Month: January 2013

Ep. 85: Hansel and Regret-el

The Reel Nerds hunt for witches after chatting about more RDJ movies, Reign of Fire, 24, Shanghai Knights, Payback, and the future of Star Wars helmed by J. J. Abrams.

Duration: 1 hr. 36 min.

 

(3:40) Fan Mail

 

Watching

(7:35) Ryan: Two Girls and a Guy, Home for the Holidays, Reign of Fire, Safety Not Guaranteed

(21:24) Dan: Taken, 24, Django Unchained, It’s Always Sunny

(30:00) Brad: Star Trek TNG: S4, Shanghai Knights, The Office

(39:00) James: American Horror Story S2 Finale, Payback, The Following

 

Box Office Stats

(55:50) The Last Stand #10, Mama #1

 

New Releases

(57:05) Downton Abbey S2, Seven Psychopaths, Hotel Transylvania, Batman: TDKR Pt2, Paranormal Activity 4, Pan-Am Complete Series, The Cold Light of Day, Flight of the Navigator

 

Reel News

(1:02:42) Dr. Strange gonna be a movie, confirms Kevin Feige

(1:04:24) Metalocalypse creator wants to make a Superman Lives documentary

(1:06:15) J.J. Abrams going to direct Star Wars VII

 

Comics Corner

(1:12:07) Parker

 

Review

(1:16:50) Hansel & Gretel: Witch Hunters

(1:34:00) Bonus

SH*T SH*W REV*EW: Pinata: Survival Island

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When I decided to start writing these reviews of the film world’s version of ‘shovel-wear’, starting with Two-Headed Shark Attack a few weeks ago, the first film I put on my ever-expanding list of potentials was Piňata: Survival Island. I’ve seen Piňata about half a dozen times in my life because there was a spring break during college when it was on late night tv every night… so what else was I going to do but watch it. Now I’m a proud owner.

“Oh, scary… Let’s open you up there, big guy.”

Piňata: Survival Island starts with a convoluted origin of an evil Piňata. Joaquim de Almeida narrates the story of a magical shaman in an ancient village who builds a clay Piňata to house all the sins of the villagers. Note: If this sounds like something you’d be interested in attempting, the movie gives you exact instructions about what pig parts should be used and how, as well as the construction of a good-luck Piňata, and the details of performing the required ritual. Educational attributes will not affect the film’s final score. The Piňata is then set adrift in the ocean where it gets struck by lightning, which… probably… gives it powers or something. Where might the Piňata run aground??

We join our party of boating college students on their way to an island to celebrate Cinco de Mayo by doing an underwear scavenger hunt put on by the greek community at their college. The frat brothers and sorority sisters are handcuffed in pairs and sent out onto the island to gather undies. Kyle (Nicholas Brendon) and Tina (Jaime Pressly) just went through a breakup but they end up handcuffed together, which would be the worst of their problems if a pair of loopy pot-smokers didn’t come across a clay demon statue and try to break it open, hoping that it’s filled with underwear. Then people die!

“And when we cracked it, we heard a sound like we were letting out the pain and suffering of an entire village. I had no idea how to describe it until you just put it into words. We thought it was because we were high but that is exactly what it sounded like.”

The best things about this movie are tied into that ridiculous premise. I don’t know what the actual origins of the modern, candy-filled piňata are, but if I found a clay demon statue on an island I wouldn’t immediately call it a piňata. Any time the piňata is on screen its comedy gold without hardly doing anything. It spends most of its time walking around the jungle watching people harvest underwear, we spend plenty of time watching close-ups of its footsteps and repeated animations of the demon walking, or eventually flying—because eating souls causes it to evolve—and when it does descend upon our victims it usually just bashes their heads in with a shovel. He does rip one guys heart out and tries to kill another with his magical boomerang club, but that’s as creative as it gets. It’s clear that they use a guy in a suit for most of the shots where we see the whole creature, but they have a more articulate head that they use for extreme close ups, and the attacks are mostly done by a CG entity. The worst thing about this is that because the guy in a suit can’t articulate his face it seems they resorted to just distorting the image to make it look like the creature has some life. As the movie moves forward they rely on this idea that the piňata can change, using an entirely CG version instead, and eventually teaching it to fly so that they can save on animation.

As you expect we get some pretty ridiculous scenes. While running away from the piňata, one woman feels it is necessary to slowly walk along a fallen long rather than simply jump over it, allowing her to dramatically fall over in slow-motion. Nicholas Brenden has a scene where he retells the entire opening origin story from memory, I guess because he studied Megonyo history in college. There is an ominous chapter break that decides we need to know that it is now May 6th. Maybe my favorite thing about this movie is how much the piňata loves trees and vines but can’t use them. It ties a noose around its neck twice, once to lure in victims who think it is a normal piňata, and again later to swing from the trees, turn one hand into a knife and cut a girl’s head off while her friend pees nearby. It even strings a guy up with fake looking hobby store vines while he stops to get a rock out of his shoe.

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No SH*T SH*W is really complete without seeing through the monster’s eyes. Here we get Piňata Vision!

“Time for us to stop being hunted and start doing the hunting.”

Like any other movie that doesn’t leave a way out for its characters, they resort to makeshift explosives to defeat the piňata. There is really no mention of a plan until the other remaining survivors start telling Kyle that they hope his plan works. Preparation involves a montage and an intense gas siphoning sequence, later followed up with a swinging kick and an equally intense gas pouring sequence. It turns out all they have to do is handcuff a molotov cocktail to the piňata’shead and it’ll explode. Then campus police show up and ask them what happened.

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“Someone, or something, is out there and it’s majorly fucked up.”

What’s not good about this movie might surprise you, it’s the acting… it’s too good. The parts of this movie that don’t involve the piňata demon are too serviceable. Movies like this are more fun when the dialogue is cringe-worthy and poorly delivered. Nicholas Brendon, Jaime Pressly, and the rest of the actors do their best to channel performances from a mid-nineties sitcom, which really takes the edge off of the majority of the scenes without the piňata. If this were really just a movie about an island possessed by a demon, if you removed all the piňata context, it wouldn’t be anywhere near as much fun.

I’m disappointed to say that I’m giving this movie a 3. I remembered it being much worse, and therefore much more fun to watch. But for as stupid as the premise is, most of the scenes are borderline watchable and there is too much time between the stupid sequences. If you had your friends over to watch Piňata: Survival Island, you would be doing it for the sake of saying you’d seen a movie about a killer piňata, not because you want to.

Oh, and GOOD NEWS EVERYONE! In my research I found that the entire film is on Youtube… so… if you feel like it:

– James Hart

SH*T SH*W REV*EW will return with another Brooke Hogan joint, Sand Sharks

Have you seen Piňata: Survival Island? Tell us what you think about it below!

Guns, Drugs & Synergy Trailer

Guns, Drugs & Synergy Trailer by Matty O’ Connor

The full short played during the January Emerging Filmmaker’s Project and I recently recommended it in Ep. 84. If you have a chance to see it, check it out cause it’s really funny.

– Brad

Ep. 84: Sheriff Schwarzenegger

The Reel Nerds take a stand in an extra long fan mail segment, discuss The Impossible, Silver Linings Playbook, Homeland, The Room, Collateral Damage, The Superior Spider-Man, and observe the return of Schwarzenegger in The Last Stand.

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Duration: 1 hr. 46 min.

 

(3:19) Fan Mail

Watching

(31:28) Ryan: The Impossible, Silver Linings Playbook, King Kong (2005)

(42:49) James: Homeland, Girls, Pinata: Survival Island

(50:40) James & Brad: The Room

(58:58) Brad: EFP Shorts: Incubator, Guns, Drugs, & Synergy, Star Trek: The Next Generation S3, Collateral Damage

Box Office Stats

(1:10:13) Zero Dark Thirty #1

Releases

(1:12:30) End of Watch, Searching for Sugarman, Nobody Walks, An Idiot Abroad S3, Mandroid, The Men Who Built America, Death Race 3

Reel News

(1:14:39) Zack Snyder wants to make a non-saga Star Wars movie

(1:15:50) Release date for Gravity is October 2013

(1:16:46) Zombieland TV show in works

Comics Corner

(1:20:30) Superior Spider-Man

Review

(1:29:25) The Last Stand

Ep. 83: Gangster Dark Nerdy

The Reel Nerds embark on a manhunt for Osama Bin Laden and Mickey Cohen.

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(6:30) “42” trailer gripes

(8:09) Fan Mail

Watching

(14:56) Ryan: License to Drive, Sin City, Indiana Jones and the Last Crusade, The Biggest Loser

(28:52) Brad: It’s Always Sunny in Philadelphia S1-S7

(35:48) James: Lawrence of Arabia, Ripper Street, 2-Headed Shark Attack, Justified

Box Office Stats

(44:48)  Texas Chainsaw 3D #1

Releases

(46:23) Taken 2, To Rome with Love, The Possession

Reel News

(49:18) A Good Day to Die Hard to be R-Rated, Jurassic Park 4 has release date

(51:00) Texas Chainsaw 4 on the fast-track

(53:31) Y the Last Man moving forward with Dan Tractenberg

(54:47) Spielberg postpones Robopocalypse

(55:11) Grauman’s no longer “Grauman’s”

(55:30) Reel Nerds on Stitcher! now

(57:00) Mile High Horror Film Festival Interview: Any Carino from FreshFilmNews.com

Comics Corner

(1:09:06) Preacher

Review

(1:13:12) Zero Dark Thirty

(1:26:13) Gangster Squad

 

SH*T SH*W REV*EW: 2-Headed Shark Attack

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I’m really not sure how to reconcile what I’m about to do. Our motto this past year has been “Want to like the movie” because I truly believe that cynicism is becoming far to prevalent in the film criticism world, it’s become too popular to hate things that other people like or that are just trying to be fun because it makes the critic look smart. But I’m starting a series here that I’ll return to throughout the year where I’m gonna hate on stuff. But not just any stuff, this stuff is real, genuine shit that no one has delusions about being good—except, it appears, maybe Brooke Hogan. If you’ve been listening to the show, you know that I love torturing myself with really bad films, and I love the idea of bad shark movies with low budgets and silly premises, but I haven’t seen enough of them. So I’m about to get educated.

2-Head Shark Attack

“It’s got two heads.” 

“Two Heads is twice as many Teeth!”

You know what’s scarier than a two-headed shark? Two sharks.

2-Headed Shark Attack drops a boat full of students who are studying… sextants?… into the waters around an unstable atoll where a mutated shark with two heads has been eating water-skiers two at a time. When they come upon the carcass of a large shark that the shark-and-a-half has killed, they accidentally guide it into their propeller, punching a slow leak in the hull, and they are forced to evacuate to the atoll. This is the point where you look up the definition of an atoll, since this one is apparently sinking because the two-headed shark keeps running into the corral supporting it. As they plunder the island for “scrap metal” to fix the boat they find plenty of reasons to motor back and forth between the atoll and the ship so that the shark has more opportunities to pick them off.

There are “good” things about 2-Headed Shark Attack. Hmm… no, let’s try again.

There “are” “good” “things” about 2-Headed Shark Attack. Better.

imageThe two heads of the shark have pronounced jowls that are either an homage to the design of Bruce from Jaws or evidence that the makers of 2-Headed Shark Attack don’t know what sharks actually look like, so they just re-watched Jaws and modeled the shark heads after that. Note: I just realized how much better this movie would have been if one of the shark heads had an eyepatch and the other one had some missing teeth or a beard, so that they were individualized like a two-headed ogre. The other “good” “thing” about the CG is that it is sometimes actually unique to the scene taking place. What I mean is that in most Asylum movies they simply create a few CG animations for their creature and then reuse them, so that the monsters never actually feel like they are interacting with the scene. In 2-Headed Shark Attack they still reuse plenty of footage but they also have a sequence where the shark attacks a guy and throws him up in the air and slaps him with its 1-tail, and another shot where they attack someone and the two heads pull the victim apart underwater like the T-Rex’s (T-Rexi?) in The Lost World. It’s not particularly convincing, but it’s evidence that anyone tried. Part of the fun of the idea of a two-headed shark is what interesting ways it might kill someone, or that while the shark is eating someone you still aren’t safe, and at least 2-Headed Shark Attack “tries” to fulfill on that promise.

“The boat just needed a little tuning up. Now we just need gas.”

“We just found this gas can.”

“Is there anything in it?”

“It smells like gas.”

Asylum films are fairly desperate, but I’ve never seen them moving in the direction of straight to DVD American Pie films that make them money on teenagers who want to rent films full of nudity, until now. 2-Headed shark attack isn’t full of nudity, but it wants to be. I’ve never seen a director so excited to have Carmen Electra in their movie since Baywatch: White Thunder at Glacier Bay. There are a bizarre, if not creepy, number of shots of Electra laying on the deck of the ship in a bikini, zooming in and out like the eyes of a lusty animated wolf. Nine out of ten of the students are busty women who, if they aren’t wearing a bikini are either made fun of for their one-pieces, or are wearing a shirt that they later take off in order to cover one of the men’s wounds. Every minor occurrence is followed by multiple reaction shots of bikini clad ladies screaming or running. Especially if the law suits against Asylum continue, then in three years these movies will have titles like Shark Attack in the Grotto or Busty Beauties get Hammer-Head.

“Once this atoll sinks, we will be.”

If you’re like me and you love these bad movies, there are plenty of funny scenes to appease you. The excruciatingly long topless makeout sequence ends with both the fine young ladies attacked by the shark-and-a-half. The shark doesn’t eat them though, it apparently has some kind of power to cause them to spasm and cough up blood before falling over in waist high water. Considering the depth of the water the shark can use this power from at least thirty-five feet away. As can usually be expected there is plenty of disembodied dialogue, clearly added in post, but what’s great about it here is usually that kind of ADR is to clarify clunky plot points, like someone yelling “it’s being drawn towards the electro-magnetic pulse of the welder,” but there are also some lines that are clearly added and just as clearly unnecessary. And that’s another thing, there is a whole subplot about the shark being drawn to vibrations, but sometimes it’s electro-magnetic pulses, and in the end they just draw it in with blood… so none of that matters. Their final plan to kill the shark-and-a-half is to feed the shark a barrel of oil with a lit fuse in it… but the fuse is a guy’s shirt… which is soaked… and they actually say that they’ll wring it out… which wont do much good since while they try to light it the fuse the shirt is still floating in the water… and then they are surprised when it doesn’t work.

“I think it’s a Jellyfish.”

I genuinely think that Brooke Hogan thinks she is breaking in with these films. I think that she expects someone to see her irritable delivery of lines like, “fears don’t get over themselves” and hire her to be in their movies. I hope that doesn’t happen though, because I need her to return for 2-Headed Sand-Shark Attack.

I’m going to rate these movies on a scale from 1 to 5 based on how much fun they would be for you and your friends to watch drunk. 5 being something genuinely good but still crazy and knowingly tongue-in-cheek like Stephen Sommer’s Deep Rising, and 1 being a movie that is bad, but boring, like Dragonheart 2: More Dragons, or whatever that movie was called.

image2-Headed Shark attack gets an un-ironic 2. If the scenes didn’t feel like they dragged on so long and the attacks weren’t always preceded by what feels like eons of the shark’s approach then the movie might be higher. The acting is horrible, sure, but the real gem here is how deranged the plot-points are. This isn’t a bad movie to put on in the background while your friends are over, but it’s one you’ll find yourself drawing everyone’s attention to during the best-bad parts and then ignoring the rest of the time.

– James Hart

SH*T SH*W REV*EW will return with Pinata: Survival Island.

Seen 2-Headed Shark Attack? Tell me why in the comments below!

Eks Axis: Whitmore

Eks Axis: Whitmore

Reel Nerds Podcast Joins the Stitcher Network!

That’s right! Now you can download the FREE Stitcher App to your smartphone and include our show in a playlist of your other favorite podcasts! Click the banner to get started.

James Top 20 Films of 2012

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If you told me how far we’d come in 2012 last year this time last year I really wouldn’t have believed you. While I want to reiterate everything that Ryan said at the beginning of his list, I won’t, and this is The Internet so I can just do this: Bam! I also want to add that as great as this year has been, it’s also been rather heartbreaking. I’d like to thank Tom Sullivan for sitting down on our show and just for generally being an amazing person. 

Anyway, there’s plenty more talking to come, so lets start the list. These are my favorite films of 2012. These are Ryan’s. These are Brad’s. And This is where you can here us talk about them and more.

The opening sequence of Lincoln sets the stakes very high, repeating the promises of Lincoln’s Gettysburg Address to put the soul of America and the promise of democracy on the edge of a knife. This sense of urgency never leaves the film, and throughout every scene of political squabbling and marital grief, this acts as a driving force of what seem to be Lincoln’s deliberate and determined actions. It’s hard to make a movie where every scene is just people talking about politics or depression and have it be entertaining, but the weight of the subject at hand and the likability of the characters themselves propel us forward through a short two-and-a-half hours. On top of all that, what more can be said about Daniel Day-Lewis and Sally Fields’ performances? They are among the best actors of their generations and these are certainly among the best of their careers. Spielberg remains in an entirely different league. You cannot compare him to anyone but himself at this point, and when you see Lincoln you know that this will be one of the films he is most remembered for. This is art at its perfection.

This isn’t just the most crowd pleasing fun I had all year, this was also the fulfillment of a wish that seemed impossible. Mixing all these superheros from tonally different films seemed to guarantee that no matter how much fun the movie would end up being, it would always feel disjointed, but that didn’t happen. Mixing these characters together would be one thing, but most people would agree that this is actually the best versions of all those characters. The Incredible Hulk has never been done so well on film, Captain America is more fun and more interesting here than he is in his origin, Iron Man is as good as he always is, though we do get the end of his transition into a real hero who risks his life to save everyone, Black Widow and Hawkeye obviously get more development, I would only argue that Thor is a bit flat when compared against the dramatic scenes we saw in Asgard.


I was really looking forward to Cabin in the Woods but it was still the biggest surprise of the year because it was not at all what I expected it to be. Cabin is the Shaun of the Dead of American horror. It deconstructs a genre while also becoming an entry into it. Maybe more than anything on this list, see this movie.

I know, you probably hated this movie and I understand that, because the reasons why you hate this movie are the reasons why this isn’t my number one. This movie stuck with me, it made me think about it for weeks. I love the ideas that it plays with and the world that it inhabits. I love David, and the way he skirts morality because he doesn’t understand it. I love the quest for life and the idea that aliens might simply be uninterested in us. It’s a beautiful film and I want to see more big-budget, space-treking science fiction like it in the future.


I’ve be a devout fan of Rian Johnson since the credits first rolled on Brick and it’s been relly exciting to see the direction his career is taking. Looper is his first foray into action and science fiction and thankfully he didn’t loose his unique storytelling, quirky comedic timing and beautiful sense of motion. Looper does what most great sci-fi does, by taking an idea as simple as ‘what if you could sit down at a diner with your future self’ and exploring it literally, then it wraps itself inside of a cool action flick in order to become palatable. When the movie starts you never image that it will take you to the dark places that future Joe’s mission requires, and you certainly don’t think that you might be on his side when it does.

6. Beasts of the Southern Wild

It’s the sense of place that Beasts of the Southern Wild does so well that allows it to become so engrossing. From the dialect to the set decoration of the parade floats, the Bathtub is a real place, which makes Hushpuppy real, which makes her story real, and the emotional pull of her self-discovery ring true. To tell someone the plot of Beasts of the Southern Wild is a surprisingly brief act that brings to light just how important the way the story is told actually is.


After the first time I saw The Hobbit I was not expecting it to be on my top ten. It’s not that I thought the movie was bad, but it felt like their were pacing problems that kept me from really getting involved in the movie the way I did with The Lord of the Rings Trilogy. But what I discovered seeing it again was that all the questions about whether or not it would live up to the quality of the first trilogy, whether or not Radaghast would end up paying off throughout the trilogy, where they were going to split the films and whether that would seem satisfying, all those questions had kept me from actually letting myself enjoy it the first time. The second time I simply had fun. I liked watching the dwarves sing their songs and do dishes, and felt more of the tension as Spiders tried to invade Radaghast’s home, I got to know each of the dwarves a little better so that I actually cared about them, and I got invested in Bilbo’s search for courage and mercy. The movie isn’t perfect, and I think that a film should be able to stand on its own, but I also think that An Unexpected Journey can’t really be judged fairly until the story is completed, and if it eventually turns into a great trilogy, made better because the elements it sets us pay off so well, than I would regret dismissing it from this list for that reason.

8. Hitchcock

I wasn’t expecting to love Hitchcock as much as I did. It follows Alfred Hitchcock from deciding to make Psycho to releasing it and the personal problems he had along the way. While it doesn’t feel as much like air-tight history as Lincoln does, likely taking creative license with his marriage, the story that it tells is so fascinating that it begs you to forgive it. As much as I love Helen Mirren’s performance and was fascinated by the insight into the making of Psycho, the controversy surrounding it, and the inspiration for it, what actually hooked me on this film is the way in which it slowly adopts the tropes of a Hitchcock film, as intrigue begins to bleed into the story and character start communicating through and becoming suspicious of the most miniscule details, like the placement of an earring or a small collection of sand. This blend of genres along with a heartwarming story about a marriage torn apart by busy lives, old age and disinterest, a husband with a voyeuristic eye, and two artists trying to keep their work from becoming stagnant.


This isn’t a Spider-Man movie it’s a Peter Parker movie, and that’s why I think it’s better than the original Spider-Man trilogy. This really felt like the Peter Parker that I loved as a kid, that I still love, who is just a normal kid with problems who is thrust into greatness. There are so many great comic book franchises going right now but this is the one I am most excited to see a sequel to right now. If you can marry the great characters here with the drama of Gwen Stacy’s arch and the big action I expect from a sequel that isn’t weighed down by an origin story they might have one of the best superhero movies’ ever made.


This is the kind of kids movie I’m passionate about. Paranorman refuses to give in to the temptations of simple storytelling and simple lessons to teach. It addresses issues of being an outcast from different angles, turning zombies into sympathetic monsters and making villains out of outcasts who’ve grown to hate their bullies. Children aren’t dumb, they can understand complex ideas as long as they are told in a way they understand. There was a time when I dreamed of a year when my favorite animated movie wasn’t Pixar (because the bar was raised at other studios, not because Pixar stopped trying so hard) but Laika makes it really easy to love Paranorman. The animation is stunning and the work that clearly went into it shows a love for filmmaking that is too rare among kids flicks these days.


I love the Dark Knight Trilogy and the The Dark Knight Rises was a fittingly epic end to the story. Bane is not a villain I expected to see on film again after the appallingly bad Batman & Robin, but Nolan brings a new visual aesthetic and tone to the character that makes you impatient to see him again. No it didn’t make my top ten, neither did Skyfall, but that doesn’t mean that there’s something wrong with the film. It’s become really popular to rip apart these popular films for tiny errors of continuity or logic and the Dark Knight Rises has been among those unfairly scrutinized, but I do not heed to that. DKR is amazing, and cool, and fun and the kind of wish fulfillment that comic book fans never thought they’d get. 


Skyfall proved to me that a Bond film could reintegrate all the tropes of James Bond, the puns, the gadgets, the silly villains with their silly deformities and silly plans for world domination, but still be a smart film with great characters and grounded action scenes. I was really excited to see a director like Sam Mendes take on 007 and I was not disappointed. No one was.


This movie is great. Check out our award for Best Film of 2012 You Didn’t See to read my review.


The trailer for Seven Psychopaths looked really good, but it sold it as a quirky thief comedy about guys stealing dogs for ransom money, which sells the movie short. This might have been my favorite surprise of the year. It’s a crime comedy with an injection of Charlie Kaufman’s Adaptation and the quick dialog and interesting characters that Martin McDonagh is becoming known for.

15. The Best Exotic Marigold Hotel

This is a charming film about old people carving out a new life for themselves. As ordinary as that sounds, this one chooses to tell a few more difficult stories about how chance can be good for you while at the same time tearing apart everything that was once most important to you.

You’ve probably seen 21 Jump Street and there’s a good chance you saw it because a friend told you about how good it was. This year there were few movies with as strong word of mouth as this one. It would have been easy to make a simple, stupid movie out of the old 90’s series but thankfully someone along the line decided to both embrace and refuse to make such a movie. But you already know that… because as I said, you already saw it.

17. Safety Not Guaranteed
Safety Not Guaranteed is a charming comedy that allows Aubrey Plaza and Mark Duplass plenty of room show off. 

The Grey was an early surprise. Advertised as ‘Liam Neeson punch wolves with broken bottles’ I expected more action and survival, but what we got was a nihilistic movie about the way we approach difficulties in our lives.


This movie plays to my sensibilities: charming hill people, local folklore, bluegrass music. The story of cowardly Jack trying to find his place among his iconic brothers brought heart to a movie that could have easily just been a action film with dark and twisted villains. Jessica Chastain’s performance at the end of the film as she tries to keep Forrest from going to the bridge is enough to earn its place on this list.

20. Django Unchained

For me, Django shows a complete lack of restraint on Tarantino’s part, and while I still enjoyed it, the sloppy final act, including Tarantino’s embarrassing appearance in the film, squander all of the good will generated by the first two-thirds. It’s hard to follow up a film like Inglorious Basterds, and I kept reminding myself that Django was never going to achieve that level, but I never expected the movie to wander aimlessly as much as it does. 

The movies not on this list that may have affected it had I seen them are: The Master, Robot and Frank, and Smashed.

– James Hart

Am I a big dumb-dumb with a stupid-head list? Leave a comment below!
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