Author: Ryan

As far as nerds go, there are not many reeler than Ryan. His love for movies is unmatched. He also loves comic books. When you combine comic books and movies Ryan is at his happiest. He enjoys all forms of pop culture and prides himself on knowing more then average nerds. Ryan has a couple of characters he prefers over the rest, first and foremost is Spider-Man. He also loves Ash from the Evil Dead. Ryan also enjoys Finishing people in Mortal Kombat and hopping on Goombas. He has attended Comic-Con and several Starfests with his good buddy Brad. He is amazed on how awesome Brad is at designing Reel Nerds pages. But don’t tell Brad he needs to stay humbled. Favorite movie: Army Of Darkness Favorite Genres: Action, Horror, Comic Book, Comedy

Articles

A Love Affair: Reel Reflections of My Friendship with Jonathan Tiersten

Jonathan Tiersten’s energy is palpable. We are about two hours into a shoot, and I have what I think is a really great idea. I share it with Brad, my producer, designer, director extraordinaire.  He too likes the idea. My hang-up is we have asked and Tiersten not only agreed to be in our web series, but we were poor and couldn’t pay him for his time. I don’t want to overstay, or more importantly make Jonathan work harder than we already were making him. Although this is a silly short, we are asking Jonathan to already do stunts, memorize lines, hit me in the face with a giant dildo (true story), I now have another idea. And as I think of that idea, another one pops in my head. Did I mention these ideas popped in my head AFTER Jonathan cooked us barbecue and kicked his family out of his house so we could use his beautiful home as a location for the shoot? I didn’t? Well, this story needs a lot of context.

In the fall of 2012, our podcast started to catch on. We had just had a successful time at Denver Comic-Con and we were asked to podcast from the Mile High Horror Film Festival at the Sie Film Center. We jumped at the opportunity. We were also very green and new to the whole “celebrity” interview process. We did not want to put film actors or directors on the spot but we also were hoping to have some appear on our show. I asked my fellow Nerds, “How do you think we should ask them?” We debated and debated, never moving from our seats.

At the festival there were several people I really wanted to talk to. Jeffery Reddick is the screenwriter and creator of the “Final Destination” series. I thought he would be really fun to talk to, most writers are great interviewees. The other Nerds were not familiar with “Sleepaway Camp”, the notorious slasher film from 1983. I was. I had the collector’s edition DVD set that was in a “survival kit”. I also remember renting it from the mom-and-pop video store when I was younger. My mom allowed me to rent rated R movies, and she created a weird horror movie fan for life. While most people (and rightfully so) remember Angela and the twist ending, I was also drawn to Ricky, the smart-ass cousin of Angela. Ricky was a red herring and a funny one to boot. I told the other Nerds that Jonathan Tiersten who played Ricky was here as well, and I really want to get him on the show.

I just did not have the courage to ask him.

As I was grappling with how to approach Jonathan, I looked up from whatever I was doing, and I saw him standing right in front of our booth. Jonathan smiled and said something that I can’t remember but I do remember it made me laugh. I am pretty sure he teased me after that and asked about my podcast. I told him and I told him that I knew him from “Sleepaway Camp”. I was sure he got that all the time, but he just smiled. Jonathan said, “Why aren’t you interviewing anyone?” I candidly told him that I wanted him on my show, but I did not want to take away from his fans and his booth. Jonathan again just smiled, but this smile was more of “come on, just ask”.  I still just sat there and Jonathan sensing my hesitation said, “I can record on your show, how about right now?”

After a long interview, I realized just how cool and nice Jonathan was (He will tell you differently, don’t believe him). After our interview with him, Jonathan acted as facilitator for us. He introduced us to Jeffery Reddick and Director Dan Myrick. Jonathan single handedly helped us have a successful podcast at Mile High Horror.

Flashforward almost a year and we were deep in pre-production of our web series “Reel Nerds Podshow”. I had this idea, that needed be fleshed out by a real writer. An overarching theme of our series was me being an asshole and doing whatever necessary to be famous. I had this crazy idea of asking Jonathan to play an insane version of himself that invites me over to his house to eat me. James hammered out a funny script, and now it was time to pitch it to Jonathan. I can’t remember how I got his cell phone number, but he did give it to me. I called Jonathan and pitched the idea of it to him. I told him that we are basically doing this guerilla style and we have no money, just a desire to make something memorable and funny. Jonathan not only agreed without hesitation, but he also offered his real house as a location. I sent the script to Jonathan, and we set a date to film.

We arrived at Jonathan’s house, he cut his jeans to make them “Daisy Dukes” and made a Reel Nerds t-shirt into a mid-drift. Jonathan changed the dialogue slightly and made it funnier. I also picked up that he was an amazing improviser as we went off script multiple times, much to the chagrin of Brad who was trying to direct while edit in his mind.

As we moved to the basement of Jonathan’s house where I am being held captive and cooked, we were setting up the shot and like a lightning bolt it hit me, Jonathan is an amazing musician as well. What if he grabbed his guitar and sang a song about how he was going to eat me. Keep in mind this was not in the script, and I am asking him to come up with a song on the spot. I was not sure if he would do it, but I knew that it would play really well when it all came together. I also had an idea of Jonathan chasing us up the stairs, tripping and falling on a fork, killing him with it going through his chin. The tag scene would be Jonathan waking up, still alive. Again, not scripted but would require Jonathan to have a sharp object buried into his chin. And who the hell was I to ask him to do this?

I asked Jonathan if he would be willing to do the new ideas I had. Again, no hesitation, he said yes, and delivered a bone chilling song.

When we were set to premiere the short, I asked Jonathan if he would be willing to be a guest judge at a screening of short films in Denver. Jonathan again agreed. We had dinner. We laughed. We had fun.

In between our silly short and premiere, Jonathan became a friend. I saw him perform several times live. His music is brilliant. Although Jonathan was a great actor, I always felt that his true calling was his music. Watching him perform live is watching an artist totally in the moment. He loses himself and lets his lyrics take over. I will never forget at Starfest that he was shredding so hard his fingers bled. And like all of his performances, he lost his shirt at some point.

Although Jonathan moved to California to pursue his love of tennis and teaching others the love of sport, he remained in contact with me.

Imagine my surprise that he shared with me his cover of a favorite Rod Stewart/The Faces song, “Ooh La La” that he recorded for my birthday. I could never repay that kind gesture. It was amazing. It rivals his cover of “Wicked Game”. I don’t think he has officially uploaded “Ooh La La” to his page yet, so I will just keep it for myself for now.

I was over the moon recently when Jonathan said that he has started to pick up his guitar again and is looking to performing a handful of special gigs. If he happens to be playing in your neck of the woods get out there and see him. I am not sure the last time he performed live, but it is a treat and should not be missed.

Thanks Jonathan for being a great friend, even though you never really liked me. *

*This is a long running joke that we have. Jonathan is sweet and funny but he always tells me that he never really liked me, AFTER he pays me a compliment.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 95, Friday the 13th Part VI: Jason Lives (1986)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

95. Friday the 13th Part VI: Jason Lives (1986) Directed by Tom McLoughlin

The Movie: Years after Tommy Jarvis (Thom Matthews) ended Jason Voorhees’ (C.J. Graham) reign of terror at Crystal Lake. Tommy, however, is still haunted by Jason and intends to end his torment forever.

Tommy and his friend Hawes (Ron Palillo) drive to the cemetery where Jason’s body has been buried. Tommy locates Jason’s grave and starts digging. As a storm rolls in, Tommy hits Jason’s coffin and opens it. Inside is Jason’s rotting corpse. Jason is indeed dead. Tommy, haunted by his past grabs a metal spike and stabs Jason’s corpse over and over. He leaves the post in Jason’s body and goes to get gasoline. Tommy’s plan is to burn Jason’s body to ash.

A lightning bolt hits the metal post and strikes Jason’s corpse. Jason’s eyes snap open. Jason Lives. Jason climbs out of his grave and walks towards Tommy. Hawes hits Jason in the head with a shovel. It does not affect the monster. Jason punches Hawes through the chest, ripping out his heart.

Tommy runs away and drives to the sheriff’s office. Tommy meets Sheriff Garris (David Kagen) and pleads with him to stop Jason. Garris doesn’t believe Tommy and has Deputy Cologne (Vincent Guastaferro) lock him in a cell.

The next morning, Tommy meets Garris’ daughter Megan (Jennifer Cooke) and her friends. They are the new camp counselors at Camp Forest Green, the new name for Camp Crystal Lake. Tommy pleads with them not to go there as Jason is most likely to return to a place he knows. They do not heed his warning.

Sheriff Garris escorts Tommy out of town. Tommy leads him on a chase through the cemetery to show him that he dug up Jason’s grave. When they get there, Jason’s grave is undisturbed. Martin, the caretaker (Bob Larkin) denies he covered Jason’s grave. Sheriff Garris tells Tommy to leave and never come back.

Jason on his way back to camp has killed a couple of counselors and a group of paintballers. He is close.

At camp, Jason’s terror begins anew. He mows through the counselors and after seeing a bloodbath of murder victims, Garris is convinced that Tommy is killing everyone to prove Jason is alive. Garris dispatches his police force to Camp Forest Green.

Jason quickly dispatches the police force and sets his eyes on Megan. Garris hiding from Jason hears his daughters scream and attempts to stop Jason. Garris is snapped in half for his effort.

As Jason attempts to kill Megan, he is called to the lake by Tommy. Jason drops Megan and heads after Tommy. Tommy has a plan. He is going to chain Jason to the bottom of Crystal Lake, making him unable to escape. Jason attacks Tommy who is able to put the chain around Jason’s neck. Jason is able to destroy Tommy’s boat and they both go under. Megan jumps into the lake to help Tommy. And is pulled down by Jason for her efforts. Megan is able to start the boat’s propeller and moves it over to Jason, where it grinds his face and snaps his neck.

Megan brings Tommy to shore and saves his life. Under the water, Jason is still there, eyes open, waiting for his chance to kill again.

Why I Love Friday the 13th Part VI: Jason Lives (1986): My favorite Friday the 13th movie. I love the series and Part VI is the best one of the bunch.

We get our first experience with “zombie” Jason. In the earlier installments hinted at maybe supernatural elements were at play, writer/director Tom McLoughlin leans right into it. McLoughlin is by far the best director of the franchise in the 80’s. McLoughlin fully understood the assignment. Make the teenagers fun and funny, make Jason a scary, unstoppable killing machine. The film is ahead of its time. It makes the characters well aware of the predicament they are in, in a way that Scream would perfect 10 years later.

After the train wreck that Part V was, McLoughlin proved that you can make a cool scary movie without being gratuitous with the violence and the nudity. Look, I love when Jason is mowing people down, but there has to be some restraint in the approach. It can’t just be, put the camera here and not be creative with the violence. And don’t get me wrong, there are some brutal kills in this film, see Garris folded in half.

 You can also watch Jason Lives without any real knowledge of the series, it stands on its own very well. The ending is satisfying as we both get a heroes victory and a glimpse that Jason isn’t dead after all.

Articles, Review, Top Lists

Ryan’s 150 Favorite Films: Number 96, Love Affair (1939)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

96. Love Affair (1939) Directed by Leo McCarey

The Movie: A handsome and dashing French painter, Michel Marnett (Charles Boyer) meets a beautiful American singer, Terry McKay (Irene Dunne) onboard a transatlantic cruise. Michel is a womanizer and engaged to an heiress named Lois (Astrid Allwyn) and Terry is engaged to a man named Kenneth (Lee Bowman). Both Terry and Michel began to find the other attractive and have dinner with one another. Terry is well aware of Michel’s reputation and when people start to notice them together they agree to not dine as a couple.

Terry agrees to visit Michel’s grandmother Janou (Maria Ouspenskaya) in Maderia, which complicates Terry’s feelings for Michel more as Janou and her have a wonderful time together. Janou tells Terry that she wants Michel to settle down and get married.

As they arrive in New York, they agree to meet on the top of the Empire State Building in six months. Michel wants that time to see if he can make money as an artist. Terry breaks her engagement off and agrees to be a singer at a night club in Philadelphia.

The date arrives for the meet on top of the Empire State Building, but Terry never makes it. She is struck by a car on the way and is told she may be paralyzed. The doctors inform her that they will not know for certain for six months. Terry does not want to burden Michel if she is in fact paralyzed and does not tell him. Michel, heartbroken that Terry never arrives. He soon returns to Maderia after learning his grandmother has passed away and returns to New York to continue his work at an ad agency.

Terry is overheard singing at the garden while she is in therapy by the owner of a children’s orphanage. Impressed, Terry is asked to be the music teacher there.

Terry decides that she is going to go out for Christmas Eve and goes to a theater. There, she happens to run into Michel. Michel does not learn of Terry’s disability until the next day when he surprises her at her apartment. Michel learns finally what happened to Terry and Terry learns that Michel has changed his womanizing ways. Michel tells Terry that he will be with her, no matter how her diagnosis turns out.

Why I Love Love Affair (1939): Two words. One person. Irene Dunne. I adore Irene Dunne she is my most favorite Golden Age Hollywood Actress. She is immensely talented, beautiful and funny. All of her qualities are on full display in Leo McCarey’s Love Affair.

Dunne flexes not only her acting chops but her incredible singing voice as well. Charles Boyer is also up to the task as the dashing leading man that he is.

Although Cary Grant is my favorite actor, Love Affair is a better film than its remake An Affair to Remember. Although McCarey returned for the remake as writer director, here Dunne just outshines the talented Deborah Kerr in the role of Terry.

The black and white photography is stunning with foggy accents that pepper the voyage on the ship to the bustle of New York City every scene is alive in its own special way.

McCarey is in top form as he stated the idea for Love Affair came from his own trip across the ocean. McCarey was also growing tired of screwball comedies and wanted to stretch himself as a director. His restrained approach serves the film well.

Beautifully shot and told, Love Affair is a romantic film worth falling in love with.

Articles, Review, Telluride Horror Show

Suitable Flesh (2023) Review: Telluride Horror Show 14

t’s October in Colorado, which means the coolest film festival takes place in the beautiful town of Telluride. The Telluride Horror Show is a favorite of mine (and my wife and the fellow Nerds). We podcasted from there twice a long time ago. And while we haven’t brought our podcast back, my wife and I have gone back a couple of times. This year, I was able to catch seven films, short programs and soak in the scenery and the gore. Instead of just posting my thoughts of the films on Letterboxd, I thought I would also write detailed reviews with you my loyal listeners/readers my thoughts on the films I saw. So sit back, relax and lets get spooky!

Suitable Flesh (2023) Directed by Joe Lynch

Dr. Elizabeth Darby (Heather Graham) finds herself in a state hospital after she is accused of murdering her young patient Asa (Judah Lewis). Elizabeth denies that she killed Asa, but the no one believes her. Her friend and colleague Dr. Dani Upton (Barbara Crampton) visits her and tells Elizabeth she doesn’t sound competent. Elizabeth pleads with Dani to listen to her story, Dani agrees.

One afternoon after a session, Elizabeth is greeted by a distressed young man, the aforementioned Asa. He asks for Elizabeth’s help. Asa says that he read her book and believes that she is the only one who can help him. Intrigued and sensing that Asa is in real mental distress, Elizabeth asks him into her office.

Asa tells Elizabeth about his dad, who is controlling him and hurting him. Elizabeth feels obliged to help Asa. During their session Asa’s phone rings and he tries not to answer it. When he does the voice on the other side transforms Asa from a troubled young man to one beaming with confidence and sexuality.

Elizabeth develops an unhealthy obsession with Asa and is soon brought into a world of demonic possession, gruesome murders and an uncontrollable desire for Asa.

Suitable Flesh packs a wallop. Inspired by H.P. Lovecraft’s The Thing on the Doorstep, it feels like a movie from the 1980’s. The gore is spectacular invoking memories of horror favorites from years gone by.

Director Joe Lynch brings the right amount of flair to the proceedings. One death, which I won’t spoil but I will say it uses the back up camera in a vehicle in an awesome way. I love how the film slowly lets the viewer into the world. Once we get there, however, the pace is unrelenting. From insane murders to insane and steamy sex scenes, Suitable Flesh is never dull.

Heather Graham commands the screen. Her descent from professional doctor and loving wife to a woman spellbound by a mysterious young man is not only believable but when her world unravels you feel sympathy for her and her dilemma. The added bonus of having Barbara Crampton back into the Lovecraftian world is special. Crampton is mesmerizing on screen.  

Go see Suitable Flesh with as little knowledge as possible. It’s a rollercoaster of a movie that rewards the viewers to enjoy the plunge into darkness.

Grade: A

Articles, Review, Telluride Horror Show

Frogman (2023) Review: Telluride Horror Show 14

It’s October in Colorado, which means the coolest film festival takes place in the beautiful town of Telluride. The Telluride Horror Show is a favorite of mine (and my wife and the fellow Nerds). We podcasted from there twice a long time ago. And while we haven’t brought our podcast back, my wife and I have gone back a couple of times. This year, I was able to catch seven films, short programs and soak in the scenery and the gore. Instead of just posting my thoughts of the films on Letterboxd, I thought I would also write detailed reviews with you my loyal listeners/readers my thoughts on the films I saw. So sit back, relax and lets get spooky!

Frogman (2023) Directed by Anthony Cousins

In 1999, Dallas (Liam Hage) and his family are on a trip to Love Land in Ohio. Their father is film in the trip. When the family is on the side of the road, Dallas takes over and captures the legendary Frogman!

Flash forward to present day and Dallas (Nathan Tymoshuk) now grown is a joke of the internet. Nobody believes that his footage of the Frogman is real and Dallas has been floating through life ever since. After losing his “home” Dallas decides that he is going to finally prove that Frogman is real and get the footage to prove it.

Frogman is an all powerful being. Some say that a cult worships him. Some say he uses a wand like a wizard. Others say he is able to control people with his mind.

Dallas enlists the help of his best friend Scotty (Benny Barrett) and his crush but she doesn’t know it Amy (Chelsey Grant) to help him on his quest.

When the trio arrive in Love Land they meet people that believe in Frogman. In fact, most citizens embrace the notoriety that Frogman brings and have tourist-y stops and spots everywhere.

But as the group gets further and further into Frogman’s territory, they soon realize that maybe the legends are true and Frogman is truly out there.

Frogman as concept is silly. And the filmmakers had a choice. Make it as crazy as possible or play it safe. Thankfully they choose to totally embrace the crazy and pull off a pretty neat film.

I am not a fan of found footage films. The concept is inherently restricted and hampers the film in the process. And while I wish this film was played conventionally, I will give the filmmakers credit again and not taking the easy way out. I don’t want to spoil anything, but the film delivers, it doesn’t leave as many questions like so many found footage films do.

One thing I can spoil is the film is very funny. The three main characters have amazing chemistry and they truly feel like they’ve been friends for years.

Frogman as a concept is silly. As a horror film, it totally works. It’s funny and some truly fantastic practical effects. You should jump at the chance to see this film.

Grade: B

Articles, Review, Telluride Horror Show

You’ll Never Find Me (2023) Review: Telluride Horror Show 14

It’s October in Colorado, which means the coolest film festival takes place in the beautiful town of Telluride. The Telluride Horror Show is a favorite of mine (and my wife and the fellow Nerds). We podcasted from there twice a long time ago. And while we haven’t brought our podcast back, my wife and I have gone back a couple of times. This year, I was able to catch seven films, short programs and soak in the scenery and the gore. Instead of just posting my thoughts of the films on Letterboxd, I thought I would also write detailed reviews with you my loyal listeners/readers my thoughts on the films I saw. So sit back, relax and lets get spooky!

You’ll Never Find Me (2023) Directed by Indianna Bell and Josiah Allen

It’s a dark and stormy night. Patrick (Brenden Rock) is sitting alone at his kitchen table. Patrick seems lost in his thoughts. Patrick also appears to be in pain, not physically but emotionally. As the storm rages on, there is a loud knock on the door. Patrick tells this “intruder” to fuck off and leave him alone. The knocks continue and a faint voice can be heard.

Patrick cautiously opens the door. We see a young woman (Jordan Cowan) standing in the rain. She explains she needs help as her car is broken down and asks to use Patrick’s phone to call for help. Patrick is hesitant and reluctantly lets her in.

The woman tells Patrick that she ran from the beach and she just needs to use his phone. Patrick produces change from his pocket and says he doesn’t have a phone but there is a pay phone on the other side of the trailer park. Patrick offers to take her to the phone when the storm clears. The woman is hesitant and doesn’t trust Patrick.

Patrick also doesn’t trust the woman. What is she doing here? Why is she out so late? As they get to know one another, the distrust and paranoia only grows.

You’ll Never Find Me, is a slooowww burn of a film. The film plays on the paranoia of the two characters and as more of their respective stories are revealed, the more the tension amps up. Which makes this film a hit and miss affair is it that it bubbles with frustration for the viewer as you keep waiting and waiting and waiting for something to happen. It almost never does.

Both actors are very good. We are basically watching a two person play and it only succeeds if the actors are top notch, which they are. The sound design as well is great. It plays an important role in the film and acts a character as well.

You’ll Never Find Me is a hard film to get too much into as you don’t want to spoil it, but again I don’t think the ending makes the slog through the film worth it. Every time I started to think it was going somewhere, it throws another “twist” to the story that neuters all momentum that it had built up and earned.

Even with strong character work turned in by the actors, You’ll Never Find Me asks too much patience from its audience to ever by an effective thriller, let alone horror film.

Grade: D+

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 97, Drive (2011)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

97. Drive (2011) Directed by Nicolas Winding Refn

The Movie: The Driver (Ryan Gosling) is a Hollywood stuntman by day and a getaway driver by night. The Driver has a boss, an auto shop owner named Shannon (Bryan Cranston) who is able to convince the mob boss Bernie Rose (Albert Brooks) to fund a car for The Driver so he can race.

The Driver soon meets his neighbor, Irene (Carey Mulligan) and her son Benicio (Kaden Leos). The Driver and Irene become friends and seem to be getting close when Irene’s husband, Standard (Oscar Issacs) returns home from prison. Standard is in trouble as he owes money to an Albanian gangster named Chris Cook (James Biberi). After Standard is assaulted by Cook he is told to rob a pawn store of $40,000 to pay his debt. The Driver decides he will help by being the getaway driver for the job.

At the pawn shop, Blanche (Christina Hendricks) who works for Cook waits with The Driver. The robbery does not go as planned and Standard is killed. The Driver and Blanche leave and are pursued by another car. The Driver is able to get away and he and Blanche hide in a motel. Blanche confides in The Driver that she was going to double cross them and take a bag with $1,000,000 in it for her and Cook. Blanche is killed by one of Cook’s men and The Driver stabs that man to death.

After refusing to let Shannon hide the money, The Driver confronts Cook and tells him he will kill him. Cook tells The Driver the mobster Nino (Ron Pearlman) was the man who orchestrated the robbery. The Driver calls Nino and asks to be left alone and he will give him the money. Nino refuses.

The Driver tells Irene about Standard and the robbery. The Driver tells Irene they need to leave. When they enter the elevator, The Driver realizes that the man in the elevator is a hitman. The Driver passionately kisses Irene and then stomps the hitman to death. The Driver next confronts Shannon after he realizes that Shannon must have told Bernie about the money and Irene.

We learn from Nino that a Philadelphia mobster stashed the money at the pawn shop and plans to use the money for a new East Coast operation. Nino tells Bernie that they need to kill any witnesses that are involved in the robbery. Bernie agrees and kills Cook. Bernie next presses Shannon about The Driver’s whereabouts. Shannon refuses to tell him and is killed.

After he finds Shannon dead, The Driver chases down Nino and rams his car off the Pacific Coast Highway and onto a beach. The Driver grabs Nino and drowns him in the ocean. The Driver next finds Bernie. Bernie tells The Driver Irene will be safe, as long as The Driver gives him the money. The Driver does and is stabbed. The Driver however, stabs Bernie to death, leaving his body in a parking lot with all the money. Irene goes to The Driver’s apartment but there is no answer, The Driver is in a car, driving away.

Why I Love Drive (2011): Just a straight cool movie. Ryan Gosling’s performance is calm, cool and mean. The way he controls the camera, where he just commands you to pay attention to him onscreen made me look at him in a whole new light.

The synth laced soundtrack and score are pitch perfect for the neon light-soaked backdrop of Drive’s crime noir.

Directed with confidence and flair by Nicolas Winding Refn, he would never be this cool again. The movies that he made after Drive never capture the awesomeness and confidence he has here. Refn goes too far after this film and never regains his mojo in my opinion, some of the other Reel Nerds love The Neon Demon, I do not.

The car chases, the getaway escapes all pulsate the screen with urgency and bad-assery. Drive does not follow the rules of most action films, it speeds past them.

Drive also plays with your expectations. Blanche’s death is shocking and brutal. So too is The Driver’s assault on the hitman in the elevator. It is gory and necessary, so we understand that The Driver is the hero, but he isn’t above getting his hands dirty.

From the confidence behind the camera and the cool and mean streak of The Driver in front of the camera, Drive rewards its viewers with an action film that never overplays its hand. It takes us for a ride that is breathtaking and brutal.

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Ryan’s 150 Favorite Films: Number 98, Tommy Boy (1995)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

98. Tommy Boy (1995) Directed by Peter Segal

The Movie: After spending seven years in college, Tommy Callahan (Chris Farley) is heading home to work at his father’s (Brain Dennehy) auto parts factory. Tommy doesn’t take like too seriously and he loves to party.

Tommy is picked up at the airport by an old childhood friend, Richard Hayden (David Spade) and is taken to Callahan Auto Parts. Along the way, Tommy notices that many of the factories in Sandusky are closing, and his father’s auto parts factory is one of the last standing and vital to the economy of the city.

Tommy reunites with his father and after spending the day at the factory, they head home, where Big Tom has a surprise for Tommy. Big Tom has a “10” fiancé, Beverly (Bo Derek) and the wedding is happening soon.

Tommy soon meets Beverly’s “son” Paul ( an uncredited Rob Lowe) and is excited to have a brother and takes him out for a night on the town.

At the wedding, Big Tom suffers a fatal heart attack. Leaving half his company to his son and the other half to his new wife.

Tommy learns that the revolutionary brake pads that his father spearheaded were no in trouble as he had stretched himself thin and the banks were unwilling to lend anymore money to Callahan Auto Parts. The board is also getting pressure to sale as the Automotive King, Ray Zalinsky (Dan Akroyd) has given a lucrative offer for the Callahan Auto Parts name.

Tommy realizing that the City and the factory will close if the brake pads to not sale, leverages his half of the company for the capital to get the brake pad division going and also head out on the road to sale the brake pads with RIchard. Tommy also has a budding relationship with Michelle (Julie Warner) who is in charge of shipping.

On the road, Tommy in a novice and doesn’t understand how to sale anything. Richard meanwhile, is too cold and mechanic, which makes their pairing disastrous. After striking out multiple times, Tommy and Richard have a fight which ends with Richard knocking Tommy out with a 2×4.

At a diner, they makeup and Tommy is able to convince the waitress to make him some chicken wings. Sensing confidence in Tommy, Richard is able to help Tommy find his groove and start selling brake pads.

Back is Sandusky, we learn that Paul and Beverly are married and were conspiring to take Big Tom for all his money. Him dying complicated their plans, and Paul starts trying to sabotage Tommy.

Tommy and Richard soon sell enough brake pads to keep Callahan Auto Parts open and start to celebrate. Paul infiltrates Michelle’s office and changes orders. By doing this, everyone starts cancelling their orders, leading to Tommy losing his shares and Beverly entering an agreement to sell Callahan Auto Parts to Zalinsky.

Tommy and RIchard soon learn from Michelle that Paul and Beverly are married. Tommy devises a plan to talk to Zalinsky and confront his stepmother.

Tommy stages a bank robbery and has a TV crew follow him to the board room. In the board room, with TV cameras rolling Zalinsky, buys a million brake pads, thinking that the company is his anyways and is just playing the savior on TV. Soon, Paul and Beverly’s plan is exposed and Tommy pulled one over Zalinsky and saved his father’s company.

Why I Love Tommy Boy (1995): A showcase for Chris Farley’s incredible talent, Tommy Boy is a high school favorite.

Where Tommy Boy succeeds is not only is it funny, but it really pulls on the heartstrings. Farley, displays his wide range of acting ability for breaking your heart at one moment and breaking your funny bone the next.

Every time I watch Tommy Boy it is bittersweet. In two short years, Farley’s addictions would spiral out of control, leading to his death by drug overdose. And while his death no doubt contributes to the iconic status of Tommy Boy, it also leaves a hole in your heart realizing that we never got to see Chris’ full potential as an actor.

But, with one liners to spare, Tommy Boy is a laugh a minute comedy. It gave birth to “Holy Schnikes!” And “Fat guy in a little coat!” But, like a lot of comedies, my favorite moments are the fleeting ones. When Paul runs out of the board room in a panic, my favorite line in Tommy Boy is yelled by Chris, “Hey! You forgot your wife!”.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 99, United 93 (2006)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

99. United 93 (2006) Directed by Paul Greengrass

The Movie: It’s the morning of September 11, 2001. In a Newark, New Jersey hotel, four members of the terrorist group al-Qaeda Ziad Jarrah (Khalid Abdulla) Saeed Al Ghamdi (Lewis Alsamari) Ahmed Al Haznawi (Omar Berdouni) and Ahmed Al Nami (Jamie Harding) are on their way to Newark International Airport. They are boarding United Airlines Flight 93 with a final destination of San Francisco. It will never make it to its destination.

On board the flight is Captain Jason Dahl (J.J. Johnson) and First Officer LeRoy Homer (Gary Commock). Mark Bingham (Cheyenne Jackson) barely makes the flight. The doors close and the flight is delayed as it sits on the tarmac.

Air traffic controllers, attempting to contact American Airlines Flight 11. The last they know is it is being diverted to New York City. Air Traffic Controllers, realize that the flight has been hijacked after they hear suspicious transmissions from the flight deck.

Ben Sliney (Himself) is on his first day as the Federal Aviation Administration’s National Operations Manager. Sliney learns that not only has American 11 been hijacked but ATC has also lost contact with United Flight 175. Sliney is shocked when American 11 crashes into the World Trade Center’s North Tower. Sliney learns that United 175 is also headed to New York City. As ATC looks on in terror as United 175 crashes into the World Trade Center’s South Tower. Sliney learns that American Airlines Flight 77 has also been hijacked and is headed for Washington D.C.

United 93 is starting its climb to cruising altitude and reaches it. The flight attendants start to serve breakfast when an ACARS message warns Captain Dahl that the World Trade Center has been attacked and beware of cockpit intrusions.

Haznawi decides that it is time to hijack United 93 and goes into the bathroom to make a “bomb”. Ghamdi grabs flight attendant Deborah Welsh (Polly Adams) and threatens her with a knife. Passenger Mark Rothenberg (Chip Zein) attempts to intervene and is stabbed by Haznawi and dies. Haznawi and Nami force all the passengers to the back of the plane and Ghamdi enters the flight deck and kills both pilots. The pilots however send out a mayday call before they are killed and Jarrah takes over controls of the flight. His target is the United States Capital building.

American Airlines Flight 77 crashes into the Pentagon and Sliney orders all flights in the air in the United States or coming to the United States to be grounded.

On United 93, the passengers learn of the attacks on the World Trade Center and the Pentagon. They learn that the hijackers are lying and they have no intention in landing the plane. Passengers rally behind Bingham, Jeremy Glick (Peter Hermann) and Todd Beamer (David Alan Basche) and decide to take back the plane by force and attack the hijackers with make shift weapons and utensils from the fight crew.

The passengers storm the hijackers. Haznawi is killed by Bingham. The passengers learn that the bomb is a fake and are more determined than ever to take back the plane. Hearing the commotion outside, Jarrah attempts to stop the passengers by rocking the plane back and forth. Nami is the next to fall as his eyes are gouged out by Glick. The passengers start ramming the cockpit door with a serving cart. Jarrah realizing that he will not complete his mission pitches the plane into a steep dive as the passengers break the door down.

Although the plane never recovers from its dive, the men and women on board are heroes as United 93 crashes into a field in Shanksville, Pennsylvania, killing everyone on board, but saving thousands of lives in the process.

Why I Love United 93 (2006): The events of 9/11 are some of the most tragic in history. Certainly in American History. The events that unfolded on that day will live with me for the rest of my life. And while the events are heartbreaking and tragic, I believe the men and women on United 93 perfectly encapsulates the American Spirit.

The United States will only be pushed around so long before we fight back, and that is exactly what happened on United 93. When the bad guys thought they had the United States on the ropes, brave men and women stood up and fought back. The story of United 93 is a tragic one, but also a story that needs to be told for the brave Americans who said “that’s enough.”

Paul Greengrass brings his signature documentary style to the film which makes it that much more powerful. The way he moves the camera and tells the story on board United 93 makes it feel like you are there.

The heartbreak we felt that day is perfectly captured in the performance of Ben Sliney, who plays himself in the film. Hats off to Sliney who is not an actor but is fantastic in the film giving it even more authenticity.

United 93 is a tough watch. But it is a film that everyone should see.

Articles, Top Lists

Ryan’s 150 Favorite Films: Number 100, Guardians of the Galaxy Vol. 3 (2023)

One of the most frequent questions I am always asked being the host of the greatest movie podcast ever (opinions may vary) is “What’s your favorite movie?” That answer has been the same since I was 11 years old. But it also isn’t as easy to explain why I love some movies more than others.

As an art form, movies are by their nature interpretative. Some people will point to a film’s box office total as a barometer for a film’s quality, this might not be true again because although it might be popular to the masses it might not appeal to you. I am looking at you Avatar, which is not one of my favorite films, not by a longshot.  

Also, if the film wins an Academy Award for Best Picture, that hardly means it’s one of my favorite films, looking at you The English Patient, in fact I hardly agree with the Academy. Having said that, I am sure that some people love Avatar and The English Patient. And that’s what makes movies so great.

I, also am not a professional critic. I love film. I try and find merit in all film. As a host of a podcast that attempts to give every movie a chance, I believe that is the best way to approach movies, let the lights go out and try and enjoy yourself. You might find a “diamond in the rough.”

When thinking of my favorite movies to share with you, my loyal listeners, I thought 100 wasn’t going to be enough. So, I am proud to present my 150 Favorite Films, right now. These will change, I know they will.

See you at the movies!

***Spoilers Ahead!!!***

100. Guardians of the Galaxy Vol. 3 (2023) Directed by James Gunn

The Movie: Peter Quill (Chris Pratt) and the Guardians of the Galaxy are at their home, Knowhere, when they are attacked by a powerful being known as Adam (Will Poulter). Adam was created by Ayesha (Elizabeth Debicki) after she was humiliated by the Guardians during one of their missions.

Rocket (Bradley Cooper) is injured. Bad. In fact, Rocket will die unless the Guardians go to Orgocorp and find a code to overwrite a “kill switch” code that was placed in Rocket by his “creator” The High Evolutionary (Chukwudi Iwuji). The mission is dangerous and Nebula (Karen Gillan) tells Quill that she knows someone that can help them get inside the headquarters.

As Rocket lies in a coma, we are taken back in time and we learn how Rocket became Rocket. The High Evolutionary was experimenting on animals, in hopes of creating a Counter-Earth with enhanced and anthropomorphize for a more “perfect” society. While in a cage, Rocket befriends several “enhanced” animals. An otter named Lylla (Linda Cardellini) a walrus named Teefs (Asim Chaudhry) and a rabbit named Floor (Mikaela Hoover). Rocket soon learns incredibly quick gaining favor with The High Evolutionary. But when Rocket figures out a problem with The High Evolutionary’s process that results in the Humanimal creations to longer explode, he becomes jealous and furious with Rocket. Rocket learns that he is soon to be killed so his brain can be harvested and his friends will be killed as they are deemed obsolete. Rocket and his friends devise a plan to escape but during their escape all of his friends are killed. Rocket attacks and mauls The High Evolutionary and escapes.

Back with Quill, Nebula, Mantis (Pom Klementieff), Drax (Dave Bautista) and Groot (Vin Diesel) we learn that Nebula’s contact is The Ravagers, more specifically Gamora (Zoe Saldana). Quill still has feelings for Gamora, but this is not the Gamora that fell in love with Quill. That Gamora was killed by Thanos. At Orgocorp, the Guardians are successful in breaking into High Evolutionary’s headquarters, but they learn that the code is incomplete, they must travel to the Counter-Earth and confront The High Evolutionary’s henchman, Theel (Nico Santos).

As the Guardians arrive on Counter-Earth, hot on their tails are Adam and Ayesha. They too were created by The High Evolutionary and he has threatened to kill their entire race unless they retrieve Rocket for him.

The citizens of Counter-Earth point the Guardians in the direction of Arete, where a laboratory there contains the code they need to save Rocket. Quill, Groot and Nebula head for the laboratory and Gamora, Drax and Mantis stay behind to look after Rocket.

Quill and Groot enter Arete, Nebula stays outside. Drax feeling left out, tricks Mantis in going to Arete to help the other Guardians. Gamora is left behind and must save Rocket from not only Adam but War Pig (Judy Greer) a vicious henchwoman of The High Evolutionary.

Quill and Groot confront The High Evolutionary inside Arete and tell him that his society isn’t perfect as they saw the Humanimals doing drugs and committing crimes. The High Evolutionary agrees and Arete is not just a building it is a rocket that not only leaves Counter-Earth but it wipes out its population and kills Ayesha in the process as well. Theel is killed in a fight with Quill and Groot. They retrieve the code they need from Theel’s body and use it to save Rocket.

In the confusion of Arete lifting off, Drax, Nebula and Mantis are captured on board. Not before they learn of hundreds of imprisoned modified children that are on board. Quill, Rocket, Groot and Gamora devise a plan to save the other Guardians. During the battle with The High Evolutionary and his army, Kraglin (Sean Gunn) uses Knowhere to fire upon Arete, critically crippling the ship. Overwhelmed by the citizens of Knowhere, the crew of the Arete stage a mutiny against The High Evolutionary. The High Evolutionary kills the people responsible for the mutiny and sets his sights on Rocket. The Guardians reunite and decide they cannot leave the children on board the doomed Arete. They go to the prison and save the children. Rocket meanwhile, enters the animal testing area of Arete. While there, he is confronted by The High Evolutionary. Rocket is overpowered but with the help of the other Guardians, Rocket defeats The High Evolutionary and spares his life. The animals are able to escape, but the Arete is falling apart and the bridge to Knowhere is breaking. Quill the last to leave, doesn’t make it across and is about to die. Quill is saved by Adam, who was given a second chance by the Guardians, more specifically Groot.

It seems the Guardians have had their last mission. Quill leaves space to see his Grandfather Jason (Gregg Hill) and names Rocket Captain. Gamora leaves to be with her new family, The Ravagers. Mantis leaves with the monstrous Abilisks. Nebula and Drax decide to stay on Knowhere and help raise all the children they rescued.

Why I Love Guardians of the Galaxy Vol. 3 (2023): Of all the Marvel Cinematic Movies that came out during the first two phases, I remember when they announced Guardians of the Galaxy and thinking to myself, “if Marvel can pull this off, no one can stop them.”

Not only did Marvel pull it off, they gave us one of the most unlikely blockbusters of all time. James Gunn has such a unique voice that he gave the candy coated cosmic world of Marvel quite the look. But the best thing that he and co-writer Nicole Perlman did was give us some of the best heartfelt moments in the MCU.

With GotG Vol 3. Gunn and company deliver a film that is funny, poignant and a real tear-jerker. No joke I cried at least three times in this film. Bradley Cooper’s performance as Rocket is one of the best voice over work done, period. Rocket’s heartbreaking story which is only touched on in the first two films is given the ability to fully breathe here and it pays off in spades. I also love that Gunn did not take the easy way out with Gamora. Quill’s struggle to get this Gamora to like him is relatable, but ultimately bound to fail. As it should. I actually would have felt cheated out if she choose to be with Quill instead of The Ravagers. And the moment near the end when Peter realizes that is beautiful.

The action, the special effects are top notch. The performances are all great. And if this is the Guardians last ride, they go out on top.

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