Month: December 2016

Art House Asshole : Winter on Fire

You know how when you’re wanting to go to the movie theater and you look up all the films that are showing and there are alway at least three that you’ve never heard of, let alone have any interest in seeing? Well, good news! I’ve seen those movies. I spend most of my theater experiences in art house theaters watching those movies that you’ve never heard of and then never watch. Yeah, I’m that hipster asshole. My goal with this is to spread information out about these films, that way you can decide one of the following. “That actually sounds pretty cool! I want to see that now!” or “Man, I’m glad I decided to go see the new superhero movie!”. So without further ado, here is my article and review of Winter on Fire.

I’m glad I decided to dedicate this month to documentaries. As much as I like documentaries, I rarely go out of my way to actually watch them. But one thing I’ve always said about documentaries is that it is almost unfair to compare them with Narrative Fiction Films. Last year in my Filmsplosion, I had one documentary on my list. And this year there will be at least one documentary in my last. Documentary has a certain power to it. The power of knowing, this is real. Even when you see a “Based on a True Story” film, it still feels like a movie. Documentaries tend to hit me like a ton of bricks. And this one is no exception.

Winter on Fire: Ukraine’s Fight for Freedom is a Netflix produced documentary on a lot of different things surrounding Ukraine, but primarily Euromaidan Protests. At the end of the day, though, this film is basically a “How Ukraine Got This Fucked: The Movie”. It gives a brief history of Ukraine from its independence in the early 90s, to basically just before the Russian Invasion. And the end of the film is basically “Ukraine is fucked and no one cares”.

This film is good for the same reason Last Days of Vietnam is good. It gives you a peak into this world that you aren’t part of, and are also unaware of how bad it is. If you have been participating or supporting or complaining about all the political protest happening around the 2016 US Election, understand those protesters are nothing compared to the protesters in this film. What starts as a simple college protest in this film evolves into was would be described less as a protest and more as a full out war. When you see the brutality of the police and the people, it is honestly horrifying. It shows how the police were told to switch from plastic batons to iron batons when the protests were primarily peaceful. There isn’t much to say about the film besides the fact that it is both horrifying and powerful.

One major downside to the film is that you start to get lost in what is happening in the film. For an American Director, Evgeny Afineevsky whom also directed Oy Vey! My Son Is Gay!! (No really), it tackles a lot of Ukrainian history. To the point where it is very easy to think “Oh are we still talking about this president or this president?” or “Are we still learning about the Orange Revolution or is this a separate thing?” The film is painted with a very broad stroke. I’ve seen some people say that the film is only telling one side of the story. I didn’t think this but then again I knew almost no Ukrainian history prior to watching this film. So I was essentially spoon-fed Ukrainian history with this film, and it is very easy to give one side of a story if you are teaching it.

There really isn’t a lot for me to say about this film. If you aren’t following the events, or if you knew about the events but didn’t really understand it, or if you didn’t know Ukraine was a country, then I recommend this film. It gives you a nice one-two punch of quick history, even if you won’t follow some of it. You might walk out with a couple questions, but you will also be much better informed about the basics of the situation in Ukraine. Which is a horribly interesting situation.

Awards 2017 Fantasy Movie League – Week 1

It’s time to embark on another thirteen weeks of box office hypothesis! The Awards 2017 season begins now!

Sadly, the Reel Nerds Podcast league lost a member this week when Jason’s Farthouse Cineplex shuttered its stinky, elitist doors. Too bad, but more American money for the rest of us!

Apparently, historically, the week after Thanksgiving sees a dive in box office returns, however, The Edge of Seventeen saw a better than expected bump, making it this week’s BP. Unfortunately, no one in this league played it, which is why without that advantage, all our teams hovered around the same total. A PC of 1x Moana, 3x Arrival, 4x Edge would have netted you $69,504,808.

ColoRadJoe claims the first win of the season, while Doctor Acula’s Movie Funhouse claims 2nd despite not changing his lineup for the third week in a row. Fall Champion Radley Cinemas starts this season in 3rd after foolishly believing in Allied while PeterParker, again, begins on the wrong foot, this time leaning on Doctor Strange. He’d almost be last if not for Movies After Ass who apparently is chasing another bag of tacos.

FML Awards Week 1

Ep. 278: Sea Men and a Little Lady

The Reel Nerds welcome Corinne to the show when they review The Edge of Seventeen and Manchester by the Sea.

Art House Asshole : Welcome to Leith

You know how when you’re wanting to go to the movie theater and you look up all the films that are showing and there are alway at least three that you’ve never heard of, let alone have any interest in seeing? Well, good news! I’ve seen those movies. I spend most of my theater experiences in art house theaters watching those movies that you’ve never heard of and then never watch. Yeah, I’m that hipster asshole. My goal with this is to spread information out about these films, that way you can decide one of the following. “That actually sounds pretty cool! I want to see that now!” or “Man, I’m glad I decided to go see the new superhero movie!”. So without further ado, here is my article and review of Welcome to Leith.

As a heads up, I’m dedicating December to Documentary Films. Sorry if you hate documentaries and or the month of December. But that’s what’s going to happen.

I think horror is a fascinating genre. I think the same thing about Documentaries. When the two blend together, I usually have a good time. This is exactly what happened with this film in particular. Welcome to Leith tells the story of the small town of Leith, North Dakota. Leith was a quiet, nice, and friendly town. No one was really interesting, but they were happy. Then a white supremacist came and decided to buy out the land of the town and turn it into a Neo-Nazi World Hub, forcing the town out of their own homes. That’s right. It’s the same thing that Ray Croc did. But instead of Hamburgers and French Fries, it’s Swastikas and Hatred.

The film is attempting to tell you something that isn’t as obvious as you might think. Yes, Neo-Nazis are really bad. And what this guy is doing is absolutely disgusting. You see him talk about his beliefs and they are shocking. You read what he has written online and that’s even worse. The subject matter of this film is honestly disturbing and haunting. That being said, he never did anything illegal for the most part. The takeaway for this film isn’t “Nazis are bad.” Everyone already knows that Nazis are bad. And as interesting and haunting as the story is, that isn’t the point. If you just wanted to tell a story, you make a narrative film. This was made because the point isn’t that “This is bad” but that “This is legal”. That is what makes this film impactful. The film is showing this to you as a way of saying “This shouldn’t be legal, but currently it is.”

Another aspect of this film that should be mentioned, is that the film isn’t just bashing Neo-Nazis throughout. The film is clearly against Neo-Nazis, as it should. But it doesn’t appear to paint the rest of the town in a glowing light either. You are on the side of the town for most of the film, or at least you should be if you aren’t a Neo-Nazi. But, despite their clear hatred and bigotry, the Neo-Nazis are just living for most of the film. They are flying their flags and are clear in their plan to take over the town. But when a fight breaks out, they are not the ones who start it. The real horror of these people is their control and their organization. At one point in the film, one of the Neo-Nazis says “I want to kill these people, but I’ll wait until they hate me enough to kill me.” Which is scary, but his completely legal.

You also see the town, and rightfully so, fight back and try to stop what is happening. At one point, and spoilers I guess so skip to the next part of the review if you don’t want spoilers, but they burn down one of the Neo-Nazi’s homes. With all of this, I thought to myself, what would I do if I was in the Neo-Nazis shoes. Now hear me out on this. I’m not a Neo-Nazi. But if I was living in a town, where everyone was a Neo-Nazi, but I believed in equality and whatnot, I would be pretty pissed and think it would suck if they burned my house too. At one point at the end of the film, the main guy tells the camera crew “I just want to be left alone. Why can’t they just let an odd old man be to himself”. Which is a good point. I’m not for the man, but the film does show the perception of his sympathy, whether the filmmakers intended that or not.

I can’t remember if it was in this film or another, I watched this as a series of multiple films on Neo-Nazis and white supremacy, but there is a quote that says “The biggest key in fascism is victimhood”. And part of what this film does is give both sides victimhood. You see each member of the town outside of this conflict. You also see members of the Neo-Nazi movement outside of this conflict. The film humanizes the Neo-Nazis to a point that would make some people uncomfortable. It is really easy to look at Neo-Nazis as cartoon villains. But once you see them raising their kids and see them beyond their horrible beliefs, that’s when the horror really sets in. Because that’s when you realize they aren’t that different from you.

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