Author: Corinne

Show Time: A Statistical Recap of Filmsplosion 2021

Well, it’s been a few hours since Filmsplosion 2021 came out. Did you get a chance to listen to the whole thing yet? If not, don’t read the rest of this post, as we’ll be looking at all the Nerds’ Top 10 lists.

So, in putting this together, I basically assigned every movie a scored based on where it was on a Nerd’s list. If it was their #1 film, I gave it 10 points; if #2, 9 points; and so on until our #10 films received 1 point each. If it was one of the eight films that appeared on more than one list, then it has a combined score.

(In case you forgot, I did this for Filmsplosion 2019 and Filmsplosion 2020.)

Now, we’ll get to which of the eight movies had the highest average score, but first, we’ll look at the movies that scored the highest overall.

So, here are the HIGHEST SCORED MOVIES of Filmsplosion 2021:

  1. The Suicide Squad (27 points)
  2. Spider-Man: No Way Home (25)
  3. Last Night in Soho (17)
  4. TIE – Pig, No Time To Die (12)
  5. TIE – Eternals, Belfast*, The Green Knight* (10)

Of note, Belfast and The Green Knight only appeared on one list each. The two other movies that appeared on multiple lists, The Last Duel and Halloween Kills, had 8 and 6 points, respectively.

As someone who didn’t like The Suicide Squad, I’m frustrated that it beat out Spider-Man: No Way Home for the top spot in 2021. *sighs*

Unsurprisingly, if we look at these films’ average scores (total score divided by number of lists it appeared on), it doesn’t look all that different.

So, THE AVERAGE SCORES for the eight films that appear on multiple lists are:

  1. The Suicide Squad (9)
  2. Last Night in Soho (8.5)
  3. Spider-Man: No Way Home (8.3)
  4. TIE – Pig, No Time To Die (6)
  5. Eternals (5)
  6. The Last Duel (4)
  7. Halloween Kills (3)

I find it interesting that Last Night in Soho had a higher average score than Spider-Man, but I’m assuming that’s because Zach and Ryan both put it in their Top 3, while Brad sand-bagged Spider-Man at #6.

Of the 10 highest-grossing movies of 2021, in terms of domestic box office, three of them appeared on multiple lists (Spider-Man, Eternals and No Time to Die) and two of them appeared on one Nerd’s list (Shang-Chi and A Quiet Place, Part II). Looking at 11-20 at the 2021 domestic box office, five more appear in Filmsplosion 2021 (Dune, Halloween Kills, Encanto, Cruella, and Candyman).

One more thing I wanted to examine is how our selected films break down by genre. How many action movies do we have? How many dramas? Super-hero flicks? etc.

So, for this assessment, I went by each film’s most basic genre. Our choices are: animation, action, comedy, documentary, drama, and horror.

And, like the last two years, I’m also making superhero its own category because they really are becoming a genre unto themselves, much like Westerns did in the 50s and 60s.

I’m generalizing which category it’s in based on my own experience in either seeing the movie or watching the trailer, and most were pretty straightforward to categorize. In the few cases where I was uncertain, I went by which genre was listed first on its IMDB page.

So, without further ado, let’s look at the BREAKDOWN OF THE FILMSPLOSION LISTS BY GENRE:

  1. Drama (11)
  2. Horror (8)
  3. TIE – Superhero, Action (6)
  4. Comedy (4)
  5. Documentary (3)
  6. Animation (2)

Dramas lead for the third year in a row, but Horror performed much better this year than in the previous two years I’ve done these breakdowns. Animation dropped significantly, as the only two entries were on my list, and Comedies didn’t do as well as they have done in years past. Man, are we all depressed or something?

Superhero as a genre did better in 2021 than in 2020, mostly because most, if not all, the MCU and DC movies slated for 2020 were pushed to 2021. It’s about on-par with where the genre performed in 2019. In fact, I think the only big 2021 superhero movie that didn’t appear on anyone’s list was Black Widow.

Thanks to Brad, I put all the Nerds’ Filmsplosion lists below so you can see for yourselves which genre I categorized each movie as.

Give the lists a look, in case you forgot what everyone picked. I also think looking over everyone’s lists by genre is very interesting, as you can see some Nerds lean more on one genre than others. Again, not a bad thing — just something to take note of.

Zach

  1. Belfast – drama
  2. Last Night in Soho – horror
  3. Promising Young Woman – drama
  4. The Sparks Brothers – documentary
  5. Pig – drama
  6. The Tragedy of Macbeth – drama
  7. Halloween Kills – horror
  8. Judas & the Black Messiah – drama
  9. Spencer – drama
  10. The Matrix: Resurrections – action

Brad

  1. The Suicide Squad – superhero
  2. The French Dispatch – comedy
  3. Psycho Goreman – comedy
  4. Zack Snyder’s Justice League – superhero
  5. Pig – drama
  6. Spider-Man: No Way Home – superhero
  7. Sound of Metal – drama
  8. Stalker – horror
  9. Justice Team – superhero
  10. Cruella – comedy

Henry

  1. The Green Knight – drama
  2. Drive My Car – drama
  3. The Suicide Squad – superhero
  4. No Time To Die – action
  5. Woodstock 99: Peace, Love and Rage – documentary
  6. Swan Song – drama
  7. Don’t Look Up – comedy
  8. Eternals – superhero
  9. Malignant – horror
  10. Candyman – horror

Corinne

  1. Spider-Man: No Way Home – superhero
  2. Encanto – animation
  3. Dune – action
  4. Eternals – superhero
  5. Shang-Chi – superhero
  6. No Time To Die – action
  7. Wish Dragon – animation
  8. CODA – drama
  9. The Last Duel – action
  10. The King’s Man– action

Ryan

  1. Spider-Man: No Way Home – superhero
  2. The Suicide Squad – superhero
  3. Last Night in Soho – horror
  4. A Quiet Place, Part II – horror
  5. The Last Duel – action
  6. The Beatles: Get Back – documentary
  7. Mortal Kombat – action
  8. Fear Street – horror
  9. Halloween Kills – horror
  10. Resident Evil: Welcome to Raccoon City – horror

Well, that’s all I had, folks. Hope you enjoyed this statistical breakdown of the 2021 Filmsplosion episode! 🙂

Show Time: “Encanto” Review

Honestly the short film, “Far From The Tree” is the best part of the movie; but, Disney’s “Encanto” is still really good on its own.

This week, Disney releases its 60th animated studio film, “Encanto,” a story about a family blessed with magical gifts and heavy expectations.

Summary: Mirabel is the lone person in her family, the Madrigals, who doesn’t have a magical gift. Her family members can talk to animals, control the weather, hear a pin drop a mile away, and heal people with their cooking. Their lives revolve around their magical casita and the community that has built up around it. The entire town looks to the family to lead the way, but when the house starts to crack and the magic starts to fade, how will Mirabel and her family confront it?

Basic review: I really enjoyed the movie. The trailers made it feel like this grand adventure, full of physical danger and challenges. And it is… but not in the way you might think. The challenges and whatnot are much closer to home, pun intended, for the main characters. Mirabel doesn’t have to go on some far-off quest to find the answers she seeks.

I wasn’t blown away by the music. It’s fine. Nothing to hum or tap your toes to on the way home. The voice performances all felt really good, and Stephanie Beatriz was the MVP. It’s honestly amazing to think it’s the same person who plays Rosa Diaz on “Brooklyn Nine-Nine.” The animation is beautiful; they really take advantage of the color palette, and the effects for the hair and sand look incredibly realistic. Props to the animators.

About 20 minutes in, I had a strong feeling as to where the story was going and what the resolution would probably look like. And honestly, I was right. Not in a “wow, Hollywood, you’re so predictable” sort of way. More in a “the story naturally built in that direction via thematic elements, parallels, etc.” sort of way.

Honestly, the movie is good. I want to see it again: partially because the “Far From the Tree” short captured such a complex topic in such a short and cute story that didn’t have any dialogue … and partially because “Encanto” itself is great. Perhaps I’ll appreciate the music more after a second viewing.

Overall, I recommend giving it a watch this Thanksgiving / winter holiday season.

Come back to read the rest of the review once you’ve seen Disney’s “Encanto.”

SPOILER-FILLED Review:

(Warning: here be spoilers)

It occurred to me after I was driving home from the theater that this is kind of the same basic plot/conflict as “The Princess Diaries.” Grandmother, who everyone looks to as a leader in the family/community, has very high expectations of her family members. She pressures her granddaughter too much, so much so that her granddaughter feels like she can’t live up to her grandma’s expectations and, thus, doesn’t feel like she can properly be a part of the family. Granddaughter tries to run away from home at some point, and she and her grandmother reconcile when the latter realizes that her high standards as a leader have made her forget her duty as a grandmother. She spent so much time and energy focusing on the family’s public persona that she forgot that her grandkids are … kids.

In “The Princess Diaries,” Mia and Clarice have that beautiful conversation where Mia decides she doesn’t want to be a princess and Clarice tells her that she is “first and foremost” her granddaughter. And then Clarice drops her very formal manner and gives her granddaughter a much-needed hug. It’s probably my favorite moment in the movie, because it’s when Clarice verbalizes that, even though Mia (seemingly) won’t succeed her, it doesn’t matter because she’s still family.

We also see that same message more recently in “Moana.” When Moana is about to give up her quest and spirit-Grandma visits her. She says that she should’ve never put such a heavy burden on Moana’s shoulders and that if Moana wants to go home, she’ll be with her. It’s interesting that they took something that was a mere line in “Moana” and basically turned it into another Disney movie.

I really loved the themes in “Encanto” about being overworked, overburdened, and pressured to live up to family’s/society’s expectations. It’s probably best expressed in Luisa’s song, “Surface Pressure.” I appreciated Abuela’s message that the family is meant to use their gifts to better other people’s lives, but the family needed to find a balance in doing so. Luisa felt like she couldn’t stop for a second without appearing lazy, ungrateful, or weak.

The line that really sticks out to me — as I’m reading through the lyrics — is “I’m pretty surе I’m worthless if I can’t be of servicе.” Wow. Imagine how Mirabel felt hearing that, considering she felt “worthless” because she didn’t have a gift. Luisa also feels that, because she’s older than Mirabel, she has to take on more responsibility, more work. Also, pretty powerful. Sometimes the oldest sibling isn’t the most qualified for a given task, but because of familial pressure and whatnot, they might be forced into it regardless.

I think I clued into Mirabel stepping more into Abuela’s role by the movie’s end because for all Abuela talked about everyone having a gift, Abuela didn’t have one. Her family and her casita was her gift. So, it felt poignant that Mirabel’s “gift” manifested with the new casita — complete with magical door depicting her and her family. That was a great ‘full-circle’ moment.

Overall, this movie does have a few problems. As I said, I don’t the songs were particularly strong. They were just there — with the exception of “Colombia, Mi Encanto.” I can’t imagine kids 10 years from now bopping their heads to these songs as they fly around in their jet packs or whatever. They’re powerful in the context of the story, but they’re not really head-bangers on their own. (Side note: is Lin Manuel Miranda the only songwriter in Hollywood anymore?)

I honestly was surprised this was a musical. I hadn’t seen anything about it in the marketing, and so when they started breaking into “The Family Madrigal,” I had to adjust my expectations. I think sometimes the songs work with the flow and tone of the story, and other times they feel a little shoe-horned in.

I also felt like the pacing might’ve been a bit off. The third act feels a little too short and wrapped up too fast, but perhaps that’s me. I might feel differently after a second viewing.

Ultimately, I do want to see the movie again. I definitely think “Encanto” is far-and-away superior to “Raya and the Last Dragon” and I personally liked it better than Pixar’s “Luca.” Of all the animated movies I’ve seen this year, it might be the best… TBD. I’ll have to look over my list again. “Wish Dragon” was amazing, and “Vivo” had its moments. But, “Encanto” was a strong entry and I highly recommend it to everyone who hasn’t seen it.

Show Time: Top 10 Anime Openings (ft. Gerry the Artist)

So, during The Great Blizzard of March 2021, my friend Gerry the Artist and I recorded two things via Zoom. The first was our introduction to the Movie Madness 2021 brackets. The other was discussing and ultimately assembling this list of our combined Top 10 anime openings. (My apologies for taking so long to upload it.)

I highly recommend that you listen to at least part of the recording, which is linked here, because you get to hear our entire thought process on which ones to include on the list and why. However, this post will summarize everything.

In case you’ve never seen anime, which LOL, most if not all series have an 1:30 long opening song and animation sequence to get viewers hyped up for the show they’re about to watch. In some cases, it can also act as an introduction for first-time viewers. The idea is to highlight the main characters — protagonists, antagonists, side characters, love interests, etc. — and the main conflict of the series or the arc. Depending on the show or arc, these can range from straight-forward to hyper-artistic and from dark and moody to light and breezy.

Gerry and I each compiled an individual list, which included some overlap, and decided which 10 should make our combined list. Overall, we looked each opening as a whole — animation, music, etc. We created a few criteria in that we only wanted to include anime one or both of us had seen, and we limited it to one per franchise. Otherwise, I probably would’ve argued for about five different openings from Naruto: Shippuden to be on the list.

Now, without further ado, here’s our combined Top 10. I’ll try to include a link to the OP video in each entry, but in case the links no longer work, I apologize in advance. Sometimes, these things get taken down from YouTube pretty suddenly.

10. “Burn” (OP2) from Hanyo no Yashahime

Yashahime, the sequel to the anime Inuyasha, had a decent OP1. But, then midway through the first season, “Burn” started introducing each episode. And, boy, did it pack quite a punch!

Compared to the first opening, “Burn” has a lot more energy and a lot more going on animation- and story-wise. Not only does it give us an overview of the three protagonists and other supporting characters, it also has some slower, more reflective moments. And unlike OP1, here the animation moves at the same pace as the song. When it’s slower, the animation slows down. When it speeds up again, the animation does too. And, when it was introduced mid-Season 1, it also foreshadowed a lot of things that would happen later in the series, especially the finale. And, some of them were so subtle that you couldn’t notice them unless you paused at just the right moment.

Overall, it’s jam-packed with important images and has great energy! The only reason it’s not higher is because the show and intro are relatively new. I think we need to see how both stand the test of time.

9. “Just Communication” (OP1) from Mobile Suit Gundam Wing

If you were a kid in the 1990s, and had no idea what Gundams were, this was an intro and a show for you. The opening makes it seem like a Japanese boy band is handling giant robots. It shows just how powerful the Gundams are, according to Gerry, who described how much he loved the show and the opening during our recording. And, I agree, “Just Communication” is really catchy.

8. “Overlap” (OP5) from Yu-Gi-Oh!: Duel Monsters

While I personally have a soft spot for the various English-language openings, this intro is another strong one from the franchise.

This intro runs during the final arc of the series when Yugi, the Pharaoh & co go back into the past (or at least a memory version of it) to find out who the Pharaoh was and help him eventually move onto the afterlife. As Gerry described during the recording, the show and particularly this arch has such a deep, rich mythology. It also gives you a taste of what’s to come, including Kaiba’s origin story and his attachment to the Blue Eyes White Dragon. Overall, it’s beautifully animated and captures a lot of the atmosphere in that final arc.

7. “Through the Night” (OP1) from Outlaw Star

This opening is another holdover from mine and Gerry’s Toonami days. Ah, such good times. While I’ve never seen the show, Gerry described it as a “space pirate” epic. Everyone’s hunting for a treasure, and I mean everyone! Pirates, priests, police, and more! It’s a wild ride, and everyone should check out this show, according to Gerry.

6. “Pokémon Theme Song” (OP1) from Pokémon

If Outlaw Star was Gerry’s solo entry, this one was mine. Everybody who grew up watching Pokémon knows this song. Man, it’s so incredibly catchy!! It introduces you to the world, the variety of Pokémon, and the mindset of becoming the greatest Pokémon trainer. Ultimately, it’s a lot of fun.

5. “Stray” (OP1) from Wolf’s Rain

Much like Wolf’s Rain, this intro has the perfect blend of adventure and melancholy. The song itself straddles this line between being upbeat and energetic, while also being a little reflective and dour. It think it mostly comes from the lyrics and instrumentals. It also perfectly capture much of the mood and atmosphere of the characters, although not so much the world they inhabit.

This opening is also unique because — SPOILER WARNING — it actually takes place chronologically (to some degree) after the main events of the show. In fact, the final shot of the finale perfectly transition into the song “Stray” and allows you to connect the dots that the opening you’ve seen all season was actually taking place “in the future” from the rest of the show.

4. “Realm of Athena” (OP1) from Saint Seiya: The Lost Canvas

For me, this intro is kind of perfect. It has a catchy song; it introduces the main characters and gives you a quick sense of their backstories and connections to one another; and it outlines the main conflict and the myriad of side characters. Ultimately, it’s fast-paced, visually beautiful and all-around captivating.

Gerry, meanwhile, explained how he’s a big Saint Seiya fan, as it part of his introduction to anime as a whole. Plus, this spin-off (or prequel, really) to the main series also emphasizes the importance of artwork. Hence the title: the Lost Canvas. And some of that comes out in the opening, which also really emphasizes the tragic elements of the show’s main story.

3. “Sign” (OP6) from Naruto: Shippuden

OK, so when I said Lost Canvas was kind of perfect, it’s because this opening actually IS perfect.

One of the big reasons I love this so much is because it perfectly encapsulates the not only the plot but the emotional turmoil of this arc. It gives us a preview of a lot of major plot points that happen in this arc including — SPOILER WARNING — Itachi and Jiraiya’s deaths.

Like “Burn” from Yashahime, this intro packs so much into 1:30 in terms of animation and emotion. It hypes you up for two of the biggest fights in the show, up to that point, and hints at the emotional fallout of both. There are so many great little moments even in this short intro that stand out so clearly in my mind, but Itachi taking Sasuke’s eye, Jiraiya clapping his sandals together, Pain rushing at Jiraiya, and Jiraiya seemingly sacrificing himself to save Naruto from ‘the darkness’ are among my favorites. Given that we open on happy memories for Itachi and Jiraiya, and then in this intro (and the arc in general) we see both those characters meet their end, “Sign” ultimately feels like a mini-story of those characters’ journeys.

It is absolutely perfect. The only reason it’s not higher on the list is because it’s not as iconic as our Top 2 entries.

2. “Cha-La-Head-Cha-La” (OP1) from Dragon Ball Z

So, when I watched DBZ on Toonami, it either didn’t have this intro or it had another one. The only experience I have with this opening is from the DBZ Abridged series on YouTube.

While I agree it is iconic, I don’t have strong feelings about it. Gerry, though, was able to elaborate on exactly what makes this intro so special.

DBZ or some intro from Dragon Ball had to be on the list somwhere, just because of how iconic and important the franchise is to so many anme fans. But, this intro is the best out there because of how succinctly it introduces you to the world of Dragon Ball. It’s adventurous and simple, while also introducing you to the fantastical elements of this world — people who can fly and shoot energy beams, giant dragons, dinosaurs, the Saiyans’ ape transformation, etc. It also hints at an approaching evil (the Saiyans) but ends on a hopeful note.

To quote Gerry, “It’s beautiful and timeless.”

1. “Tank” (OP1) from Cowboy Bebop

What a unforgettable opening!

If you’ve never seen that show and have never listened to this song, what is the matter with you?

Fun fact, this is also the second entry from composer Yoko Kanno on our list after “Stray.”

Even though I’ve never seen the entirety of Cowboy Bebop, the intro was the best part of the episodes I did watch. I has this strong jazz/noir vibe that the rest of the show gives off as well. It also definitely gets you hyped for adventure.

For Gerry, the most memorable aspect of the opening is the artistry and detail. The hand-drawn smoke, the background details that describe this world like clippings from a newspaper, the James-Bond-like silhouette of women that feels sensual and classy.

As Gerry said, “The artistry is amazing.” Even on this list, “Tank” is unique in its feel. A lot of anime, especially today, rely on pop songs to carry the openings. Here, its original music that was written with this world and these characters in mind. Even though it doesn’t have lyrics, it still tells the story better than most anime openings out there.

And that’s why we felt it deserved to be #1 on this list.

Thanks for sticking with us until the end. Feel free to send me a Tweet @CatchingClassic or message the Reel Nerds Facebook page if you’d like to see more of these collaborations with Gerry or more articles on anime.

Once again, definitely give the recording a listen. It’s about an hour long, but you get the whole thought process and hear about some of the other openings that we thought could be on this list.

Movie Madness 2021: Selection Monday Announcement

Well, we had so much time last year that we decided to bring it back.

In case you missed it, last year, In light of the post-season college basketball tournaments being canceled, I thought, “What better way to keep the crazy competitiveness of March alive than with a movie tournament?”

So, I introduced Corinne’s Movie Madness.

Just like the basketball tournaments, we had a field of competitors facing off in one-on-one competitions. You, the Reel Nerds fans, decided which of the two movies in a given match-up advanced to the next round, and eventually crowned The Princess Bride as last year’s champion.

(Sidenote: A special thank you to Brad for the excellent graphic!)

This year, with the help of the other Nerds, we are doing a themed Movie Madness tournament.

The competitors and bracket mechanics

Unlike other competitions, this one is very selective. Only 16 films qualified for a coveted spot on the bracket. No doubt you’re wondering exactly how we picked 16 films out of thousands of good ones.

We decided this year that our field will be entirely composed of animated Disney and Pixar movies. Each Nerd picked four of their favorites for the bracket.

We figured the fairest way to do it would be to have each Nerds’ four films as their own region or division. That way, each of us will definitely have one movie in the semifinals / the Final (four) Films.

And, just like the tournament, each movie has a “seed” or ranking within its Nerd’s division. As far as I can tell, we gave the rankings based on how much we like each of them. #1 is our favorite, #2 second-favorite, etc.

How you participate

Just like the college basketball tournament, Movie Madness will start on Thursday, March 18.

That day, we will post the first match-up on the Nerds’ social media pages and you go and vote for whichever you think is the better movie! Simple as that.

For instance, on March 18, it’ll be the 1-seed vs. the 4-seed in Ryan’s division; whichever movie receives more votes before midnight will advance to the next round. (In the case of a tie, the higher seed will win; so if you like the lower-seeded movie, get your friends to vote for it too.)

Eight days later, we will advance to the second-round match-ups, and the procedure will be the same until a movie is crowned the winner. If I’m counting right, our championship match-up should be on April 1.

Announcing the field

So, this year, in the spirit of the NCAA tournament and its Selection Sunday show, friend of the podcast Gerry the Artist and I recorded a special bracket announcement segment that should be hitting the Reel Nerds podcast feeds today, or soon. As I announced the match-ups, Gerry gave his spur-of-the-moment analyses of each first-round match-up and the divisions overall.

Here’s the video file if that’s your preference:

But, in case you don’t have 26 minutes to spare, let’s get you caught up:

  • On Thursday, March 18, we will have Ryan‘s 1-seed Pinocchio versus his 4-seed Dumbo.
  • On Friday, March 19, Ryan’s 2-seed Toy Story 2 facing off against his 3-seed The Lion King.
  • On Saturday, March 20, kicking off Brad‘s division is his 1-seed Wall-E against his 4-seed Robin Hood.
  • On Sunday, March 21, Brad’s 2-seed Oliver & Company will go up against his 3-seed Ratatouille.
  • On Monday, March 22, we will have a Disney princess showdown between my (Corinne‘s) 1-seed Beauty & the Beast versus my 4-seed The Little Mermaid.
  • On Tuesday, March 23, we’ll see a Pixar afterlife movie match-up when my 2-seed Coco takes on 3-seed Soul.
  • On Wednesday, March 24, Zach‘s 1-seed Fun & Fancy Free takes on his 4-seed (and Gerry-identified dark horse of the tournament) The Great Mouse Detective.
  • On Thursday, March 25, we conclude the first round of the tournament with Zach’s 2-seed Ichabod & Mr. Toad against his 3-seed The Jungle Book.

(And in case you didn’t watch / listen to the bracket announcement, these are all the classic 2D-animated Disney films, and not the the “live-action” remakes.)

Thus, on Friday, March 26, we will start the second round and on April 1, we will have our championship showdown.

Here is your full field:

Which of these 16 films will be crowned the Champion of Corinne’s Movie Madness 2021?

Visit the Reel Nerds social media pages to cast your vote!

Show Time: A Statistical Recap of Filmsplosion 2020

Well, it’s been more than a week since Filmsplosion 2020 came out. Did you get a chance to listen to the whole thing yet? If not, don’t read the rest of this post, as we’ll be looking at all the Nerds’ Top 10 lists.

So, in putting this together, I basically assigned every movie a scored based on where it was on a Nerd’s list. If it was their #1 film, I gave it 10 points; if #2, 9 points; and so on until our #10 films received 1 point each. If it was one of 13 films that appeared on more than one list, then it has a combined score.

(In case you forgot, I did this last year for our 2019 Filmsplosion lists.)

Now, we’ll get to which of those 13 movies had the highest average score, but first, we’ll look at the movies that scored the highest overall.

So, here are your HIGHEST SCORED MOVIES of the Reel Nerds 2020 Filmsplosion:

  1. The Invisible Man (25 points)
  2. Soul (23)
  3. TIE – Trial of the Chicago 7 and Birds of Prey (19)
  4. Bill & Ted Face the Music (15)
  5. Onward (14)
  6. Tenet (13)
  7. TIE – Let Him Go and Wolfwalkers (12)

Of those movies that were on multiple lists, we also had Emma with 10 points, The Wolf of Snow Hollow and The Devil All The Time with eight points each, and 1917 with seven.

Now, The Invisible Man has the highest total score, because it appeared four of the six Nerds’ lists. But, if we look at these films’ average scores (total score divided by number of lists it appeared on), it looks a little different.

So, THE AVERAGE SCORES for our top-scoring repeat films are:

  1. Birds of Prey (8.5)
  2. Soul (7.7)
  3. Bill & Ted Face the Music (7.5)
  4. Onward (7)
  5. Tenet (6.5)
  6. The Trial of the Chicago 7 (6.3)
  7. The Invisible Man (6.25)
  8. TIE – Let Him Go and Wolfwalkers (6)

Personally, I think it’s bullshit that Birds of Prey has a higher score than Soul, considering that the former is a passable superhero film at best and the latter is one of the best movies of the year… but that’s just how I feel about it. (Deja vu, anyone?)

Now, last year, at this point I took a moment to examine how our lists compared to the list of the year’s biggest box office draws. But, because this is 2020 and everything normal is out the window, I’m going to skip that part.

However, one more thing I wanted to examine is how our selected films break down by genre. How many action movies do we have? How many dramas? Super-hero flicks? etc.

So, for this assessment, I went by each film’s most basic genre. Our choices are: animation, action, comedy, documentary, drama, and horror.

And, like last year, I’m also making superhero/comic book its own category because they really are becoming a genre unto themselves, much like Westerns did in the 50s and 60s.

One quick clarification is that over the last year, people online have been pointing out that animation is a medium not a genre, and there are a wide variety of stories one can tell in that medium. You’ve got South Park and then you’ve got Disney’s Beauty & the Beast. I get it, I really do. But, I had it set up like this last year, and I wanted to be consistent. So, when you see “animation” on this list, you can mentally swap it out for like “family/adventure” or what-have-you.

I’m generalizing which category it’s in based on my own experience in either seeing the movie or watching the trailer, and most were pretty straightforward to categorize.

There were a few cases where I was uncertain which genre a given movie fell into. 1917 is one example: Is it a drama? An action movie? In those cases, I went by which genre was listed first on its IMDB page. (FYI: 1917’s IMDB page reads: Drama/Thriller/War. Thus, I labeled as a drama for this exercise.) There were also several dark comedies on the list that got labeled as comedies because that’s what was listed first on IMDB.

So, without further ado, let’s look at the BREAKDOWN OF THE FILMSPLOSION LISTS BY GENRE:

  1. Drama (10)
  2. Comedy (9)
  3. Animation (6)
  4. Action (4)
  5. Horror (3)
  6. Documentary (2)
  7. Superhero (1)

Dramas lead once again with Comedies still runner-up, but Animation did much better this time while Superhero did worse compared to last year’s break-down. Not surprising, considering some superhero movies slated for 2020 were pushed to this year.

Thanks to Brad, I put all the Nerds’ Filmsplosion lists below so you can see for yourselves which genre I categorized each movie as (or which one IMDB listed first).

Give the lists a look, in case you forgot what everyone picked. I also think looking over everyone’s lists by genre is very interesting, as you can see some Nerds lean more on one genre than others. Again, not a bad thing — just something to take note of.

And, if you remember for the episode, James’ list is a little eccentric…

Corinne

  1. Weathering With You – animation
  2. Soul – animation
  3. Wolfwalkers – animation
  4. Tenet – action
  5. The Trial of the Chicago 7 – drama
  6. Emma – comedy
  7. 1917 – drama
  8. The Gentlemen – action
  9. The Personal History of David Copperfield – comedy
  10. Over the Moon – animation

Zach

  1. The Invisible Man – horror
  2. Mank – drama
  3. Bill & Ted Face the Music – comedy
  4. Ma Rainey’s Black Bottom – drama
  5. Soul – animation
  6. The Trial of the Chicago 7 – drama
  7. Da 5 Bloods – drama
  8. The Wolf of Snow Hollow – horror
  9. Extra-Ordinary – comedy
  10. Color Out of Space – horror

Henry

  1. Boys State – documentary
  2. Never Rarely Sometimes Always – drama
  3. The Hater – drama
  4. Feels Good Man – documentary
  5. Palm Springs – comedy
  6. Onward – animation
  7. King of Staten Island – comedy
  8. Another Round – comedy
  9. The Devil All the Time – drama
  10. Emma – comedy

Ryan

  1. Let Him Go – drama
  2. Birds of Prey – superhero
  3. The Invisible Man – horror
  4. Scorpion’s Revenge – animation
  5. The Devil All the Time – drama
  6. The Wolf of Snow Hollow – horror
  7. Freaky – horror
  8. Extraction – action
  9. The Way Back – drama
  10. Hubie Halloween – comedy

James

  1. The Last of Us: Part II – video game
  2. Onward – animation
  3. The Trial of the Chicago 7 – drama
  4. “Everything is Spiritual” by Rob Bell – book
  5. The Invisible Man – horror
  6. The Outsider – TV series
  7. The Queen’s Gambit – TV series
  8. Emma – comedy
  9. McMillion$ – TV series
  10. Sonic the Hedgehog – action

Brad

  1. Birds of Prey – superhero
  2. Onward – animation
  3. Soul – animation
  4. Bill & Ted Face the Music – comedy
  5. Tenet – action
  6. The Kid Detective – comedy
  7. Wolfwalkers – animation
  8. 1917 – drama
  9. Let Him Go – drama
  10. The Invisible Man – horror

Well, that’s all I had, folks. Hope you enjoyed this statistical breakdown of the 2020 Filmsplosion episode! 🙂



Show Time: My Five (or Ten) Favorite Anime Characters

Do you remember the days when liking anime was considered unpopular and if you watched any, you had to keep it on the DL? I do. Thankfully, that trend has mostly changed as liking anime has become mainstream in the United States.

I was first introduced to the genre through the 4Kids dub of “Pokemon” and “Yu-Gi-Oh!” and eventually expanded my horizons thanks to Toonami and Adult Swim. And while I’ve continued growing my anime repertoire over the years, I still don’t talk about it too much out of habit. Anyway, the time has come to change that, because I’ve met plenty of fellow anime fans over the years, and I imagine a post like this will be well-received.

If you’re not an anime fan, then I don’t know where you’ve been the past 20-25 years, but you’re missing out. Sure, the genre has a lot of tropes and flaws and sometimes there’s really sketchy material, but ultimately, there’s something out there for everyone.

And, more to the point, anime offers such a colorful (sometimes quite literally) cast of characters, that you can’t help but find yourself becoming extremely attached to a few of them because of their unique physical designs, cool voice acting, alluring personality, neat powers/abilities, their strong character development, and/or the role that they play within the story.

That’s how I came up with this list: thinking about characters who have that “cool” factor for whatever reason, whose arcs are well-written and well-executed, and who just steal the show every time they appear.

Admittedly, I’ve seen a lot more shonen anime (action/adventure) than shojo anime (romance/comedy), so this list will lean a lot more on those types of characters.

I’ve listed the shows each character is from, so if you don’t want spoilers for that particular show, don’t read that entry.

One more thing before we dive into my Top 5 is that I compiled five others who could be considered in the Top 10, but I decided to make them Honorable Mentions. Here they are:

Honorable Mentions / #10-#6

Genkai from “Yu Yu Hakusho”

In a show where all the female characters get completely sidelined (quite literally in Season 2’s Dark Tournament arc), Genkai was the one exception. She’s also one of the few examples I can think of in any media — not just anime or animation — of a female mentor teaching a male student. It’s usually a male mentor and a male student (Obi-Wan Kenobi and Luke, for example), and occasionally you get a few female mentors/female students and male mentors/female students in your movies and TV shows.

Genkai was totally brutal. She tolerated absolutely no nonsense, and she was extremely powerful even among the main cast of OP characters. She was also a nice counterweight for Yusuke, who has a personality similar to hers. They’re both stubborn, like to hear themselves talk, always think they’re right, and aren’t afraid to speak their minds and call people out on their shit. But while Yusuke was mostly shooting from the hip (pun intended) and loud-mouthing or boasting, Genkai actually had the strength and experience to back up everything she said. She was the personification of the heights Yusuke could reach if he actually dedicated himself and worked hard rather than slacking off and lucking his way into it.

So, ultimately the mentor/student relationship they formed was unique and had a really nice culmination in the S2 tournament arc. Getting a glimpse into her personal history with Toguro, who later killed her, made that final fight between him and Yusuke all the more meaningful. It also made her resurrection a really nice moment too.

Roronoa Zoro/ Pirate Hunter/ The King Of Hell from “One Piece”

Roronoa Zoro, also known as the Pirate Hunter and the King of Hell, is a beloved character from the iconic anime and manga series “One Piece.” With his impressive strength, unique fighting style, and signature green hair, Zoro has become a fan favorite. Fans of Zoro might be interested in adding Zoro’s Katanas to their collection. A Mini Katana modeled after Zoro’s sword would be a great addition to any One Piece collection. These high-quality, miniature swords are perfect for displaying alongside other anime merchandise.

Zoro’s unwavering loyalty to his captain, his unbreakable will, and his thirst for strength make him a complex and compelling character that fans adore. With his iconic phrase “nothing…happened,” Zoro never fails to bring a smile to viewers’ faces, and his character development throughout the series is truly remarkable. Especially in Wano Kuni Hen, you can see how strong he has grown.

Folken from “Visions of Escaflowne”

Folken is so undeniably cool. Between his awesome voice actor, big black cloak, black wings (that are revealed later), his calculating personality and his amazing character arc, how can you not like him?

Folken acts as a nice contrast and foil for his younger brother, Van the series’ co-main character, but you can tell he’s not completely malicious. He has a great respect for his brother and for life in general, but he’s just pursuing the wrong path in the hopes of preserving both. Eventually, he learns the error of his ways and has a beautiful and poignant death that completes his redemption arc. (Unlike Ben Solo where his death is basically the entirety of his redemption arc, because TPTB botched the execution. Can you tell I’m still bitter about this whole Episode IX thing?)

Also, when you watch the “Escaflowne” movie and see how cartoonishly evil and absurdly one-dimensional he could be, it gives you a whole new appreciation for how the show handled his backstory, personality and arc.

Me, watching the “Escaflowne” movie:

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Vash the Stampede from “Trigun”

Along with an amazing voice actor, Vash has a really cool design and fascinating archetype that he plays into (the wanderer). I personally don’t like the reveal of him being a plant at the end, but whatever. I also really appreciate his strong moral center and overall personality, which is very similar to…

Kenshin Himura from “Rurouni Kenshin”

Vash and Kenshin are eerily similar characters. They’re both wanderers (or former wanderer in Kenshin’s case) who are extremely skilled in combat but strong moral centers. They also oscillate between being extremely goofy to the point where people think they’re totally helpless and being dead-serious. Both of them absolutely refuse to kill another person, even in self defense. However, while Vash is unable to keep his vow, Kenshin does even though the show has to pull several rabbits out of its hat to ensure that happens.

Overall, I think Kenshin is slightly cooler than Vash, partly because I personally like the swordplay in “Rurouni Kenshin” better than the gunplay in “Trigun.” But, that’s me. Also, “Rurouni Kenshin” executes its finale and Kenshin’s final fight against Shishio much better than “Trigun” did with Vash’s final stand-off with Knives.

Watching Kenshin absolutely demolish Shishio with the amakakeru ryu no hirameki is so satisfying after all the build up of Shishio, Kenshin’s final training, and the move itself (which had been left a bit of a mystery up to that point). I go back and rewatch it a lot because of how good that entire sequence is. That and the fight against Saito where Kenshin slips back into his Manslayer persona. Both of those moments are so powerful and memorable that they make me think much better of the anime as a whole than it probably deserves.

Yami Yugi / The Pharaoh / Atem from “Yu-Gi-Oh!”

Like Folken, Yami just oozes cool but to an even greater degree. The hair, the facial expression, the deep voice, his calm but slightly cocky demeanor, his theme music and the whole transformation sequence between him and Yugi Moto… He’s just so suave and charismatic. He’s honestly really mesmerizing to watch.

I always really liked the dynamic between him and Yugi Moto where they’re sort of the same but also not. They have a really fascinating partnership, and although I hate the Orichalcos story line, it was interesting to see Yugi and Yami separated for part of the arc.

Also, his climatic return in the “Dark Side of Dimensions” movie was beyond epic, and the brief moment he and Yugi shared was really poignant, partly because they didn’t need any cheesy dialogue to convey their feelings. It was all expressions and music.

###

OK, now that we’re done with the “honorable mentions,” let’s move onto the main event:

MY TOP FIVE ANIME CHARACTERS

#5 – Piccolo from “Dragon Ball Z”

Dragon Ball Z Abridged – Piccolo | Jump Force Mods

Remember the character who — in his first few appearances in the franchise — stomped on his opponent’s wounds and kidnapped a child? Yeah, he’s a fan-favorite now.

Piccolo is here partly because he has a cool design and an awesome voice actor, but mostly because he has one of the best arcs in the whole show. The “Dragon Ball” franchise loves turning Goku’s former enemies into his allies over the course of the story — which is a major trope in anime, FYI — but no one made that transition quite like Piccolo.

While Vegeta and the others’ alignment with the Z Fighters (as they’re called by the fans) was gradual, Piccolo’s was a lot more dramatic and seemingly out-of-nowhere.

So, Piccolo and Goku team up to fight Goku’s evil brother Raditz, and Goku sacrifices himself in the process. Piccolo kidnaps Goku’s 4-year-old son, Gohan, who had displayed hidden powers during the fight, to train for when the next wave of Saiyans arrive on Earth. Piccolo is absolutely brutal to Gohan, abandoning him in the wilderness for six months and then returning to teach him how to fight (which involves hitting him a lot, obviously). However, Piccolo very slowly and subtly starts to develop a bit of a soft spot for the kid. It sort of flies under the radar until Gohan outright says that Piccolo has mellowed a lot and that he thinks of him as “a big green uncle.” This angers Piccolo and he stews about his new role for several hours.

Once the Saiyans show up, Piccolo has too high of expectations for the now 5-year-old kid and when Gohan understandably freezes up in a fight, Piccolo yells at him and says he’s useless. But, in a beautiful and epic moment, when Gohan is about to die at the hands of Nappa, Piccolo throws himself in front of the attack and sacrifices himself to save his pupil.

Until now, training you was out of vengeance — making you worthy enough to be my opponent. But, something’s changed. No matter what happens to you, Gohan, I’ll always be there to protect you. … Gohan, you’re the only real friend I’ve ever had. I want to thank you. I still remember the first day I brought you here. You were small, helpless. You’ve changed so much since then. The harder things got, the more determined you became. The more dangers you faced, the stronger you grew as a warrior. I know I was hard on you, but it was for your own good. You’re like the son I never had. I’m proud of you. Goodbye, my friend.

Piccolo, as he dies saving Gohan

It’s really hard to convey how well this moment lands if you haven’t seen the show. It feels both earned and yet out-of-nowhere. Remember: Piccolo was introduced to us as a villain whose goal in life is to kill Goku and take over the world. (This is a goal he inherited from his father, King Piccolo, whom Goku killed.) And yet, here he is, sacrificing his life to save the son of his sworn enemy. It truly is a beautiful moment.

It’s partly undercut by the fact that this is “Dragon Ball” and no one stays dead for long; but that actually works out, because Piccolo’s arc isn’t done. He does still want to fight Goku one day, but as a way to measure his strength rather than out of vengeance. Once he’s resurrected, he learns to work with the other Z Fighters to face their common threats until he seamlessly becomes part of the group.

Also, he retains a strong friendship and bond with Gohan throughout the rest of the series, to the point where every single “Dragon Ball Z” movie has a moment where Piccolo shows up out of nowhere to save Gohan from near-death (although without dying himself).

This is something that “Dragon Ball Super” — for all its serious flaws — smartly decided to lean into during the Tournament of Power arc. There’s a great callback to Piccolo’s sacrifice when Gohan jumps in front of Piccolo to save him (he doesn’t die, though), and Piccolo has a vision of his alter egos Nail and Kami silently encouraging him not to give up by emphasizing his bond with Gohan.

Ultimately, their friendship is such a fun thing to watch — because of how crucial it was to both of their arcs — even in a garbage series like “Dragon Ball Super.”

It’s also a bit of a running gag among fans that Piccolo started out as this total badass villain who wanted to rule the world and ended up becoming the babysitter to his foes’ children after he trained Goten and Trunks during the Buu saga and literally babysat Gohan’s daughter, Pan, in “Dragon Ball Super.” There’s also jokes about how Piccolo is more of Gohan’s father than Goku is, which is hilariously captured in the “Dragon Ball Z Abridged” YouTube series.

All in all, Piccolo is a memorable character who demonstrates how much one person’s kindness and determination can impact someone’s psyche and motivate them to become a better person.

#4 – Kakashi Hatake from “Naruto”

Kakashi Hatake - screencap by me. | Kakashi hatake, Kakashi, Kakashi hokage

There’s two major aspects we need to talk about regarding Kakashi, and that’s his undeniable “cool factor” and his unique background.

Regarding the former, the way we’re introduced to Kakashi is very well done. Because his students, namely Naruto, are our avatars into this world of ninja, we see Kakashi the way his students do. He has battle experience and powers they can barely grasp, to the point where they severely underestimate him because he fails to dodge a harmless prank. We quickly learn during their first training session, though, that he’s simply messing with them. He’s able to defeat Naruto, Sakura and Sasuke with no effort. I mean, he even fights Naruto while reading a book because it’s not even a challenge for him.

He’s also bit mysterious in the first arc, because we learn that he has a Sharingan (a visual ability that he shouldn’t have because it’s exclusive to a certain group) and a scar over his left eye. He also has a cool nickname in “the Copy Ninja” thanks to the Sharingan and reportedly copied more than 1,000 jutsu (or ninja superpowers) with it. His first fight against Zabuza is a great introduction to exactly what people in this universe are capable of when they’re not bratty kids straight out of the academy.

Unlike many other mentor figures in anime, Kakashi has plenty moments of comic relief. He’s able to make jokes and be a bit carefree and relaxed. But these don’t diminish from the effortlessly cool vibe he gives off, particularly in the earlier parts of the story.

Eventually, we learn more about Kakashi’s backstory and it only endears him more to the audience, sets him apart from both the villains and fellow heroes, and sets up a nice little arc for him to complete over the remainder of the series.

Kakashi’s childhood was ripped straight from a villain origin story:

He presumably lost his mother at a young age given that she’s never mentioned; his father commits suicide after he abandoned a mission to save his comrades; then Kakashi’s teammate (and the closest thing he has to a best friend) dies protecting Kakashi in battle; then his other teammate (and the now-closest thing he has to a best friend) decides to kill herself by Kakashi’s hand because she didn’t want their enemies to use her as a weapon; and THEN Kakashi’s teacher dies when their village is attacked.

Because of all this, Kakashi mostly closes himself off from having close bonds with others until he meets and begins training Naruto, Sasuke and Sakura. Through them, he starts to open up and invest in relationships with others again.

Unlike his pupil Sasuke — whose entire clan was murdered by his elder brother — Kakashi’s personal losses never motivated him to pursue evil, selfish or vengeful ends. And we get to see this clearly in a well-written conversation the two have right before Sasuke decides to leave the village to pursue his revenge:

Sasuke: Maybe if I was to kill the most important people in your life, everyone who’s ever meant anything, maybe then I’d listen to you. Because maybe then you’d have some idea how I feel.

Kakashi: Hmm. It’s an interesting theory. But, I’m afraid you’re a little late to put it to the test. Everyone you’re talking about has already been killed. I’ve been around longer than you have, kid, and I’ve seen my share of troubles. You’re not the only one who knows what it’s like to lose somebody. … So, it looks like neither of us has lead a charmed life, exactly, have we? Still, we’re not all that bad off. At least you and I have been lucky enough to find new comrades to help fill the void.

Once Sasuke does decide to pursue villainy and, much later in the series, when Kakashi learns he’s indirectly responsible for another loved one going over to ‘the dark side,’ his development centers on him trying to work through that guilt and right his wrongs while also supporting Naruto and Sakura on their journeys.

Basically, Kakashi has Sasuke’s effortlessly cool demeanor and Naruto’s tragic backstory and general kind-heartedness. He’s really the best of both worlds, and is just an all-around great character from the outset who becomes even cooler and more fascinating over the course of the series.

#3 – Blue from “Wolf’s Rain”

https://www.google.pl/blank.html | Wolf's rain, Anime, Manga characters

“Wolf’s Rain” is my all-time favorite anime. It’s only 26 episodes, but you get so attached to these characters in such a short amount of time because the stakes are so high and all the time you do get to spend with them is very concentrated and to-the-point. Plus, because it’s so short, it doesn’t have any problems with its pacing. There’s no dragged out arcs or plot lines that fizzle out — it’s all meaningful and well-executed. Ultimately, it’s short and sweet.

While all the characters are loveable in their own way, Blue is the one I’m the most attached to. She has such a cool character design both as wolf-dog and as a human, and I love her voice actress’ work in this role.

One downside is that while she’s introduced very early in the show, she disappears for several episodes and it’s only when she returns that she starts to have real agency in the plot. Still, she does get a nice little arc.

Blue is a dog who helps her owner hunt down the last wolves in existence. However, she eventually learns that she’s part-wolf and begins to awaken that side of her, which allows her to taken on a human appearance. In this way, she’s able to interact not only with the other wolves but also with the humans, including her (former) owner, Quent. Along with her love interest Hige, she forms very strong bonds with fellow wolf-raised-by-humans Toboe and human Cher.

Toward the end of the series, there’s a really heart-wrenching scene where Blue, who’s been separated from Quent for like a dozen episodes, reunites with him for the first time in her human form. She’s able to explain to him what really happened to their hometown and how his hatred of wolves is completely misplaced.

Blue is ultimately torn, because while she wants to be accepted by the other wolves, she also still feels a great attachment for humans, particularly Quent. While the wolves more-or-less accept her by the end of the story, Quent takes much longer to come around. Similarly, while Blue realized long ago that she can’t hunt her own kind anymore, she still feels a great loyalty for Quent that she struggles to abandon. In my opinion, this prevents her from fully realizing herself as a wolf, but then again, she is part-dog, too, so I guess that makes sense.

Ultimately, I don’t think I can fully explain why Blue is such a favorite, but I hope this at least gives you an idea.

#2 – Sesshomaru from “Inuyasha”

Sesshomaru* - Inuyasha foto (35603169) - Fanpop

So, if you take Folken’s general personality, Kenshin’s combat prowess, Kakashi’s effortless cool factor, and Piccolo’s arc, you’ve got yourself a Sesshomaru.

Like Folken, Sesshomaru is calm, collected, strategic and menacing, which is in perfect contrast to his loud and hotheaded younger half-brother, the series’ co-main character Inuyasha. Sesshomaru also has a humongous ego and is a little bit of a diva, which is no wonder considering he’s basically demon royalty and thinks everyone is beneath him.

He’s unarguably the most powerful character in the whole series, especially in “Inuyasha: The Final Act,” and just has an alluring presence whenever he shows up.

The best thing about Sesshomaru, though, is his character development, because he’s like Piccolo if you crank the evil deeds and daddy issues up a few notches and let him simmer for like 100-plus episodes.

Sesshomaru starts out the series actively trying to kill our heroes, not once but several times. He is obsessed with the Tessaiga, the powerful sword Inuyasha inherited from their father. He believes he should be its rightful owner and not Inuyasha, whom he generally despises for being half-demon.

His arc is two-fold in that he learns to be compassionate, and to let go of his obsession with the Tessaiga and realize his own strength. Unlike Piccolo, Sesshomaru’s development is very slow but it has an unbelievably satisfying pay-off at the end of the series.

Throughout the series, Sesshomaru begins to understand why his father would leave Inuyasha the Tessaiga instead of him (the elder, full-demon son) and eventually passes the one combat-useful ability of his heirloom sword, the Tensaiga, to Inuyasha. After that, he realizes his full strength and unlocks his own sword, Bakusaiga, which is ridiculously overpowered but also unbelievably cool.

Regarding the other part of his arc, like I said, Sesshomaru starts out actively hating humans and looking down on his younger brother. However, that changes when he shows compassion for the orphan girl Rin by resurrecting her after she’s killed by wolves and allowing her to travel with him. He also allows a boy named Kohaku — whom he tried to kill earlier in the series — as a companion as well. While he certainly cares about Rin more, he does protect both kids from danger on several occasions. He also shows compassion for the dying Kagura, who was once his enemy, and later protects Inuyasha and Kagome during the final battle. He also spares their friend Sango after she nearly killed Rin and offered to die as punishment for her transgression.

While Sesshomaru is slated to be a major factor in the “Inuyasha” sequel series, considering that we’re five episodes in right now and he hasn’t really made an appearance yet, I’ll leave talking about his arc there for another time. But, if what I theorize is true, he continues on a path of humility and compassion rather than pride and power, which is what he was like when he was first introduced on “Inuyasha.”

I mean, you can see why he’s the most popular character in the whole franchise, right? He’s just so fucking cool!

#1 – Gohan from “Dragon Ball Z”

Me after watching episode 67 of dragon ball super. | DragonBallZ Amino

Gohan is undoubtedly one of the most misunderstood characters in all of anime, and I’ve wanted to set the record straight for a long time. People remember this moment where he goes Super Saiyan 2 in his fight against Cell as this moment of pure badassery, but it really isn’t.

Unlike his dad — shonen wonder boy Goku — Gohan has never liked fighting. And, when he did fight, Gohan was always out of his league: against the Saiyans, against Frieza’s men, against Frieza himself, and then against Cell. The only time he stands a chance is when he’s filled with anger or rage. His power explodes and he can no longer contain it. He does it when Raditz is beating up his dad, when Piccolo dies, when he thinks Frieza killed Krillin, etc. But, as the closing narration says when he turns SSJ2, it was a power that would vanish after a moment and couldn’t be controlled or sustained… until the fight with Cell.

So, Gohan has always been someone with a lack of fighting spirit who may have a lot of inner potential but can only tap into it when his loved ones are in danger or killed.

Basically, Gohan’s like the Hulk if his transformation only lasted a few minutes. Really, though, Gohan is more like Bruce Banner: calm, bookish, cheerful, friendly and warm. His kindness and determination completely won over Piccolo, who was a villain earlier in the series and who admitted he only wanted to train Gohan out of self-preservation and revenge.

Gohan also cares about people and about the sanctity of life, which is exactly how Android 16 tries to motivate him to tap into his inner strength and defeat Cell:

I know how you feel, Gohan. You are gentle; you do not like to hurt. I know, because I too have learned these feelings. But it is because you cherish life that you must protect it.

Android 15

In recreating this moment, the “Dragon Ball Z Abridged” YouTube series characterized him as a coward for not wanting to fight Cell. And while it’s a comedy series, and they do acknowledge that Gohan doesn’t like fighting and that his dad overlooked that before throwing him into the ring with Cell, it only reinforces this false expectation of Gohan’s character among DBZ fans. Because he’s not a coward!

Gohan — who is 11 YEARS OLD (!!!) in this arc — was basically thrown to the wolves by his own dad in the fight against Cell. He never knew he had such power let alone how to tap into it. He’s a child who’s asked not only to fight — something he mostly disliked — but to kill someone. Even though Cell has devastated the planet and murdered thousands of innocent people, Gohan can’t destroy him until Cell kills 16 and Gohan finally unleashes this terrible power that he can’t mentally control.

It’s like giving your kind and quiet Honor Roll fifth-grader a gun and asking them to kill Adolf Hitler with the rationale that they’re the only one who can do it — there has to be another way.

Which is why I interpret that above scene differently than most DBZ fans. Is it satisfying to see Gohan finally realize his inner potential and achieve a form that had been built up for an entire arc? Yes. It is devastating to see a literal child make a terrible choice, lose his innocence and watch a friend die in the process? Also yes. Those tears on Gohan’s face aren’t just an indication of his sorrow over 16’s death, but also the last bits of his childish innocence and kindness evaporating away as his brain is filled with a rage he can’t totally control. And while I disagree with other people’s reasoning, I agree that this moment where he goes SSJ2 against Cell is one of the best moments in all of anime.

People also give Gohan a lot of crap for what happened to him after the Cell arc. He spends seven years focusing on his studies instead of training, and while he does gain a new level of power before fighting Ultimate Buu, he again regresses in power in the “Dragon Ball Super” movies and TV series. Apparently, it’s so bad that he nearly dies from going Super Saiyan and he can’t even defeat base-form Frieza. People complain how weak he is now and said he peaked in the fight against Cell.

Once again, I’ll say: that’s not who Gohan is! He never wanted to be a fighter. It was something he was pushed into because of who is dad is and the hidden powers he possessed. People want Gohan to be this copy of Goku — the perfect shonen protagonist — and when he has different ambitions, values and personality, they get mad.

LET GOHAN BE HIS OWN CHARACTER AND DO WHATEVER MAKES HIM HAPPY, YOU ASSHOLES!!!

Me, trying to sum up this entry / rant:

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How 2020 Will Change the Film Industry … Probably

Rather than my usual thoroughly planned and well-structured articles, this is going to be more me spitballing — something more akin to a “hot take” than my usual stuff.

When I finally returned to the theater a few weeks ago, I saw the trailer for “Greenland” ahead of my movie. In case you don’t know, “Greenland” is basically the 2020 version of “2012.” A giant meteorite or whatever is going to destroy the Earth, and Gerard Butler must get his family to safety in Greenland.

As I watched the trailer, I couldn’t help but cringe. 2020, AKA the year of disasters, is probably the worst time to release a movie like this, and I will be absolutely shocked if “Greenland” doesn’t bomb if/when it releases stateside in a few weeks.

A lot of things are going to change because of the pandemic, and we’ll see the ripple effects in the film industry for years. However, for now, I’m going to focus on the production side of the issue, as there’s already a great Deadline article talking more about the distribution side. Also, Ryan continues to bring it up on the podcast, given how many movies are moving to VOD or are pushing their release dates (again).

So, here’s how I anticipate the film industry — which I’ll say includes both movies and TV shows — will start to change.

  • Action movies/TV shows will stay the hell away from “bioterrorism / a worldwide virus” as a plotline. If I remember “Hobbs & Shaw” correctly — because it was a shit movie — the whole plot centered on the female lead being infected with a virus that Idris Elba’s villain wanted to extract so he could spread it worldwide and kill the bulk of the human race. Yeah, we won’t get any more plotlines like that.
  • Also, movies about the world ending (ie, “Greenland”) won’t be made anymore, unless they’re trying to be more horror genre than action.
  • On the whole, I think blockbusters will be fewer and farther between, but they will be more action-packed and spectacle-driven. If you want to get people to leave their homes and see movies in the theaters, you’re going to need to give them a real reason to do so. “Tenet” is a good example of this. Smaller-budget movies (romcoms, dramas, etc.) will move more onto streaming services. No need to release something like “The Personal History of David Copperfield” in the theater when no one’s going to physically go out and see it. Just put it on Amazon or Netflix.
  • Contrastingly, I think TV shows will go smaller budget. Network and cable television is really struggling to compete with streaming services, and some of them are trying to break into that market as well (ie, NBC’s Peacock). I think networks aren’t going to invest as much in their shows until they’ve seen they can be successful in the COVID-19 era. At this point, people are so bored, they might watch whatever’s on, right? So, throw everything at the wall and see what sticks. “SNL” seemed to do pretty well streaming from their homes, as did the “30 Rock” special. More action-driven shows like “The Blacklist” will really have to prove their worth and make their money back, because networks like NBC can now just do a super-low-budget show about people streaming from their homes and it’ll probably be successful enough to get picked up for a full season.

Speaking of, this isn’t so much speculation as it is just actual wondering, but are movies and TV shows going to address the pandemic at all? For instance, “The Blacklist” is set in a world much like ours but a little different. While some of the crimes the FBI investigates are “ripped from the headlines,” the show’s United States also has a different President than ours does, for instance. So, will their universe also have a pandemic?

I’ve wondered this a lot over the past few months… will movies and TV shows address the pandemic straight-on? Will we see characters wearing masks, social distancing, etc.? It’s probably a lot easier to do in a new show, like these Zoom-based comedies the networks are introducing, than something like “The Blacklist” or “Law & Order” that’s been on for several seasons and has its own pre-established universe.

However, if these production companies and showrunners want to keep their casts and crews safe, it would be best to go ahead and incorporate the pandemic into the show’s storyline. That way, it’ll cost less money (presumably) and be much safer. Now, I’m sure it’d also create the giant headache of “When would it be appropriate for our characters to take their masks off? When they’re talking with coworkers in the office? When they’re one-on-one with a friend, etc.” But, again, if you want to give an in-universe explanation for why the extras in the background are wearing masks, you’ll have to bite the bullet and incorporate it into the show.

And, honestly, I can see them making a romcom about mistaken identity because people were wearing masks and their love interests thought they were someone else.

Anyway, moving on:

  • I imagine we’ll get plenty more movies and TV storylines centered on global warming and climate change. Maybe it won’t take the ‘humans are the virus and need to be destroyed’ route that “Hobbs & Shaw” did, but it will definitely still be there. It might be handled more like “Ferngully” or “Avatar,” to be honest, and emphasize that people need to take a more active role in caring for the environment. We all know that Hollywood loves virtue-signaling, and given everything that’s happening right now, climate change will be a major touchstone for the film industry in the coming years. I imagine that, in “Furious 10,” the crew will all be driving hybrid cars, right?
  • I think we’ll also see a general push to ensure racial diversity in both movies and television. We’ll start seeing a lot more mostly-POC casts, such as the forthcoming movie “Judas and the Black Messiah” and TV shows “Black-ish” and “Fresh Off the Boat.” I think between a combination of how much money “Black Panther” made and the racial tension/virtue signaling thing, Hollywood will try to make a lot more movies that have a mostly Black cast but won’t alienate white people. Think something like “Tenet,” but with more Black actors. I both hope and expect we’ll see more Black superhero movies, more Black-led action movies, more Black-led horror movies. Hell, if they did Black-led period dramas (like a race-blind Jane Austen adaptation), I would be so there for it.
  • One more thing and then I’ll shut up: I think it’s also fair to expect that, as regards the movie industry, the major studios (Warner Brothers, Disney, etc.) aren’t going to be taking ANY chances on unique properties anymore. They’ll leave that to the streaming services. If studios want to get butts in seats at movie theaters, we’re going to keep seeing a lot of prequels, sequels, spin-offs, and adaptations of already popular properties. There are also going to be more ensemble movies with big, big names attached to them, as we’ve seen already with the likes of “Dune” (2020), “The Lion King” (2019) and “Death on the Nile” (2020).

In short, the movie-making industry is going to want to try to recapture the magic of “Avengers: Endgame” (but without the whole mass-genocide plotline). They want something safe with lots of big names and plenty of spectacle and comedy. So, basically, every movie is going to try to be a Marvel movie now. We already saw it with “Star Wars.” Now prepare for that to be every movie that’s released in theaters for the next few years.

As for the TV industry, I think they’re going to focus on churning out low-cost shows because it’ll ultimately be a game of seeing what people are willing to watch these days. They’ll also try to focus on their streaming services (if applicable), because they know they have a captive audience there and can take more risks on that platform. So, basically, if it’s on TV, it’ll be very cheaply made; and if it’s streaming, it will probably have a bit more thought and money put into it.

No doubt, there will be more impacts than the potential ones I’ve listed here, especially on the distribution side. However, I just wanted to get the ball rolling on this discussion, because, honestly, I think we Nerds could dedicate an entire episode to this topic. No doubt some aspects of it will be brought up during Filmsplosion 2020 if not sooner.

But, what do you see as likely impacts on the film industry going forward? Let us know by leaving at message at 1-720-6NERDS5 or by emailing reelnerds@gmail.com.

Catching the Miyazaki Classics (BONUS) – Whisper of the Heart

Amazon.com: Whisper of the Heart (Two-Disc Blu-ray/DVD Combo): Yoshifumi  Kondo, Screenplay And Storyboard By Hayao Miyazaki: Movies & TV

Japanese filmmaker Hayao Miyazaki, perhaps best known for his work with Studio Ghibli, has gained popularity around the world for his creative and imaginative animated feature films. While they were originally released in Japanese, all of them have been dubbed into English with prominent voice actors and Hollywood stars. Over the past few months, I’ve watched and reviewed the English-dub versions of each of Miyazaki’s 11 films as writer and director.

And, as I discussed at the end of my CtMC series recap last year, this will be the first of three bonus posts to review the three films that Miyazaki wrote but didn’t direct. They are: Whisper of the Heart (1995); The Secret World of Arrietty (2010); and From Up On Poppy Hill (2011).

Now, after a year, I’m finally finishing these bonus posts with Whisper of the Heart (1995).

Synopsis: Based on a late-80s manga, the film follows junior high student Shizuku (voiced by Brittany Snow) as she’s on the cusp of young adulthood. She’s preparing to go to high school, but seemingly doesn’t know what she wants to do with her life beyond reading. After forming a connection with a boy at her school, she’s inspired to start writing and draws on her love of fairy tales and some memorable scenes at a local antique store to craft her very own fantasy story, “Whisper of the Heart.”

Spoiler-free review: So, the reason it took me so long to finally write this is because I watched the film a year ago, meant to write this review, didn’t, and then by the time I finally could, I was too far removed to do it justice. So, I finally decided to rent it again last week and now I can give you the review you’ve all been waiting for. This is ultimately a very dull movie. That’s not to say it doesn’t have its moments — the animation and music are both of the typical Studio Ghibli quality — but it’s slow, uneventful, and hollow. Granted, I think I liked it better when I watched it a year ago, but I think this was a bad one to end the bonus series on.

Letter grade: C-

Full review and critique: (Warning: here be spoilers!)

I think the root of the problem is that there’s no real conflict in this movie.

The only thing we have that resembles conflict is Shizuku figuring out what she wants to do with her life, because that does have a few stakes involved given that she starts devoting more time to writing and her grades drop. However, that comes in the last 20-30 minutes of the film.

Additionally, so much of the runtime is spent on Shizuku walking or running or people playing or singing a rendition of John Denver’s “County Roads” (it’s like a whole thing in the movie), and ultimately nothing happens. I have no problem with “slice of life” movies, like “Ladybird,” but there have to be more compelling elements than what we have here.

The few sequences where we see inside Shizuku’s imagination as she’s writing her book and imaging scenes from it would make for a much better movie than what we have here. The scenes we get building up the relationship between Shizuku and her love interest are also pretty good, but he leaves two-thirds of the way through the film and only returns at the very end. And the first scene in the antique shop is also well-done, and I wish the whole movie would’ve been of a similar quality.

Overall, I think tweens and teens might like this film best, as it might speak more to their insecurities, the transitions and decisions they face, and their need to discover what they can accomplish when they set their mind to it.

Again, I don’t think the film is worthless, just boring and a bit padded. I honestly think it would’ve worked best as a short film.

Personally, I think Miyazaki and his colleagues at Studio Ghibli do best when adapting or creating more fantasy-based stories. So it makes sense that something more grounded and everyday is going to be one of the lesser (although still not bad) movies in their filmographies.

Catching the Classics: 100 Movies to See Before You Die

Since I’ve been doing the “Catching the Classics” segment for almost two years, I figured it was about time to flip the script and share with all of you the movies that *you* might be missing out on — the ones that you need to see at some point in your life.

You might notice that a lot of these are no-brainers. Your Star Wars OT, your Lord of the Rings trilogy, your Princess Bride, Alien, Jaws and Die Hard. Thus, if you’re a big movie fan the way the Nerds and I are, you’ve probably seen more than half of these movies already. But, as I learned recently, you’d be surprised at how few of these the “average person” has seen.

I compiled the list by going through the AFI Top 100, the IMDB Top 250, and my own movie collection to identify 100 movies that are 1) high-quality and 2) culturally relevant in some way. To clarify: I only included movies I’ve seen, so no Godfather Part II or anything like that.

I also tried to keep it generally accessible for all people. You’ll notice I don’t have much in the way of horror or really violent action movies. That’s because 1) I don’t watch a lot of those, so 2) I don’t feel comfortable ~demanding~ that other people watch them either. Thus, most of the movies on here are PG-13 or lower.

If you paid attention to Movie Madness at all, it’ll come as no surprise that my 100 movies span a variety of genres. We have modern classics, Old Hollywood classics, superhero movies, musicals, comedies, dramas, animation, etc.

Unlike the AFI Top 100 or IMDB Top 250 lists, I broke mine down by genre instead. Much easier that way. Admittedly, there is some overlap. For instance, should Spider-Man: Into the Spider-verse be classified as an animated movie or a superhero movie? I put it in the animation category because it needed more entries, but just be aware that there really isn’t much rhyme or reason on why those “overlap” movies are in one category over another. Also, the “Miscellaneous” category contains a lot of films that could probably be in “Modern Classics,” but the modern classics were the first 17 films I thought of while the miscellaneous ones were things I threw on there at the end. There’s also no significance to their ordering within the categories — it’s just merely the order that I thought of them in.

For the record: I came up with my first 60 films very easily. After that, I flipped through the other lists and various articles about “Best Musicals” and whatnot to get ideas. Once I got down to my last 10, it was really hard to pick which ones to officially go on the list while others fall into obscurity.

Again, remember: these are movies that I enjoy and that I think are important movies to watch from a technical and/or cultural standpoint.

Without further ado, here’s the list by category / genre:

Modern Classics

  • The Original Star Wars Trilogy (3)
  • The Lord of the Rings Trilogy (3)
  • The Back to the Future Trilogy (3)
  • Indiana Jones: Raiders & Last Crusade (2)
  • Willy Wonka & the Chocolate Factory
  • The Matrix
  • Jurassic Park
  • The Princess Bride
  • A Christmas Story
  • The Sandlot

These are all pretty obvious. I guess the one thing of note is that I only put the good Indiana Jones movies on here, because Temple of Doom and Kingdom of the Crystal Skull aren’t good. Fight me.

Old Hollywood Classics

  • Casablanca
  • A Raisin in the Sun
  • How to Kill a Mockingbird
  • The Wizard of Oz
  • 2001: A Space Odyssey
  • Rear Window
  • North by Northwest
  • Charade
  • Gone with the Wind
  • Roman Holiday
  • Some Like it Hot
  • It Happened One Night

Again, pretty obvious. The only one I’ll note is Gone with the Wind.

I struggled a lot as to whether I should put it on the list, given its controversial nature. I watched this movie a lot as a kid, so I’d become numb to its bullshit until recent discussions really made me examine whether I should support it. I think that if someone goes into it with the right mindset — that these people and their way of life are not to be glorified, that this was a film that was set and made in a different time, and that we need to learn from those things and improve — I think it’s still worth watching. Plus, my fellow Wichitan Hattie McDaniel won her Oscar for this movie. And while the role she plays and the drama around the awards ceremony itself was racially charged, I hesitate to throw the baby out with the bath water, as it were.

Also, as I said recently on the podcast, the only really good character (of the main four) is Melanie. When you really look at Scarlett, she seems to be more of an anti-heroine. She’s a terrible person who only grows more ruthless and selfish as the story progresses; but because she’s living through literal hell — at least for the first two-thirds of the movie — the audience feels they need to root for her. So, while it’s important to pay attention to how POC are treated in the movie and how The South is portrayed, I think people can still appreciate the technical aspects and become invested in the story of these four people who survive a war only for their lives to be torn apart by each other’s selfishness and weak-willed natures.

Dramas

  • The Silence of the Lambs
  • Parasite
  • The Prestige
  • Unforgiven
  • Pan’s Labyrinth
  • Arrival
  • Remember the Titans
  • The King’s Speech
  • A Few Good Men
  • Good Night & Good Luck
  • The Post

I like The Prestige the most out of Nolan’s non-Batman movies. I know everyone loooooooves Inception, and I admittedly need to revisit it, but I think it’s a bit overblown. And I never saw Interstellar or Dunkirk so…. *shrugs*

Otherwise, we’ve got a variety of genres even within this “drama” category. We got some sci-fi, some thriller, a sports movie, historical/period dramas, fantasy, action… and of course, I had to throw a few movies about journalism in there for good measure. Notice how I’ve got one about broadcast journalism (GN&GL) and one about print journalism (The Post).

Superhero Movies

  • Batman Begins
  • The Dark Knight
  • Iron Man
  • The Avengers
  • Captain America: The Winter Soldier
  • Captain America: Civil War
  • Black Panther
  • Avengers: Infinity War
  • Avengers: Endgame

I don’t think anyone’s going to complain about the movies that are on here, but I anticipate complaints about the movies that AREN’T. But, honestly, I don’t care. The DC movies aren’t very good outside of Nolan’s Batman trilogy, although admittedly Batman ’89 is a hallmark for live-action superhero movies.

Also I condensed the 20-plus MCU into seven films… that’s a pretty admirable feat, if I do say so myself. And, arguably, you don’t even need Black Panther; but it’s a good movie, so it’s a must-watch.

Musicals

  • My Fair Lady
  • Fiddler on the Roof
  • The Sound of Music
  • Singin’ in the Rain
  • The King & I
  • Mary Poppins
  • Oklahoma!
  • High Society
  • Annie — any version
  • The Sister Act duology (2)

You all knew I was gonna put My Fair Lady on this list, so why not have an entire category for musicals?

Not much here to explain, as most of these are pretty iconic. I put High Society on here instead of The Philadelphia Story, because I like it better. The story actually lends itself pretty well to the musical format. Also, Louis Armstrong, Grace Kelly, Frank Sinatra and Bing Crosby in a movie together!!! Can’t get much better than that.

I put Annie on here, although which version of Annie doesn’t really matter. They all have their pros and cons. I personally always liked the one with Carol Burnett and Tim Curry the most, but it’s not a hill I’m going to die on. As long as they have all the iconic songs, it doesn’t matter what version it is.

And, I put the Sister Act movies on here, because they’re just kinda fun and more jukebox musicals than something like My Fair Lady. It’s something different even though it exists in the same genre as the others.

Comedies/RomComs

  • Clueless
  • Legally Blonde
  • Mean Girls
  • Juliet, Naked
  • My Big Fat Greek Wedding
  • Crazy Rich Asians
  • Sabrina — either version
  • You’ve Got Mail

I don’t think there’s a single comedy or romcom on the AFI Top 100 List. And if there’s any on the IMDB Top 250, there’s not that many. Thus, I pretty much had to will this category into being, rather than going off pre-existing lists. Granted, that wasn’t too hard, considering I did an entire post about romcoms already.

Anyway, these are all good movies that are worth watching, and I’m ready to fight anyone who thinks otherwise.

Disney & Pixar Animated Movies

  • Snow White
  • The Little Mermaid
  • Beauty & the Beast
  • Aladdin
  • The Lion King
  • The Hunchback of Notre Dame
  • Zootopia
  • The Toy Story trilogy (3)
  • Up
  • Coco

This is another category that might not be controversial for the movies that are in it, but rather for the movies that aren’t. But, honestly, if I could make some person who’d never seen any animated movies sit down and watch any Disney and Pixar movies I choose, these would be the ones. They pack the most punch both technically and emotionally, although any Pixar movie is obviously gonna be a tearjerker.

Other Animated Movies

  • Shrek 1 & 2 (2)
  • Kung Fu Panda 1 & 2 (2)
  • How to Train Your Dragon
  • The Prince Egypt
  • Princess Mononoke
  • Spirited Away
  • Your Name.
  • Spider-Man: Into the Spider-verse

Of course, some Miyazaki movies are going to be on there along with Spider-verse. Dreamworks tends to fly under the radar compared to Disney, but they’ve arguably put out more high-quality movies in the last 10 or 15 years than Disney has (not including Pixar). So, don’t sleep on Dreamworks!

Miscellaneous

  • Jaws
  • Alien
  • Die Hard
  • Star Trek (2009)
  • Mad Max: Fury Road
  • Edge of Tomorrow
  • Knives Out
  • Jojo Rabbit
  • Titanic
  • Jane Eyre — any version

Again, I know many of these can go in the “modern classics” category, but I had enough there already and I was trying to round out a couple of genres I don’t have on this list. We got some horror, some sci-fi, plenty of action, and a bit of mystery as well.

Again, with Jane Eyre, there might be versions I like better than others and ones I’d recommend over others; but ultimately, there are no bad versions. Watch the one with Joan Fontaine and Orson Welles; or the one with Michael Fassbender; or the one with George C. Scott. Doesn’t matter. All the best versions are miniseries anyway, so the movie ones are more or less the same level of ‘doable’ even though they all have their pros and cons.

Show Time: My Top 10 Scenes in Animated Movies

I recently stumbled upon a movie review YouTube channel that predominantly discussed animated movies, and the reviewer happened to mention something about a mental list he had of top scenes in animated movies, and another list for the best scenes in all of film.

And, while I feel like tackling the top scenes in all of film is a lot, considering how few “classic” movies I’ve seen, I do think it’d be fun to do a Top 10 list for scenes in animated films.

OK. So, as you might expect, I’ve got lots of caveats before we start.

Definitions

Right off the bat, I want you to know that these entries will be from Western films ONLY. Why not include animated films from Japan and other countries? Part of it is a lack of knowledge and accessibility. While I’ve definitely seen more foreign animated films (mostly from Japan) in recent years, I’ve probably only seen a fraction of what that market has to offer. I’m much more familiar with Western animation films, obviously, having grown up in the United States.

The other thing is that so many of our best American animated films are musicals, and Japan — in my experience — doesn’t really do those. I think it’d hard to pit “Under the Sea” from The Little Mermaid against “The Ride of the Valkyries” scene from Ponyo. Despite being based on the same source material, they’re so incredibly different in how I view them. The former, I look at more with nostalgia and entertainment and something I can sing along to; and the latter, I look at more with artistic appreciation and general awe.

Perhaps I’ll do a Top 5 or Top 10 Scenes from Japanese Animation post one day, but today’s not that day.

With regards to how I define “scene,” I’m categorizing a scene as a 1- to 5-minute sequence where characters remain in the same physical space the entire time AND/OR a single piece of music plays throughout regardless of where characters are physically or in relation to each other. (And, being a musical fan, you’ll notice I tend to lean more on the latter.)

Also, theatrically released movies only. No direct-to-video movies or anything.

Judging Criteria

Putting this list together was really difficult. But, I came to my conclusions not necessarily by thinking of good animated movies and then thinking of which scene in those movies were the best. Instead, I tried to think of scenes in and of themselves. Even if I don’t own the movie, which scene do I look up on YouTube all the time? Which scene, even if I’ve seen it a million times, still gives me chills?

Along with chills, I was generally looking for scenes that move me emotionally in some way. Scenes that fill me with happiness, sadness, excitement, awe, fright, or multiple feelings.

Ultimately, I was looking for a combination of technical achievement — the animation, “camera work,” timing, voice work, music, etc. — and emotional potency. And, again, it could be any emotion.

You’ll notice that in some entries, I weigh the technical aspects more than the emotional ones, and vice versa for others.

Also, to ensure that this list wasn’t just scenes from Disney movies, I capped Disney at five entries only. And, honestly, it wasn’t that hard to think of five non-Disney entries. (I maybe would’ve had six and four, otherwise.) While Disney’s great, other studios also do excellent work.

Ordering the List

To be honest, it would be really, really hard to rank these by any metric. How much do I like one scene over the other? Which movie do I like more? Which one did I watch first? etc.

Even just arranging my Top 5 would ultimately be splitting hairs, because — and I’ll just get this out of the way now — THERE ARE NO BAD MOVIES ON THIS LIST. Most of them are among the best movies in Western animation, period. It’d be nearly impossible for me to rank one scene over another based on some arbitrary metric like “which one had more colors” or “which one would’ve been harder to animate at the time”.

Thus, like I did with my Top 8 Miniseries list, I’m just ordering the entries chronologically.

Boring, I know, but it’s a hell of a lot easier. I already had to do plenty of soul-searching to figure out this list. Don’t make me do any more to put them in some kind of order based on “quality,” because they’re all amazing!

So, without further ado, here we go:

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Cody’s Flight from The Rescuers Down Under

The Rescuers Down Under is, IMO, a much better movie than its predecessor. Part of that is sequences like the opening, which I believe served as a kind of test-run for The Lion King, and this flight with Marahute scene.

In this sequence, Cody unties the great eagle Marahute from a trap she’d be caught in, but falls off a giant cliff in the process. Marahute saves him, and she takes him on this dazzling flight. The two soar up in the clouds and ski across the waters before diving off a waterfall.

The music combined with the animation makes this scene absolutely breath-taking, and it’s without a doubt, the best part of the movie. It really makes you feel like you’ve got wings to soar like an eagle!

The Transformation Sequence from Beauty & the Beast

No doubt, you’re wondering why “Be Our Guest” or “Beauty and the Beast” (AKA, the ballroom sequence) isn’t on here instead. Well, this is an entry where I weigh the emotional aspect of the scene more heavily.

What stands out to me in this scene is the pacing of the transformation and how the music fits it so well. The animation, of course, is beautiful, too. I love how the little hailstone things start falling and the music immediately changes to something brighter — like “Guys, a thing is happening!!” Then, it shifts into a version of “Something There” (AKA the love theme between Belle and the Beast) showing that their love for each other has broken the spell and allowed him to transform back. The sound effects are also great as the Beast rises up and, limb by limb, starts transforming back into a man. Just as it was in real life, he had to change slowly. It wasn’t something immediate. He slowly went from being a selfish beast to being a selfless “man.”

It builds so well until that final swell with the brief shot of the beast’s face transforming into a man’s. Then, we get a callback to the “enchantment” music that played at the very beginning of the movie (when we hear about the beast’s backstory). This signals that the enchantment has now been broken, and sort of bookends the story of “man into beast; beast into man.”

And as he stands, the music builds up that reveal of his full face so well… Gah, I can’t believe they fucked up the timing of that reveal in the 2017 remake. They had the perfect blueprint right there, and they still couldn’t do it right. THE CRESCENDO SHOULD BE WHEN WE SEE HIS FACE FOR THE FIRST TIME! Bill Condon, I love you, but you deserve all the blame for fucking up that iconic moment. Anyway.

The artistry of this scene gets lost in the shuffle with “Be Our Guest” and that iconic shot in the ballroom scene — both of which are undoubtedly amazing as well — but don’t let this gem go unnoticed.

“Friend Like Me” from Aladdin

Admittedly part of the reason why I didn’t put “Be Our Guest” on the list, is that I think “Friend Like Me” does the same thing, but better. It’s the sidekick’s song that kind of comes part-way through the second act, and has stellar animation. It’s kind of the big number of the film, at least from an animation/budget standpoint, as it involves the most moving pieces (quite literally, in B&TB’s case).

The big difference, though, is I feel like people forget that there are some slower and less challenging sequences of animation in “Be Our Guest.” Meanwhile, in “Friend Like Me,” the animation’s moving a mile a minute. I give major props to the animation team that put this together, because holy hell, the Genie never stops moving! The focus of the scene changes about every three seconds as the Genie mentions different things in the lyrics.

Also, Robin Williams was unbelievable as the Genie, and this song was a high-energy and memorable way to introduce us to him. It’s funny, dynamic, well-performed and — most of all — remarkably animated. I hope the animators’ hands didn’t hurt too much after finishing this landmark sequence.

“Circle of Life” Opening from The Lion King

Possibly the best opening scene in all of film history, period — not just animation. It perfectly sets the world, the tone, the characters (minus Scar, I guess), and sets our expectations for the beautifully animated journey we’re about to go on.

“The Circle of Life” perfectly demonstrates the advantages of predominantly hand-drawn animation versus live-action and/or CGI: you can get all the colors exactly right, all the expressions, the light and shadows, and length of shot. And, simultaneously, because it’s animation, people tend to be more forgiving about “realism” when it comes to scenarios or perspective (ie, animals talking, heights, depths, etc.).

And if you think I’m dragging the 2019 remake when I say that, I am. This movie is a masterpiece and never should’ve been remade, in the same way Hollywood should never remake Casablanca or The Princess Bride. If you can’t tell that I’m a 90s kid, I hope this entry makes that abundantly clear.

Side note: while I’m only talking about the opening here, I really do appreciate how the movie ends exactly how it started, clearly demonstrating how nature’s cycles will continue, and this is only one story among many in those cycles.

“Once Upon a December” from Anastasia

Yes, I know that this movie is historically inaccurate to the nth degree, but I don’t care. Unlike most people, I know the evolution of the Anastasia story both in the real-world and on film. So, I understand how we got a movie where Anastasia (who was a real person who died in the revolution) receives the knockoff Disney Princess treatment.

If you haven’t seen the movie, the character Anastasia — rather than dying in the revolution as the real princess did — escapes but loses her memories thanks to a blow to the head. Years later, she finally returns to her family’s palace in this scene.

This musical sequences is so well-constructed partly because the dynamic animation builds as the music does until ghosts/memories/visions/whatever burst out of their portraits, and also partly because the song is a lullaby that Anastasia shared with her grandma earlier in the film.

Unlike the other musical numbers on this list, this one is very somber and bittersweet. It’s not high-energy or a real toe-tapper. In fact, even including the non-musical entries too, it’s probably the second-saddest moment on this list. It truly is a very emotional scene in the movie as Anastasia tries to remember why this place seems so familiar to her; and it culminates when she envisions a future she could’ve had and interacting with the visions of her family members in a very personal and sweet way.

This movie makes me tear up almost every time I watch it, and this song is one of the moments that tends to get me.

The Parting of the Red Sea from The Prince of Egypt

Oh boy, is this entire movie underrated, especially this scene! I feel like between the Disney Renaissance movies and the computer-animated Pixar and Dreamworks movies, people tend to forget about The Prince of Egypt.

Admittedly, it’s not the most accurate movie when compared to the original text from Exodus, as it simplifies the initial relationship between Moses and Ramses and downplays Aaron’s role significantly. The Ten Commandments is much more accurate, although it is far longer and less kid-friendly.

Still, as a movie in its own right, every aspect of The Prince of Egypt is absolutely gorgeous.

This scene, especially, is stunning in that it perfectly conveys the wonder and majesty of God fighting on the side of the Hebrews, from the column of fire guarding their backs to the actual parting of the sea. Both the shot shown above and the shadow of the whale that they see as they walk through the sea are some of my favorite shots in Dreamworks films.

Seriously, don’t sleep on The Prince of Egypt. This movie is a masterpiece, and it deserves far more recognition than it gets from the culture at large. You guys know I’m a Disney Renaissance fan, but I think this is better than half the Renaissance films, no question.

“I Need a Hero” from Shrek 2

I honestly can’t really define why this scene works so well, beyond the usual: the music, how well it syncs with the action on-screen, how we cut back and forth between Fiona with Prince Charming and Shrek trying to reach her, and how it’s the perfect culmination to Shrek’s arc.

In the first movie, he was a hero, albeit a reluctant one. He was ultimately ambivalent about rescuing Fiona from the dragon. He was only going on his quest to get his swamp back. Even at the end, when he interrupts her wedding to Farquaad, he’s still a bit nervous about his role in ‘rescuing her’ because he doesn’t know how she’ll respond or even if she wants to be ‘rescued’ this time.

But here, he embraces that roles as a ‘knight in shining armor’ out of love and duty to his wife. Unlike when he saves her from the dragon in the first movie, Shrek wants to save Fiona more than anything. He’s no longer unsure about his role in her life or her role in his. He’s accepted that he’s her husband, even though people don’t like them being together and even though he’s not super comfortable with suddenly being a prince. He’d rather have her in his life, even with all these changes, than go back to being a lonely ogre in a swamp.

Also, reading through the YouTube comments on any video is asking for trouble, except in this case. Seriously, go through and read the comments on the video link. I love the one that points out the subtle humor that would fly over most people’s heads, like the Fairy Godmother asking the pianist to play the song in C minor, and he starts playing it in G.

Po Finds Inner Peace from Kung Fu Panda 2

I was tempted to put Oogway’s departure from the first Kung Fu Panda on here instead, but I think this scene offers more technically and emotionally. I love the music and the imagery in the Oogway scene, but it’s almost too short and him actually leaving is maybe a tiny bit abrupt. Also, by this point in the second movie, we’re more invested in Po and his story. Oogway, as awesome as he was, wasn’t with the audience for very long in the first movie before he departs. I think the bulk of the emotion in that scene comes from Shifu’s distress and loss. Anyway, that’s not what we’re talking about, but I did want to give it a shout-out as a sort of honorable mention.

Now, this scene in Kung Fu Panda 2 is the emotional culmination of Po’s journey in the movie. Here, he confronts the nightmarish experiences he and his family faced when he was young, and has to comes to term with what that means to him and who he is. He doesn’t let the horrors define him, nor does he forget them. He simply accepts them as a part of him and his life, and uses it as fuel to move forward in the fight against Shen.

On a technical level, I love the pacing and ‘camera’ angles in this scene and how it seamlessly switches between the two animation styles. The music fits so well as we get callbacks of “Oogway Ascends” — a more somber one when Po remembers his mother’s sacrifice and a triumphant rendition when he realizes who he’s chosen to be. Everything comes together so well, and unlike in the first movie, this moment is given plenty of weight and time to land the way it should.

Moana Earns the Heart of Te Fiti from Moana

I was really torn as to whether I should put this sequence or the one later in the movie when Moana restores the heart. Both of them are equally beautiful, but I decided on this one, because it establishes exactly who Moana is and what her journey will be.

This whole scene is Moana’s journey in a nutshell: Moana assists the baby turtle as it tries to reach the ocean. She doesn’t pick it up, carry it over and let it go. Instead, she uses the tree branch to shoo away the birds as the turtle reaches the water on its own strength. She flips it over when it lands on its back, but no more. Likewise, when the time comes for Moana to go on her journey, the ocean acts just as she did for the baby turtle. It allows her to make the journey on her own strength, but is also helps her and picks up her when she needs it.

Also, even as a child, Moana had a strong sense of compassion and selflessness, as she chooses to help the baby turtle rather than getting her shell. And, again, that’s reinforced later in the movie. Moana’s motivated to do the right thing, and not only to pursue an adventure. And, ultimately, it’s her compassion that helps her understand who Te Ka is and how to restore the heart. That’s why I picked this scene over the other one, but both are equally amazing on a story/character level and a technical one.

Plus, as you’d expect, the animation and music in the scene is gorgeous.

Miles’ Leap of Faith from Spider-Man: Into the Spider-verse

This scene literally makes my jaw drop EVERY. SINGLE. TIME. I see it.

Holy sh*t.

The final fight scene inside the collider is also unbelievable, but I still like this scene slightly better. Everything comes together perfectly — music, the dramatic build-up, the character moment, the pacing of shots, and the cinematography (that’s a thing in animation, right?).

A lot of the other sequences on this list mean more to me personally just because I grew up with them, but I think of these 10 scenes, this might be the best one on a technical level. It fits so well within the story and for the character of Miles Morales… I just, can’t get over it.

How did Lady Gaga put it, again?

pretty-little-liars-memes | Tumblr

Yeah, that pretty much sums it up.

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