in an animal pen.

Barbara returns to the farm house. The rescuers are sawing the basement door. When it opens, Ben appears at the top of the stairs, dead. He is killed. Barbara is startled by Harry who has survived the night. Harry is happy and surprised that Barbara came back. Barbara shoots Harry in the head killing him and tells the rescue team, “another one for the fire.”

Why I Love Night of the Living Dead (1990): As crazy as it might seem, I love this remake of my most favorite horror movie ever. The first half of the film is nearly identical to the original, with slight variations to scenes. Where the film becomes its own is the second half. The biggest change is in the character Barbara. In the original film she is catatonic from the attack at the cemetery and is no help to Ben or the other survivors. Here, she is able and willing to fight for her life. Patricia Tallman gives a brilliant performance as a woman pushed to the edge and fights back.

George Romero wanted to remake Night of the Living Dead partially due to the fact that he did not really profit from it’s original release due to a copyright snafu which immediately put the film into the public domain. George Romero convinced Tom Savini to direct the film after he was hired just for the special effects. Savini shows he is more than capable of delivering scares, action and tension.

Tony Todd as Ben is my favorite part of the film. He is smart and tough but flawed like all of us. His recanting of his escape from the diner is something of legend. His delivery is so cool, so focused and so intense, it is one of my favorite scenes in horror period.

Night of the Living Dead 1990 is wonderfully paced never giving you a chance to catch your breath, and just like the original we learn that the dead are scary but people might be the scariest creatures on Earth.

Ryan’s 150 Favorite Films: Number 103, Mad Max: Fury Road (2015)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

103: Mad Max: Fury Road (2015) Directed by George Miller

The Movie: In the future, resources are scarce and fought over. Max (Tom Hardy) lives in this world and attempts to protect people. Max is haunted by his failures and is captured by the followers of the vicious Warlord Immortan Joe (Hugh Keays-Byrne). Max is strapped to the car of Nux (Nicholas Hoult) as a blood bag. Joe instructs his lieutenant Imperator Furiosa (Charlize Theron) to trade with neighboring allies. Joe is giving them produce for fuel.

But, Furiosa has another plan, onboard her War Rig is Joe’s five wives, Toast (Zoe Kravitz), Capable (Riley Keough) The Dag (Abbey Lee), The Splendid Angharad (Rosie Huntington-Whiteley) and Cheedo (Courtney Eaton). When Joe learns of Fuiosa’s betrayal, he sends an army after them. A battle ensues and Furiosa is able to escape by driving into a sandstorm. Everyone but Nux, who tries to sacrifice himself by blowing up the rig. Max has other plans as he escapes his restraints and ties up Nux.

Furiosa escapes but her rig breaks down after the storm and she is forced to stop and repair it. At first, Max wants to steal the rig, but realizes that he needs a code to bypass the security system. Max agrees to help Furiosa and Joe’s wives escape from him.

Furiosa made a deal with a biker gang that she encountered in a canyon. Fuel for her safe passage. The gang has other ideas and turns on Furiosa. The gang is soon interrupted of their treachery when they see the army of Joe approaching. The gang sets off an explosion that stops the army and they peruse the rig. Joe uses a monster truck to jump over the rubble and is after the rig. Nux, is able to jump on the rig but trips and is stopped. Max has his hands full and is helped by Angharad, who falls from the rig and is killed when Joe runs her over. Joe overcome with grief and anger stops his pursuit.

That night after the rig gets stuck in a swampland, Furiosa tells Max that she is headed to the “Green Place” a beautiful place were there is a tribe of women. Furiosa tells Max that she was taken from her home when she was a child and she plans on returning there with Joe’s five wives. Furiosa looks around and recognizes a landmark from her childhood. Furiosa sees a woman and calls out to her. The woman summons more women and tells Furiosa that they recognize her as a child of theirs that was kidnapped. She also explains that the swampland that the rig is stuck in is all that remains from her former land.

The rig leaves Max behind and they attempt to find a new home. Max is haunted however by a child he failed to save in the past. Max races to catch up to the rig and tells Furiosa that instead of running they should take the fight to Joe, and take the Citadel that has water and crops. Furiosa agrees and she meets Joe’s army head on.

The battle is a hard fought one, with many casualties. Max takes on Rictus Erectus (Nathan Jones) and Furiosa goes after Joe. Furiosa kills Joe and this time Nux sacrifices himself to kill Rictus. Max realizing that Furiosa is dying, transfuses his blood into hers, saving her life.

At the Citadel, Joe’s corpse is presented to the citizens, who tear it apart. Max and Furiosa share one last look and go their separate ways.

Why I Love Mad Max: Fury Road (2015): Take a well established action franchise and turn it up to 11, and that’s how you get Fury Road. The movie is just plan badass. The story is a simple one and it totally works.

The basic plot of trying to escape and then realizing that you can’t outrun your past forever is a universal theme. The action set pieces are some of the coolest around and they are directed with such flair by Miller.

After seeing the last two Fast & Furious movies, made me appreciate Fury Road even more. All the action takes place on camera. There are no fully CGI cars that make the car chases and combat look fake. It all takes place in the real world, making the movie that much more impactful. Seriously, watch the making of and see how they pulled off the insane stunts, it’s incredible.

The cinematography is world class too. John Seale is one hell of a cinematographer whose credits include such diverse films as Harry Potter and the Sorcerer’s Stone and Rain Man.

Insane car battles, badass characters and stunning cinematography make Mad Max: Fury Road one of the best action movies of the 2010’s.

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