Year: 2020

Top 20 Blu-Rays of 2020: The Tom Cruise Trilogy-Top Gun, Days of Thunder and War of the Worlds 4k

2020. See you later! What a totally horrible year. But we’ve made it to the end and while as a whole we are not out of the woods yet, it seems help is on the way. 2020 will go down as not a great year at the theaters as cineplexes have been effectively shut down since mid-March. But there have been some truly stellar releases on the home video side as more and more people were stuck at home.

So here I am once again counting down my favorite physical(!) releases of the year. If you’ve listened to my podcast, then you know that I will always be in favor of physical releases. Something is lost in streaming. And while major releases don’t always give the most substantial releases, boutique labels such as Scream Factory, Criterion and Warner Archive continue to give us fans a reason to buy physical copies of movies.

So, my dear movie and podcast friends I hope you enjoy my Top 20 Blu-ray releases of the year and maybe, just maybe I can convince you to purchase some of these amazing discs.

Number 18 : The Tom Cruise Trilogy: Top Gun, Days of Thunder and War of the Worlds

One of the greatest action stars ever has three of his best movies released on ultra-high definition to splendid results, and ok, Days of Thunder is not one of his best movies but it looks and sounds incredible in 4K.

Top Gun (1986)

Hangin’ with the Boys and flying jets. Possibly the most 80’s of all 80’s movies sees Peter “Maverick” Mitchell, a hot-shot Navy pilot who gets his wish to go to Top Gun, an elite flying school. Along for the ride is his wingman “Goose” (Anthony Edwards), a cocky rival “Iceman” (Val Kilmer) and a beautiful astrophysics instructor Charlie (Kelly McGillis).

The music, the actors, the stellar direction, everything is humming in Top Gun. This is really the movie that establishes Cruise as the go to actor for action with dramatic flair. Cruise has made better movies, but this is my favorite Tom Cruise movie. Cruise owns the screen, and you will find yourself cheering throughout the film, whether it’s Maverick picking up women in a bar, or taking down those pesky Russians, Top Gun is a blast.

Almost a perfect video from Corporate video production Toronto accompanies Top Gun on UHD. Top Gun has never looked better. Although it’s UHD Paramount has done an outstanding job not losing the original look of the film, they just made it look better.

Top Gun flies by the tower with a thundering upgrade in the audio department with Dolby Atmos now powering its home release. Sound is so important to Top Gun and this disc is one of the best on UHD.

Top Gun sees all the previous Blu-ray features released on a separate Blu-ray but it also has two new features on the UHD.

New: The Legacy of Top Gun: The lousy coronavirus pandemic delayed the sequel, Top Gun: Maverick until 2021 but this feature looks back at the original, but also ends with some scenes from Maverick. Interviews include Cruise, producer Jerry Bruckheimer , and director of Top Gun: Maverick Joseph Kosinski.

New: On Your Six: Thirty Years of Top Gun-This is a five part, roughly 30-minute look back at Top Gun. It’s really a fun exploration of the film with Cruise and crew members waxing poetically about the film.

Days of Thunder (1990)

Reuniting director Tony Scott with star Tom Cruise is a no brainer. Much like the plot of this movie. Days of Thunder follows hot shot NASCAR driver Cole Trickle (Tom Cruise) who is arrogant and dangerous! When he and rival driver Rowdy Burns are both seriously injured in an on track race, they must overcome their fears to race again.

Days of Thunder is silly. The dialogue and the characters are ridiculous. But I can’t help but smile when I watch it. Trickle’s introduction to the film is eye-rolling awesome, like he is so dangerous he has no business getting behind wheel of a race car! All of the silliness, however, is quickly forgotten when ever a race is happening on screen. Like he did in Top Gun, Tony Scott brings you into the driver seat like no one before. The music is great, the racing and direction are first class. Getting past the lameness of the story can be a challenge, but if you turn of your brain and just enjoy the ride, Days of Thunder is great popcorn fun.

Days of Thunder roars onto UHD with a first-place finish video presentation. Colors, textures, and overall film quality of the transfer is amazing. Texture on race suits are now razor sharp. A spectacular looking film.

Days of Thunder is a champ when it comes to audio. The cars thunder through the races and dialogue is handled well. The audio mix will shake your system appropriately

The new extras are just ok, I mean at least it’s more then the trailer that came on the old blu-ray.

Filmmaker Focus: Days of Thunder: Like all Paramount Focus features, it’s a too short discussion about the film with Jerry Bruckheimer. There is some good stuff here, but it needs to be longer.

Isolated Score Track: A music only audio track.

Days of Thunder is dumb. The film is also a lot of fun. It’s not Cruise’s best movie but it is really fun and the UHD is great.

War of the Worlds (2005)

When divorced father Ray (Tom Cruise) has custody of his kids, Robbie (Justin Chatwin) and Rachel (Dakota Fanning) for the weekend, they all assume it will be another awkward weekend with each other. Their world is soon invaded by alien attackers who are devastating the United States and the world. The aliens attack in the form of huge machines that can decimate cities and vaporize humans with one shot of its weapons. Now Ray and his children race out of New York City to reunite with his ex-wife in Boston.

War of the Worlds is an incredible film. Directed by Steven Spielberg, the director invokes the terrifying images of the September 11th attacks and grounds them in a sci-fi/horror film. But that is just one of the many layers to War of the Worlds. Behind the spectacle and stunning special effects is a dead-beat father forced to become a better father and person. Cruise is great in this movie. I believe it is one of his best performances in a film and one that is overlooked. At the beginning of the film, we do not like Ray, he’s a jerk and seems to have little interest in rebuilding his relationship with his children, but when the aliens attack, Ray must protect his children from death but also must repair a relationship he has damaged over time.

Expert direction, stunning visual effects and actors that are all on the top of their game make War of the Worlds an undisputed sci-fi classic.

War of the Worlds invades UHD with a perfect video transfer. Spielberg choose a steel blue color for most of the film, with ruby red blood when we learn the horrible secret of what powers the alien machines. The colors are beautifully rendered with pop where it should be. The clothes, buildings have incredible depth and texture. If there is a movie to show off your 4K set-up, it is War of the Worlds.

The sound in War of the Worlds is important, as the aliens have their own signature sound, and it is terrifying. The UHD disc is a flawless sound immersion experience. The sounds of lasers, tanks and war sound so real it will give you goosebumps.

The UHD does not have any new extras, but the accompanying blu-ray includes all previous extras that are pretty solid. You do owe it to yourself to watch the features as they delve into why the original film and radio play are important. Plus, anytime you can hear Spielberg talk about movies you are in for a treat.

War of the Worlds is an absolute must-own UHD. The movie is great and is bolstered by a perfect picture and sound upgrade.

Three classic Tom Cruise movies that should be a part of all movie fans UHD collection.

Top Gun

Film: A

Video: A+

Audio: A+

Extras: A

Overall: A

Days of Thunder

Film: B-

Video: A+

Audio: A

Extras: C-

Overall: B+

War of the Worlds

Film: A

Video: A+

Audio: A+

Extras: B+

Overall: A

Top 20 Blu-rays of 2020: Number 19 Star Wars Episode 9: The Rise of Skywalker Best Buy Exclusive Steelbook

The ninth film in the “Skywalker Saga” finds Rey (Daisy Ridley” finishing her Jedi training and must stop the First Order and the evil Kylo Ren (Adam Driver). Also, Finn (John Boyega) and Poe (Oscar Isaac) lead the Resistance against a seemingly resurrected Emperor Palpatine (Ian McDiarmid).

A year removed from the divisive “final” Star Wars film my opinion on The Rise of Skywalker has not changed. Being one of the few (along with fellow podcaster, James) that believe The Last Jedi is one of the best Star Wars films, Rise of Skywalker had a lot to live up to in my eyes. While it doesn’t give us, the movie going fans, everything we had hoped for it is still great fun.

A couple of the reveals miss the mark,****spoilers**** the most egregious is having Rey be Palpatine’s granddaughter, the film nonetheless is entertaining. The special effects are first class and all the actors are really good.

I was really intrigued on how director/writer J.J. Abrams and company would continue the Rey/Kylo dynamic after Kylo asked Rey to join him in ruling the Galaxy. Rey of course rejected him which set up great tension in every scene they were in. Driver’s Kylo Ren is a great character as Driver’s intensity makes every decision he makes matter. I adore Ridley’s Rey. She is my favorite of all the new characters, a nobody (so it seemed at first) to have incredible Force Powers made her journey special. I loved the idea that someone who came from nothing could be the greatest hero in the Saga.

One of my biggest critiques of the film is ****spoilers x2***** is it seemed at times so focused on course correcting the perceived mistakes in The Last Jedi, and by doing so, The Rise of Skywalker brought unnecessary focus on them. From Luke Skywalker telling Rey not to throw away her lightsaber, to the forced kiss between Rey and Kylo at the end, some moments made me roll my eyes. But, the action is amazing and when Kylo does show up to assist Rey in taking down Palpatine it is pretty great. And unlike fellow Reel Nerd Corinne, yes Kylo Ren had to die. He is responsible for the deaths of billions and he murdered his dad, Han Solo. He is beyond redemption at that point. The best he can hope for is the see the error in his ways and die trying to correct them, which he did, twice. Rey’s unwillingness to let Kylo Ren die after she delivered a fatal blow with his lightsaber in effect did “kill” Ren and made Ben Solo see the light.

The end battle on the Star Destroyer is cool too, if only it did not have the Avengers: Endgame feel to it. I never thought I would want to see a horse run across a spaceship, but Rise of Skywalker gave it to me, and I am glad it did.

Although, The Rise of Skywalker doesn’t totally stick the landing, it is still an entertaining film. One I will continue to watch and enjoy.

The Rise of Skywalker is one of the best-looking films I have seen on 4K. Everything on this disc is eye candy. The colors are bold and striking. The costumes have texture that is unmatched in clarity. One of my favorite things to do in assessing how a movie looks in 4k is to put the standard blu-ray in my Playstation 4 and switch between the two to see if I notice any differences. Trust me there are. Even small things like the blackness of space seem to look better on 4K. That’s not to say the blu-ray is a slouch. It looks great too, but the 4K disc is just that stunning.

Sound is one of the most important aspects of any Star Wars, and The Rise of Skywalker is a beast on 4K. Iconic sounds will punish your system with clarity. Dialogue is crystal clear and the action scenes pack a wallop. John Williams’ score races through the spaceways with lush arrangements that give the adventure real weight.

Although the 4K disc does not have any extras, there is a whole separate blu-ray disc that is packed with them.

The Skywalker Legacy: This more then 2 hour long documentary is not only confined to The Rise of Skywalker but also the Star Wars Saga as a whole. This is an incredible documentary and is worth buying The Rise of Skywalker for. In depth and fun, this is perhaps my favorite extra of the year.

Pasanna Pursuit: A look a one of the biggest action pieces of the film.

Aliens in the Desert: Showing the desert locations for the film.

D-O: Key to the Past: Checking out the new droid.

Warwick and Son: A really cute piece that chronicles Warwick Davis’ return as Wicket and his son Harrison (I know right!) being in the film as well.

Cast of Creatures: A look at the aliens of Star Wars and how they are created.

The Best Buy exclusive Steelbook of The Rise of Skywalker is a stunner. Featuring Kylo Ren on the front and Rey Skywalker (see what I did there) on the back about to face off on the downed Death Star, this is what a exclusive Steelbook should be beautiful and special.

The Rise of Skywalker is a fun movie. It has some minor missteps but it is very entertaining. If you can find it, and that’s a big if as it is sold out online, the Steelbook is first class with some truly terrific bonus features.

Film: A-

Video: A+

Audio: A+

Extras: A

Steelbook: A

Overall: A

Top 20 Blu-Rays of 2020: Number 20 Police Squad!: The Complete Series

2020. See you later! What a totally horrible year. But we’ve made it to the end and while as a whole we are not out of the woods yet, it seems help is on the way. 2020 will go down as not a great year at the theaters as cineplexes have been effectively shut down since mid-March. But there have been some truly stellar releases on the home video side as more and more people were stuck at home.

So here I am once again counting down my favorite physical(!) releases of the year. If you’ve listened to my podcast, then you know that I will always be in favor of physical releases. Something is lost in streaming. And while major releases don’t always give the most substantial releases, boutique labels such as Scream Factory, Criterion and Warner Archive continue to give us fans a reason to buy physical copies of movies.

So, my dear movie and podcast friends I hope you enjoy my Top 20 Blu-ray releases of the year and maybe, just maybe I can convince you to purchase some of these amazing discs.

20. Police Squad!: The Complete Series

Frank Drebin (Leslie Nielsen) is a Detective Lieutenant of Police Squad, tasked with solving crimes with the help of his fellow officers, Captain Ed Hocken (Alan North) and Nordberg (Peter Lupus).

Police Squad! is a spoof of police dramas. Although the television show only lasted six episodes, it spawned a very successful trilogy of films.

What makes this show so special is it is a non-stop laugh out loud show. Every frame is filled with sight gags, dry humor and stuff happening in the background you have to watch it repeatedly to catch everything.

That might be the reason, Police Squad! Only lasted six episodes. It demands repeat viewings and it’s a show that wither you’re in on the joke or you just don’t get it.

Leslie Nielsen cut his teeth in the style of Jim Abrahams and David Zucker in the 1980 classic Airplane!, which serves Nielsen well. He knows the dialogue is ridiculous but the key to this kind of shows/movies is as an actor you believe that it is not.

Some of the best recurring jokes are in the credits, where the show tells you Rex Hamilton is a star as Abraham Lincoln (who dodges his assassination attempt to reveal he is packing heat). In the credits as well is each week’s surprise celebrity guest, who is murdered before the credits end. At the end of each episode there is a freeze frame, for no apparent reason, in which the actors just stop and in one episode leads to a criminal escaping.

I could go on and on about the brilliance of this show, but trust me, you just need to watch it.

The video presentation of Police Squad! on Blu-ray is pretty great. The pilot episode reveals some distortion but that is it. Each episode after is really well preserved, with great detail and some wonderful colors. For a short-lived TV show from 1982, this is one impressive HD debut.

Police Squad! enters HD with an impressive pop in the audio department. Dialogue is clear and easily heard. The goofy sound effects and bullet firing of the guns comes through with out any pops or hisses.

Police Squad! was released on DVD in 2006 and Paramount has ported all of the extras for its Blu-ray release. Extras include:

Commentaries on three episodes by the creators. These are really fun and help point out some of the stuff you may have missed.

Leslie Nielson Interview: The late-great star of the show talks for nearly 10 minutes about Police Squad!

Behind the Freeze Frames: The story behind the ending of each episode.

Casting Test-Ed Williams and Alan North: really cool peek behind the curtain.

Producer’s Photo Gallery: Stills that automatically change.

List of Celebrity Death Shots: Text about the deaths of several celebrities (in the show).

Production Memo Highlight: A list of changes needed to be made to make the censors happy.

Gag Reel

Police Squad! is brilliant, ahead of its time and an all-time TV classic. Although Police Squad! only lasted for six episodes, it is getting the treatment it deserves with a winning Blu-ray.

Film: A+

Video: B+

Audio: A

Extras: A

Overall: A

Blu-Buried: Buffy the Vampire Slayer: Season 8 Motion Comic

Being a movie collector is lots of fun. You go to the store or the online site and shop for hours looking for deals on your favorite movies. But, a problem for me is I go to secondhand stores and will sometimes buy movies that maybe I wasn’t crazy about when I saw them but now it’s only $6, so I figure “Why not?” Or, I buy a movie I’ve seen and I forget to watch it.

I have mentioned before that my wife is supportive of my collecting, but she also gets annoyed because I buy movies and they sit on my shelf, never seeing the inside of my blu-ray player.

At first, I told my wife “I’ve watched most of them!” But recently I decided to separate the films that I have not watched. And darn it, my wife is right!

So, I took all those discs and placed them on the bottom of my shelf. My movies are organized alphabetically, so I thought for fun I would mix them up, place them back on the bottom of the shelf and watch whatever movie is next.

I will review the discs as it will help keep me focused on completing my task of finally being able to tell my wife, “I have watched them all!”

Welcome to Blu-Buried!

Buffy the Vampire Slayer: Season 8 The Motion Comic

Buffy the Vampire Slayer ended its seven season run on television in 2003. And although the show ended with a great and uplifting finale, I as one of its many fans still wanted more. So too did Joss Whedon, and thus the official continuation of the franchise happened not on TV, but in comics. Whedon brought along some of comics’ best writers with him and they crafted a 40-issue season eight that was an exciting follow up to the classic series. Most issues were drawn by one of my personal favorite artists, Georges Jeanty.

Fox Television decided to release the first 19 issues on blu-ray in the form of motion comics, which means they take the comic art and add voice work, sound effects and “motion” to bring the comics to quasi-animated life.

I won’t bore you with a synopsis of each issue, but rather tell you if this is a worthy investment for Buffy fans.

And that is a hard question to answer. The comics on their own are a must read. The writing captures the show perfectly and Jeanty’s pencils tell an incredible visual story.

As a motion comic, it mostly works. The art is slightly recolored, giving it a brighter look then what is on page. Each “issue” flies by running around 15 minutes each. And with 19 issues you do get over 3.5 hours of motion comic goodness. It also omits issue 12, which is a really fun comic. It is based on a Buffy animated show, which is what made the comics unexpected and a must read every month.

I will say however something is lost in Jeanty’s amazing line work when it’s put in motion. As you watch his art move, you realize that he doesn’t need the motion his art stands on its own.

Although the voice work is solid, you can’t help but miss Sarah Michelle Gellar and the rest of the Scoobies in their roles. It makes it a weird experience as I found myself focusing, maybe too much on the sound-alike actors.

Overall if you are a Buffy die-hard I would say that this is a fun diversion and a nice continuation of the show.

The video presentation of Buffy Season 8 mostly gets the job done. As I mentioned above, the art is slightly recolored but the art on its own is awesome to see in high definition. The line work, the inking are all standouts. If anything, what hinders the video is when the comic “moves” the lines become jaggy and less refined. Overall, it’s a pleasant looking blu-ray.

What took me by surprise most on this disc is the thumping 5.1 audio track. It truly gives the comic life. The sound effects and dialogue all pop, giving the viewer an immersive experience.

The special features are pretty lacking and I wasn’t able to access two of them due to them being accessed through a computer.

Under Buffy’s Spell: A quick 5 minute blink and you’ll miss it talk with several contributors to Buffy over the years, wish it was longer.

Buffy: Season 8 Motion Comic Test Pilot: Rough stuff on how the motion comic was put together.

The Buffy Trivia Experience: A fun pop up quiz that testing your knowledge on Buffy.

Two features I couldn’t check out, Covering Jo Chen, which is a bummer because she is a great artist whose Buffy covers are sensational. Create your own Buffy comic, sounds cool, I have no idea.

Last is a Comic Cover gallery.

Buffy Season 8 Motion Comic is fun but not without caveats, if you’re a fan of Buffy I think you will be more forgiving, newcomers it is a tough sell. Recommended for Buffy fans.

Film: B

Video: B

Audio: A-

Extras: C-

Overall: B-

Show Time: My Five (or Ten) Favorite Anime Characters

Do you remember the days when liking anime was considered unpopular and if you watched any, you had to keep it on the DL? I do. Thankfully, that trend has mostly changed as liking anime has become mainstream in the United States.

I was first introduced to the genre through the 4Kids dub of “Pokemon” and “Yu-Gi-Oh!” and eventually expanded my horizons thanks to Toonami and Adult Swim. And while I’ve continued growing my anime repertoire over the years, I still don’t talk about it too much out of habit. Anyway, the time has come to change that, because I’ve met plenty of fellow anime fans over the years, and I imagine a post like this will be well-received.

If you’re not an anime fan, then I don’t know where you’ve been the past 20-25 years, but you’re missing out. Sure, the genre has a lot of tropes and flaws and sometimes there’s really sketchy material, but ultimately, there’s something out there for everyone.

And, more to the point, anime offers such a colorful (sometimes quite literally) cast of characters, that you can’t help but find yourself becoming extremely attached to a few of them because of their unique physical designs, cool voice acting, alluring personality, neat powers/abilities, their strong character development, and/or the role that they play within the story.

That’s how I came up with this list: thinking about characters who have that “cool” factor for whatever reason, whose arcs are well-written and well-executed, and who just steal the show every time they appear.

Admittedly, I’ve seen a lot more shonen anime (action/adventure) than shojo anime (romance/comedy), so this list will lean a lot more on those types of characters.

I’ve listed the shows each character is from, so if you don’t want spoilers for that particular show, don’t read that entry.

One more thing before we dive into my Top 5 is that I compiled five others who could be considered in the Top 10, but I decided to make them Honorable Mentions. Here they are:

Honorable Mentions / #10-#6

Genkai from “Yu Yu Hakusho”

In a show where all the female characters get completely sidelined (quite literally in Season 2’s Dark Tournament arc), Genkai was the one exception. She’s also one of the few examples I can think of in any media — not just anime or animation — of a female mentor teaching a male student. It’s usually a male mentor and a male student (Obi-Wan Kenobi and Luke, for example), and occasionally you get a few female mentors/female students and male mentors/female students in your movies and TV shows.

Genkai was totally brutal. She tolerated absolutely no nonsense, and she was extremely powerful even among the main cast of OP characters. She was also a nice counterweight for Yusuke, who has a personality similar to hers. They’re both stubborn, like to hear themselves talk, always think they’re right, and aren’t afraid to speak their minds and call people out on their shit. But while Yusuke was mostly shooting from the hip (pun intended) and loud-mouthing or boasting, Genkai actually had the strength and experience to back up everything she said. She was the personification of the heights Yusuke could reach if he actually dedicated himself and worked hard rather than slacking off and lucking his way into it.

So, ultimately the mentor/student relationship they formed was unique and had a really nice culmination in the S2 tournament arc. Getting a glimpse into her personal history with Toguro, who later killed her, made that final fight between him and Yusuke all the more meaningful. It also made her resurrection a really nice moment too.

Roronoa Zoro/ Pirate Hunter/ The King Of Hell from “One Piece”

Roronoa Zoro, also known as the Pirate Hunter and the King of Hell, is a beloved character from the iconic anime and manga series “One Piece.” With his impressive strength, unique fighting style, and signature green hair, Zoro has become a fan favorite. Fans of Zoro might be interested in adding Zoro’s Katanas to their collection. A Mini Katana modeled after Zoro’s sword would be a great addition to any One Piece collection. These high-quality, miniature swords are perfect for displaying alongside other anime merchandise.

Zoro’s unwavering loyalty to his captain, his unbreakable will, and his thirst for strength make him a complex and compelling character that fans adore. With his iconic phrase “nothing…happened,” Zoro never fails to bring a smile to viewers’ faces, and his character development throughout the series is truly remarkable. Especially in Wano Kuni Hen, you can see how strong he has grown.

Folken from “Visions of Escaflowne”

Folken is so undeniably cool. Between his awesome voice actor, big black cloak, black wings (that are revealed later), his calculating personality and his amazing character arc, how can you not like him?

Folken acts as a nice contrast and foil for his younger brother, Van the series’ co-main character, but you can tell he’s not completely malicious. He has a great respect for his brother and for life in general, but he’s just pursuing the wrong path in the hopes of preserving both. Eventually, he learns the error of his ways and has a beautiful and poignant death that completes his redemption arc. (Unlike Ben Solo where his death is basically the entirety of his redemption arc, because TPTB botched the execution. Can you tell I’m still bitter about this whole Episode IX thing?)

Also, when you watch the “Escaflowne” movie and see how cartoonishly evil and absurdly one-dimensional he could be, it gives you a whole new appreciation for how the show handled his backstory, personality and arc.

Me, watching the “Escaflowne” movie:

Look How They Massacred My Boy GIFs - Get the best GIF on GIPHY

Vash the Stampede from “Trigun”

Along with an amazing voice actor, Vash has a really cool design and fascinating archetype that he plays into (the wanderer). I personally don’t like the reveal of him being a plant at the end, but whatever. I also really appreciate his strong moral center and overall personality, which is very similar to…

Kenshin Himura from “Rurouni Kenshin”

Vash and Kenshin are eerily similar characters. They’re both wanderers (or former wanderer in Kenshin’s case) who are extremely skilled in combat but strong moral centers. They also oscillate between being extremely goofy to the point where people think they’re totally helpless and being dead-serious. Both of them absolutely refuse to kill another person, even in self defense. However, while Vash is unable to keep his vow, Kenshin does even though the show has to pull several rabbits out of its hat to ensure that happens.

Overall, I think Kenshin is slightly cooler than Vash, partly because I personally like the swordplay in “Rurouni Kenshin” better than the gunplay in “Trigun.” But, that’s me. Also, “Rurouni Kenshin” executes its finale and Kenshin’s final fight against Shishio much better than “Trigun” did with Vash’s final stand-off with Knives.

Watching Kenshin absolutely demolish Shishio with the amakakeru ryu no hirameki is so satisfying after all the build up of Shishio, Kenshin’s final training, and the move itself (which had been left a bit of a mystery up to that point). I go back and rewatch it a lot because of how good that entire sequence is. That and the fight against Saito where Kenshin slips back into his Manslayer persona. Both of those moments are so powerful and memorable that they make me think much better of the anime as a whole than it probably deserves.

Yami Yugi / The Pharaoh / Atem from “Yu-Gi-Oh!”

Like Folken, Yami just oozes cool but to an even greater degree. The hair, the facial expression, the deep voice, his calm but slightly cocky demeanor, his theme music and the whole transformation sequence between him and Yugi Moto… He’s just so suave and charismatic. He’s honestly really mesmerizing to watch.

I always really liked the dynamic between him and Yugi Moto where they’re sort of the same but also not. They have a really fascinating partnership, and although I hate the Orichalcos story line, it was interesting to see Yugi and Yami separated for part of the arc.

Also, his climatic return in the “Dark Side of Dimensions” movie was beyond epic, and the brief moment he and Yugi shared was really poignant, partly because they didn’t need any cheesy dialogue to convey their feelings. It was all expressions and music.

###

OK, now that we’re done with the “honorable mentions,” let’s move onto the main event:

MY TOP FIVE ANIME CHARACTERS

#5 – Piccolo from “Dragon Ball Z”

Dragon Ball Z Abridged – Piccolo | Jump Force Mods

Remember the character who — in his first few appearances in the franchise — stomped on his opponent’s wounds and kidnapped a child? Yeah, he’s a fan-favorite now.

Piccolo is here partly because he has a cool design and an awesome voice actor, but mostly because he has one of the best arcs in the whole show. The “Dragon Ball” franchise loves turning Goku’s former enemies into his allies over the course of the story — which is a major trope in anime, FYI — but no one made that transition quite like Piccolo.

While Vegeta and the others’ alignment with the Z Fighters (as they’re called by the fans) was gradual, Piccolo’s was a lot more dramatic and seemingly out-of-nowhere.

So, Piccolo and Goku team up to fight Goku’s evil brother Raditz, and Goku sacrifices himself in the process. Piccolo kidnaps Goku’s 4-year-old son, Gohan, who had displayed hidden powers during the fight, to train for when the next wave of Saiyans arrive on Earth. Piccolo is absolutely brutal to Gohan, abandoning him in the wilderness for six months and then returning to teach him how to fight (which involves hitting him a lot, obviously). However, Piccolo very slowly and subtly starts to develop a bit of a soft spot for the kid. It sort of flies under the radar until Gohan outright says that Piccolo has mellowed a lot and that he thinks of him as “a big green uncle.” This angers Piccolo and he stews about his new role for several hours.

Once the Saiyans show up, Piccolo has too high of expectations for the now 5-year-old kid and when Gohan understandably freezes up in a fight, Piccolo yells at him and says he’s useless. But, in a beautiful and epic moment, when Gohan is about to die at the hands of Nappa, Piccolo throws himself in front of the attack and sacrifices himself to save his pupil.

Until now, training you was out of vengeance — making you worthy enough to be my opponent. But, something’s changed. No matter what happens to you, Gohan, I’ll always be there to protect you. … Gohan, you’re the only real friend I’ve ever had. I want to thank you. I still remember the first day I brought you here. You were small, helpless. You’ve changed so much since then. The harder things got, the more determined you became. The more dangers you faced, the stronger you grew as a warrior. I know I was hard on you, but it was for your own good. You’re like the son I never had. I’m proud of you. Goodbye, my friend.

Piccolo, as he dies saving Gohan

It’s really hard to convey how well this moment lands if you haven’t seen the show. It feels both earned and yet out-of-nowhere. Remember: Piccolo was introduced to us as a villain whose goal in life is to kill Goku and take over the world. (This is a goal he inherited from his father, King Piccolo, whom Goku killed.) And yet, here he is, sacrificing his life to save the son of his sworn enemy. It truly is a beautiful moment.

It’s partly undercut by the fact that this is “Dragon Ball” and no one stays dead for long; but that actually works out, because Piccolo’s arc isn’t done. He does still want to fight Goku one day, but as a way to measure his strength rather than out of vengeance. Once he’s resurrected, he learns to work with the other Z Fighters to face their common threats until he seamlessly becomes part of the group.

Also, he retains a strong friendship and bond with Gohan throughout the rest of the series, to the point where every single “Dragon Ball Z” movie has a moment where Piccolo shows up out of nowhere to save Gohan from near-death (although without dying himself).

This is something that “Dragon Ball Super” — for all its serious flaws — smartly decided to lean into during the Tournament of Power arc. There’s a great callback to Piccolo’s sacrifice when Gohan jumps in front of Piccolo to save him (he doesn’t die, though), and Piccolo has a vision of his alter egos Nail and Kami silently encouraging him not to give up by emphasizing his bond with Gohan.

Ultimately, their friendship is such a fun thing to watch — because of how crucial it was to both of their arcs — even in a garbage series like “Dragon Ball Super.”

It’s also a bit of a running gag among fans that Piccolo started out as this total badass villain who wanted to rule the world and ended up becoming the babysitter to his foes’ children after he trained Goten and Trunks during the Buu saga and literally babysat Gohan’s daughter, Pan, in “Dragon Ball Super.” There’s also jokes about how Piccolo is more of Gohan’s father than Goku is, which is hilariously captured in the “Dragon Ball Z Abridged” YouTube series.

All in all, Piccolo is a memorable character who demonstrates how much one person’s kindness and determination can impact someone’s psyche and motivate them to become a better person.

#4 – Kakashi Hatake from “Naruto”

Kakashi Hatake - screencap by me. | Kakashi hatake, Kakashi, Kakashi hokage

There’s two major aspects we need to talk about regarding Kakashi, and that’s his undeniable “cool factor” and his unique background.

Regarding the former, the way we’re introduced to Kakashi is very well done. Because his students, namely Naruto, are our avatars into this world of ninja, we see Kakashi the way his students do. He has battle experience and powers they can barely grasp, to the point where they severely underestimate him because he fails to dodge a harmless prank. We quickly learn during their first training session, though, that he’s simply messing with them. He’s able to defeat Naruto, Sakura and Sasuke with no effort. I mean, he even fights Naruto while reading a book because it’s not even a challenge for him.

He’s also bit mysterious in the first arc, because we learn that he has a Sharingan (a visual ability that he shouldn’t have because it’s exclusive to a certain group) and a scar over his left eye. He also has a cool nickname in “the Copy Ninja” thanks to the Sharingan and reportedly copied more than 1,000 jutsu (or ninja superpowers) with it. His first fight against Zabuza is a great introduction to exactly what people in this universe are capable of when they’re not bratty kids straight out of the academy.

Unlike many other mentor figures in anime, Kakashi has plenty moments of comic relief. He’s able to make jokes and be a bit carefree and relaxed. But these don’t diminish from the effortlessly cool vibe he gives off, particularly in the earlier parts of the story.

Eventually, we learn more about Kakashi’s backstory and it only endears him more to the audience, sets him apart from both the villains and fellow heroes, and sets up a nice little arc for him to complete over the remainder of the series.

Kakashi’s childhood was ripped straight from a villain origin story:

He presumably lost his mother at a young age given that she’s never mentioned; his father commits suicide after he abandoned a mission to save his comrades; then Kakashi’s teammate (and the closest thing he has to a best friend) dies protecting Kakashi in battle; then his other teammate (and the now-closest thing he has to a best friend) decides to kill herself by Kakashi’s hand because she didn’t want their enemies to use her as a weapon; and THEN Kakashi’s teacher dies when their village is attacked.

Because of all this, Kakashi mostly closes himself off from having close bonds with others until he meets and begins training Naruto, Sasuke and Sakura. Through them, he starts to open up and invest in relationships with others again.

Unlike his pupil Sasuke — whose entire clan was murdered by his elder brother — Kakashi’s personal losses never motivated him to pursue evil, selfish or vengeful ends. And we get to see this clearly in a well-written conversation the two have right before Sasuke decides to leave the village to pursue his revenge:

Sasuke: Maybe if I was to kill the most important people in your life, everyone who’s ever meant anything, maybe then I’d listen to you. Because maybe then you’d have some idea how I feel.

Kakashi: Hmm. It’s an interesting theory. But, I’m afraid you’re a little late to put it to the test. Everyone you’re talking about has already been killed. I’ve been around longer than you have, kid, and I’ve seen my share of troubles. You’re not the only one who knows what it’s like to lose somebody. … So, it looks like neither of us has lead a charmed life, exactly, have we? Still, we’re not all that bad off. At least you and I have been lucky enough to find new comrades to help fill the void.

Once Sasuke does decide to pursue villainy and, much later in the series, when Kakashi learns he’s indirectly responsible for another loved one going over to ‘the dark side,’ his development centers on him trying to work through that guilt and right his wrongs while also supporting Naruto and Sakura on their journeys.

Basically, Kakashi has Sasuke’s effortlessly cool demeanor and Naruto’s tragic backstory and general kind-heartedness. He’s really the best of both worlds, and is just an all-around great character from the outset who becomes even cooler and more fascinating over the course of the series.

#3 – Blue from “Wolf’s Rain”

https://www.google.pl/blank.html | Wolf's rain, Anime, Manga characters

“Wolf’s Rain” is my all-time favorite anime. It’s only 26 episodes, but you get so attached to these characters in such a short amount of time because the stakes are so high and all the time you do get to spend with them is very concentrated and to-the-point. Plus, because it’s so short, it doesn’t have any problems with its pacing. There’s no dragged out arcs or plot lines that fizzle out — it’s all meaningful and well-executed. Ultimately, it’s short and sweet.

While all the characters are loveable in their own way, Blue is the one I’m the most attached to. She has such a cool character design both as wolf-dog and as a human, and I love her voice actress’ work in this role.

One downside is that while she’s introduced very early in the show, she disappears for several episodes and it’s only when she returns that she starts to have real agency in the plot. Still, she does get a nice little arc.

Blue is a dog who helps her owner hunt down the last wolves in existence. However, she eventually learns that she’s part-wolf and begins to awaken that side of her, which allows her to taken on a human appearance. In this way, she’s able to interact not only with the other wolves but also with the humans, including her (former) owner, Quent. Along with her love interest Hige, she forms very strong bonds with fellow wolf-raised-by-humans Toboe and human Cher.

Toward the end of the series, there’s a really heart-wrenching scene where Blue, who’s been separated from Quent for like a dozen episodes, reunites with him for the first time in her human form. She’s able to explain to him what really happened to their hometown and how his hatred of wolves is completely misplaced.

Blue is ultimately torn, because while she wants to be accepted by the other wolves, she also still feels a great attachment for humans, particularly Quent. While the wolves more-or-less accept her by the end of the story, Quent takes much longer to come around. Similarly, while Blue realized long ago that she can’t hunt her own kind anymore, she still feels a great loyalty for Quent that she struggles to abandon. In my opinion, this prevents her from fully realizing herself as a wolf, but then again, she is part-dog, too, so I guess that makes sense.

Ultimately, I don’t think I can fully explain why Blue is such a favorite, but I hope this at least gives you an idea.

#2 – Sesshomaru from “Inuyasha”

Sesshomaru* - Inuyasha foto (35603169) - Fanpop

So, if you take Folken’s general personality, Kenshin’s combat prowess, Kakashi’s effortless cool factor, and Piccolo’s arc, you’ve got yourself a Sesshomaru.

Like Folken, Sesshomaru is calm, collected, strategic and menacing, which is in perfect contrast to his loud and hotheaded younger half-brother, the series’ co-main character Inuyasha. Sesshomaru also has a humongous ego and is a little bit of a diva, which is no wonder considering he’s basically demon royalty and thinks everyone is beneath him.

He’s unarguably the most powerful character in the whole series, especially in “Inuyasha: The Final Act,” and just has an alluring presence whenever he shows up.

The best thing about Sesshomaru, though, is his character development, because he’s like Piccolo if you crank the evil deeds and daddy issues up a few notches and let him simmer for like 100-plus episodes.

Sesshomaru starts out the series actively trying to kill our heroes, not once but several times. He is obsessed with the Tessaiga, the powerful sword Inuyasha inherited from their father. He believes he should be its rightful owner and not Inuyasha, whom he generally despises for being half-demon.

His arc is two-fold in that he learns to be compassionate, and to let go of his obsession with the Tessaiga and realize his own strength. Unlike Piccolo, Sesshomaru’s development is very slow but it has an unbelievably satisfying pay-off at the end of the series.

Throughout the series, Sesshomaru begins to understand why his father would leave Inuyasha the Tessaiga instead of him (the elder, full-demon son) and eventually passes the one combat-useful ability of his heirloom sword, the Tensaiga, to Inuyasha. After that, he realizes his full strength and unlocks his own sword, Bakusaiga, which is ridiculously overpowered but also unbelievably cool.

Regarding the other part of his arc, like I said, Sesshomaru starts out actively hating humans and looking down on his younger brother. However, that changes when he shows compassion for the orphan girl Rin by resurrecting her after she’s killed by wolves and allowing her to travel with him. He also allows a boy named Kohaku — whom he tried to kill earlier in the series — as a companion as well. While he certainly cares about Rin more, he does protect both kids from danger on several occasions. He also shows compassion for the dying Kagura, who was once his enemy, and later protects Inuyasha and Kagome during the final battle. He also spares their friend Sango after she nearly killed Rin and offered to die as punishment for her transgression.

While Sesshomaru is slated to be a major factor in the “Inuyasha” sequel series, considering that we’re five episodes in right now and he hasn’t really made an appearance yet, I’ll leave talking about his arc there for another time. But, if what I theorize is true, he continues on a path of humility and compassion rather than pride and power, which is what he was like when he was first introduced on “Inuyasha.”

I mean, you can see why he’s the most popular character in the whole franchise, right? He’s just so fucking cool!

#1 – Gohan from “Dragon Ball Z”

Me after watching episode 67 of dragon ball super. | DragonBallZ Amino

Gohan is undoubtedly one of the most misunderstood characters in all of anime, and I’ve wanted to set the record straight for a long time. People remember this moment where he goes Super Saiyan 2 in his fight against Cell as this moment of pure badassery, but it really isn’t.

Unlike his dad — shonen wonder boy Goku — Gohan has never liked fighting. And, when he did fight, Gohan was always out of his league: against the Saiyans, against Frieza’s men, against Frieza himself, and then against Cell. The only time he stands a chance is when he’s filled with anger or rage. His power explodes and he can no longer contain it. He does it when Raditz is beating up his dad, when Piccolo dies, when he thinks Frieza killed Krillin, etc. But, as the closing narration says when he turns SSJ2, it was a power that would vanish after a moment and couldn’t be controlled or sustained… until the fight with Cell.

So, Gohan has always been someone with a lack of fighting spirit who may have a lot of inner potential but can only tap into it when his loved ones are in danger or killed.

Basically, Gohan’s like the Hulk if his transformation only lasted a few minutes. Really, though, Gohan is more like Bruce Banner: calm, bookish, cheerful, friendly and warm. His kindness and determination completely won over Piccolo, who was a villain earlier in the series and who admitted he only wanted to train Gohan out of self-preservation and revenge.

Gohan also cares about people and about the sanctity of life, which is exactly how Android 16 tries to motivate him to tap into his inner strength and defeat Cell:

I know how you feel, Gohan. You are gentle; you do not like to hurt. I know, because I too have learned these feelings. But it is because you cherish life that you must protect it.

Android 15

In recreating this moment, the “Dragon Ball Z Abridged” YouTube series characterized him as a coward for not wanting to fight Cell. And while it’s a comedy series, and they do acknowledge that Gohan doesn’t like fighting and that his dad overlooked that before throwing him into the ring with Cell, it only reinforces this false expectation of Gohan’s character among DBZ fans. Because he’s not a coward!

Gohan — who is 11 YEARS OLD (!!!) in this arc — was basically thrown to the wolves by his own dad in the fight against Cell. He never knew he had such power let alone how to tap into it. He’s a child who’s asked not only to fight — something he mostly disliked — but to kill someone. Even though Cell has devastated the planet and murdered thousands of innocent people, Gohan can’t destroy him until Cell kills 16 and Gohan finally unleashes this terrible power that he can’t mentally control.

It’s like giving your kind and quiet Honor Roll fifth-grader a gun and asking them to kill Adolf Hitler with the rationale that they’re the only one who can do it — there has to be another way.

Which is why I interpret that above scene differently than most DBZ fans. Is it satisfying to see Gohan finally realize his inner potential and achieve a form that had been built up for an entire arc? Yes. It is devastating to see a literal child make a terrible choice, lose his innocence and watch a friend die in the process? Also yes. Those tears on Gohan’s face aren’t just an indication of his sorrow over 16’s death, but also the last bits of his childish innocence and kindness evaporating away as his brain is filled with a rage he can’t totally control. And while I disagree with other people’s reasoning, I agree that this moment where he goes SSJ2 against Cell is one of the best moments in all of anime.

People also give Gohan a lot of crap for what happened to him after the Cell arc. He spends seven years focusing on his studies instead of training, and while he does gain a new level of power before fighting Ultimate Buu, he again regresses in power in the “Dragon Ball Super” movies and TV series. Apparently, it’s so bad that he nearly dies from going Super Saiyan and he can’t even defeat base-form Frieza. People complain how weak he is now and said he peaked in the fight against Cell.

Once again, I’ll say: that’s not who Gohan is! He never wanted to be a fighter. It was something he was pushed into because of who is dad is and the hidden powers he possessed. People want Gohan to be this copy of Goku — the perfect shonen protagonist — and when he has different ambitions, values and personality, they get mad.

LET GOHAN BE HIS OWN CHARACTER AND DO WHATEVER MAKES HIM HAPPY, YOU ASSHOLES!!!

Me, trying to sum up this entry / rant:

Lovehiphop GIFs - Get the best GIF on GIPHY

Blu-Buried: The Hitman’s Bodyguard

Being a movie collector is lots of fun. You go to the store or the online site and shop for hours looking for deals on your favorite movies. But, a problem for me is I go to secondhand stores and will sometimes buy movies that maybe I wasn’t crazy about when I saw them but now it’s only $6, so I figure “Why not?” Or, I buy a movie I’ve seen and I forget to watch it.

I have mentioned before that my wife is supportive of my collecting, but she also gets annoyed because I buy movies and they sit on my shelf, never seeing the inside of my blu-ray player.

At first, I told my wife “I’ve watched most of them!” But recently I decided to separate the films that I have not watched. And darn it, my wife is right!

So, I took all those discs and placed them on the bottom of my shelf. My movies are organized alphabetically, so I thought for fun I would mix them up, place them back on the bottom of the shelf and watch whatever movie is next.

I will review the discs as it will help keep me focused on completing my task of finally being able to tell my wife, “I have watched them all!”

Welcome to Blu-Buried!

The Hitman’s Bodyguard (2017)

Michael Bryce (Ryan Reynolds) is the best bodyguard in the world. He always protects his clients. That is until one of his clients is assassinated.

Bryce is now no longer a “AAA” rated bodyguard, but struggling with the fact that one of his clients was killed. Bryce’s ex-girlfriend Amelia Roussel (Elodie Yung), is ambushed while trying to protect the world’s best hitman, Darius Kincaid (Samuel L. Jackson) and asks Bryce for help. At first Bryce refuses but he also sees this as an opportunity to regain his “AAA” status. Bryce relectently decides to help Amelia by protecting Kincaid.

All Bryce and Kincaid have to do is not kill each other before Kincaid is scheduled to testify against a war criminal, Vladislav Dukhovich (Gary Oldman).

I wasn’t expecting much from The Hitman’s Bodyguard. That is perhaps the reason I really enjoyed it. The action is fun, and it’s a blast to watch a rated R buddy comedy movie. The violence is fast and so too are the insults that Reynolds and Jackson hurl at each other. This makes The Hitman’s Bodyguard fun and exciting. The plot is a little ho-hum as it never really elevates the material, but again the actors make it a fun ride.

The action is top notch. The hand to hand fight that takes place between Reynolds and a no name Russian bad guy is a real highlight.

The Hitman’s Bodyguard is a fun and breezy comedy-action film that delivers what you expect. Watch the film with that attitude and I guarantee you will be entertained.

The Hitman’s Bodyguard video presentation really hits the mark. Colors are vibrant, skin tones are natural and the world is detailed. This is a sharp looking blu-ray. The lightning in the film does the blu-ray a lot of favors by sticking mostly to natural lighting that isn’t heavily altered (I think) in post-production.

The Hitman’s Bodyguard snipes your sound system with an impressive sound mix. Everything sounds incredible. Explosions, gun fire, dialogue all come through crystal clear. Turn this film up, it will give your system a nice workout.

At first glance it seems the blu-ray for The Hitman’s Bodyguard has a nice set of features. But upon inspection they are pretty ho-hum, but worth your time.

Commentary with director Patrick Hughes is a nice, fun track.

Deleted Scenes: These are ok and probably best that they were deleted.

Outtakes: This is a decent extra, I actually did laugh a few times.

Alternate Scenes: Meh.

Extended Scenes: Not needed in the movie and the scenes benefitted from the trim.

The Hitman’s Bodyguard: A Love Story: A fun somewhat short EPK. Nothing revelatory but good interviews.

Hitman vs. Bodyguard: Reynolds and Jackson talk about their characters.

Dangerous Women: A disappointingly short feature about the women in the film. I wish it was longer because the interviews are pretty good.

Big Action in a Big World: Another short EPK about the action in the film.

The Hitman’s Bodyguard was more fun then I was expecting. A breezy, funny buddy action comedy that is a perfect afternoon action film.

Film: B

Video: A

Audio: A

Extras: C+

Overall: B

Family Guy: Ryan’s Ultimate Freakin’ Sweet Review of Every Episode Part 7

My wife often accuses me of getting movies on Blu-Ray/DVD, and watching them once and then leaving them on a shelf to collect dust. In an effort to prove her wrong and to also at the same time annoy her, I’ve decided to watch every episode of Family Guy I own. And I own all of them on DVD. All 16 seasons. Plus the Stewie movie and the Star Wars Parodies. I will also review each episode and share my thoughts here. Each article will most likely be a different length due to not knowing how many I will watch at any given time. I will be watching them in order as well so this should be really fun for me, not my wife.

Season 3, Episode 9 “Mr. Saturday Night”

Peter having lost his job at the Toy Factory, Peter decides to follow his dream of being a knight at the Renaissance Fair. At the Renaissance Fair Peter angers the famous Black Knight, due to him flirting with his “wench”, setting up a joust match between Peter and the Black Knight.

A pretty solid episode that starts with Mr. Weed, Peter’s boss coming over for dinner and choking to death. I like the idea of Peter changing jobs which will happen regularly in Family Guy, setting up the family for more and different types of adventures.

Another stand out is Will Ferrell guest starring as The Black Knight. Fun visual gags also pepper the episode, the best is The Black Knight never removes his helmet, so when he shaves, he shaves his helmet.

Grade: B

Season 3, Episode 10 “A Fish Out of Water”

Peter decides that his new dream job is to become a fisherman. He buys a boat and learns that fishing isn’t that easy. He soon finds himself in debt and to get out of debt he attempts to catch an infamous fish, Daggermouth who allegedly eats men!

Lois decides to take Meg to spring break in Florida after Meg complains she never does anything fun. At spring break Lois has more fun than Meg and is soon drinking and partying while Meg is the responsible one.

Seamus the wooden-legged and wooden-armed fisherman makes his debut here, so too does Tom Tucker’s son with an upside-down face. Another good episode that yet again delivers on the visual gags. Also some pretty great writing like this,

Lois: See you in a few days.

Meg: Not if I strangle myself with seaweed wrap and die.

Peter: Ho, ho you are dark!

Grade: B

Season 3, Episode 11 “Emission Impossible”

Lois’ sister is pregnant, and Peter helps deliver the baby. By doing this, Peter tells Lois he wants another child. Lois agrees and they soon begin that quest.

Stewie however is not on board. Stewie starts to wonder what would happen if he was no longer the baby of the Griffin clan and devises a plan to squash Peter’s mojo. Stewie soon learns however that his new brother, Bertram might be an ally he’s always wanted.

Family Guy returns to fine form with “Emission Imposible”. Everything in this episode works. Family Guy seems at its best when the episode is really focused and builds its jokes around the premise. Here the “A” story about Peter and Lois trying to have a baby is hilarious. Stewie’s attempt to thwart their plans is brilliant until he realizes that maybe his unborn brother shares his desire to kill Lois. Bertram is voiced by Wallace Shawn and that makes his deeds even better.

Grade: A

Season 3, Episode 12 “To Love and Die in Dixie”

Chris the witness to a robbery and identifies the robber. This puts the whole Griffin household in danger. The family is sent to the south as part of the Witness Relocation Program.

The Griffins fit right in. Meg becomes the most popular girl in school. Peter and Brian become police officers. And Chris falls in love with Sam, who at first he believes is a boy, but learns that Sam is a girl.

Another gem from Family Guy. The relocation to the South sets up some pretty easy jokes, but they are really funny.

A somewhat throw away character soon becomes a fan favorite, Herbert the creepy old guy who loves Chris. And while some of his jokes and future appearances are a little cringe worthy, he is fun in small doses.

The cutaway jokes are really starting to be a truly fun part of the show. Like this one when Brian tells Peter he needs to get a job and we flashback to one of Peter’s job interviews.

Interviewer: Okay, Peter, where do you see yourself in five years?

Peter(inner monologue): Don’t say doing your wife, don’t say doing your wife, don’t say doing your wife.

Peter(out loud): Doing your…(sees a picture of interviewers son) son?

Grade: B+

Season 3, Episode 13 “Screwed the Pooch”

Brian is horny. Lois suggests he comes with the family to her father’s home to take his mind off of sex.  Peter also wants to prove to Lois’ father Carter Pewterschmidt that he can be classy. His efforts fail, until he plays poker with Carter’s friends, Bill Gates, Michael Eisner and Ted Turner. Peter tells Carter each of their “tells” that helps him win the poker game.

At the Pewterschmidt’s, Brian’s urges are only exacerbated because Carter has a champion bred race dog Brian, um tackles during a race.

An average episode with some funny bits. Like when Brian and Seabreeze are caught in a hotel room and the still is a parody of the Elian Gonzalez raid. (I’m old, does anyone else remember when that was a big news story?) The courtroom scene has some great moments too.

Grade: B-

Season 3, Episode 14 “Peter Griffin: Husband, Father…Brother?

Peter learns that one of his ancestors is a black slave, who was once owned by his father in laws’ family The Pewterschmidts. Carter doesn’t want his family’s sordid history revealed, so he secretly pays Peter reparations. Peter, instead of sharing his money or donating to an African American charity squanders it on things you don’t need, like turning his den into “PeeWee’s Playhouse.”

Stewie in the meantime discovers the power cheerleaders have over crowds and soon joins.

Funny and also a little dated now, but like most sitcoms it pushes boundaries for comedic effect. Family Guy is really good at going for broke in the non-PC department before bringing it all back and making Peter look like a buffoon.

I think that’s one of the best trademarks of Family Guy, pushing the envelope just enough for a character to learn the error of their ways.

 Grade: B+

Season 3, Episode 15 “Ready, Willing and Disabled”

Joe is depressed after a thief steals money and Joe is unable to capture him. Feeling bad for his friend, Peter encourages Joe at the Special Olympics and when Joe makes it to the final event unsure if he can compete, Peter spikes his drink with steroids.

Chris, Meg and Stewie fight over $26 and a hilarious no-holds barred fight breaks out between the kids.

Solid, and funny episode with the biggest laughs coming from Peter’s jealousy about Joe’s recent popularity with the media. Peter’s “movie” on how he got crippled is laugh out load funny.

Grade: B+

Season 3, Episode 16 “A Very Special Family Guy Freakin’ Christmas”

It’s Christmas time in Quahog. Lois is trying to keep the holiday special, but Peter gave all the presents to charity, Brian sets the house on fire and Stewie is obsessed with a gift from Santa.

Alex Borstein is an amazing voice actress. I love the episodes where she gets to shine, and she is the episodes MVP. She delivers manic, funny lines throughout and her timing is impeccable.

The KISS Christmas Special that Peter really wants to see is hilarious and I want a whole special released.

Grade: A-

Season 3, Episode 17 “Brian Wallows and Peter’s Swallows”

Brian is sentenced to community service and meets a woman who hasn’t left her home in years.

Peter grows a beard and has a nest of baby swallows living in it.

This is an episode only Family Guy can pull off. The “A” story with Brian is heartwarming as Brian discovers who Pearl really is and why she is a recluse. Brian has a show stopping tune to help convince Pearl out of her home, only to be immediately killed in the street by a car.

And Peter’s “bird beard” is so ridiculous its funny.

Grade: B+

Season 3, Episode 18 “From Method to Madness”

Lois convinces Brian to audition for a play, when the judges aren’t impressed with Brian, Stewie gets on stage and steals their hearts. Stewie is placed in the junior acting class and meets Olivia. Olivia is a diva and so too is Stewis, soon the toddlers are clashing and fighting with one another.

Stewie learns that their teacher is going to kick them out if they don’t work together. Stewie and Olivia put aside their differences and become a hit.

Meanwhile, Peter saves a boy from drowning in the ocean and is invited over for dinner. The boy, Jeff and his family are nudists, which Peter did not know until they were at the dinner. Meg falls for Jeff much to the chagrin of her parents.

Any episode that focuses on Stewie being a diva is a winner. Seth MacFarlane is crushing it in this episode. From Stewie’s long winded rebuttal to Olivia dissing him to his singing performance, make this a great episode.

And anytime naked Peter is on screen, I will laugh. The image is too funny.

Grade: A

How 2020 Will Change the Film Industry … Probably

Rather than my usual thoroughly planned and well-structured articles, this is going to be more me spitballing — something more akin to a “hot take” than my usual stuff.

When I finally returned to the theater a few weeks ago, I saw the trailer for “Greenland” ahead of my movie. In case you don’t know, “Greenland” is basically the 2020 version of “2012.” A giant meteorite or whatever is going to destroy the Earth, and Gerard Butler must get his family to safety in Greenland.

As I watched the trailer, I couldn’t help but cringe. 2020, AKA the year of disasters, is probably the worst time to release a movie like this, and I will be absolutely shocked if “Greenland” doesn’t bomb if/when it releases stateside in a few weeks.

A lot of things are going to change because of the pandemic, and we’ll see the ripple effects in the film industry for years. However, for now, I’m going to focus on the production side of the issue, as there’s already a great Deadline article talking more about the distribution side. Also, Ryan continues to bring it up on the podcast, given how many movies are moving to VOD or are pushing their release dates (again).

So, here’s how I anticipate the film industry — which I’ll say includes both movies and TV shows — will start to change.

  • Action movies/TV shows will stay the hell away from “bioterrorism / a worldwide virus” as a plotline. If I remember “Hobbs & Shaw” correctly — because it was a shit movie — the whole plot centered on the female lead being infected with a virus that Idris Elba’s villain wanted to extract so he could spread it worldwide and kill the bulk of the human race. Yeah, we won’t get any more plotlines like that.
  • Also, movies about the world ending (ie, “Greenland”) won’t be made anymore, unless they’re trying to be more horror genre than action.
  • On the whole, I think blockbusters will be fewer and farther between, but they will be more action-packed and spectacle-driven. If you want to get people to leave their homes and see movies in the theaters, you’re going to need to give them a real reason to do so. “Tenet” is a good example of this. Smaller-budget movies (romcoms, dramas, etc.) will move more onto streaming services. No need to release something like “The Personal History of David Copperfield” in the theater when no one’s going to physically go out and see it. Just put it on Amazon or Netflix.
  • Contrastingly, I think TV shows will go smaller budget. Network and cable television is really struggling to compete with streaming services, and some of them are trying to break into that market as well (ie, NBC’s Peacock). I think networks aren’t going to invest as much in their shows until they’ve seen they can be successful in the COVID-19 era. At this point, people are so bored, they might watch whatever’s on, right? So, throw everything at the wall and see what sticks. “SNL” seemed to do pretty well streaming from their homes, as did the “30 Rock” special. More action-driven shows like “The Blacklist” will really have to prove their worth and make their money back, because networks like NBC can now just do a super-low-budget show about people streaming from their homes and it’ll probably be successful enough to get picked up for a full season.

Speaking of, this isn’t so much speculation as it is just actual wondering, but are movies and TV shows going to address the pandemic at all? For instance, “The Blacklist” is set in a world much like ours but a little different. While some of the crimes the FBI investigates are “ripped from the headlines,” the show’s United States also has a different President than ours does, for instance. So, will their universe also have a pandemic?

I’ve wondered this a lot over the past few months… will movies and TV shows address the pandemic straight-on? Will we see characters wearing masks, social distancing, etc.? It’s probably a lot easier to do in a new show, like these Zoom-based comedies the networks are introducing, than something like “The Blacklist” or “Law & Order” that’s been on for several seasons and has its own pre-established universe.

However, if these production companies and showrunners want to keep their casts and crews safe, it would be best to go ahead and incorporate the pandemic into the show’s storyline. That way, it’ll cost less money (presumably) and be much safer. Now, I’m sure it’d also create the giant headache of “When would it be appropriate for our characters to take their masks off? When they’re talking with coworkers in the office? When they’re one-on-one with a friend, etc.” But, again, if you want to give an in-universe explanation for why the extras in the background are wearing masks, you’ll have to bite the bullet and incorporate it into the show.

And, honestly, I can see them making a romcom about mistaken identity because people were wearing masks and their love interests thought they were someone else.

Anyway, moving on:

  • I imagine we’ll get plenty more movies and TV storylines centered on global warming and climate change. Maybe it won’t take the ‘humans are the virus and need to be destroyed’ route that “Hobbs & Shaw” did, but it will definitely still be there. It might be handled more like “Ferngully” or “Avatar,” to be honest, and emphasize that people need to take a more active role in caring for the environment. We all know that Hollywood loves virtue-signaling, and given everything that’s happening right now, climate change will be a major touchstone for the film industry in the coming years. I imagine that, in “Furious 10,” the crew will all be driving hybrid cars, right?
  • I think we’ll also see a general push to ensure racial diversity in both movies and television. We’ll start seeing a lot more mostly-POC casts, such as the forthcoming movie “Judas and the Black Messiah” and TV shows “Black-ish” and “Fresh Off the Boat.” I think between a combination of how much money “Black Panther” made and the racial tension/virtue signaling thing, Hollywood will try to make a lot more movies that have a mostly Black cast but won’t alienate white people. Think something like “Tenet,” but with more Black actors. I both hope and expect we’ll see more Black superhero movies, more Black-led action movies, more Black-led horror movies. Hell, if they did Black-led period dramas (like a race-blind Jane Austen adaptation), I would be so there for it.
  • One more thing and then I’ll shut up: I think it’s also fair to expect that, as regards the movie industry, the major studios (Warner Brothers, Disney, etc.) aren’t going to be taking ANY chances on unique properties anymore. They’ll leave that to the streaming services. If studios want to get butts in seats at movie theaters, we’re going to keep seeing a lot of prequels, sequels, spin-offs, and adaptations of already popular properties. There are also going to be more ensemble movies with big, big names attached to them, as we’ve seen already with the likes of “Dune” (2020), “The Lion King” (2019) and “Death on the Nile” (2020).

In short, the movie-making industry is going to want to try to recapture the magic of “Avengers: Endgame” (but without the whole mass-genocide plotline). They want something safe with lots of big names and plenty of spectacle and comedy. So, basically, every movie is going to try to be a Marvel movie now. We already saw it with “Star Wars.” Now prepare for that to be every movie that’s released in theaters for the next few years.

As for the TV industry, I think they’re going to focus on churning out low-cost shows because it’ll ultimately be a game of seeing what people are willing to watch these days. They’ll also try to focus on their streaming services (if applicable), because they know they have a captive audience there and can take more risks on that platform. So, basically, if it’s on TV, it’ll be very cheaply made; and if it’s streaming, it will probably have a bit more thought and money put into it.

No doubt, there will be more impacts than the potential ones I’ve listed here, especially on the distribution side. However, I just wanted to get the ball rolling on this discussion, because, honestly, I think we Nerds could dedicate an entire episode to this topic. No doubt some aspects of it will be brought up during Filmsplosion 2020 if not sooner.

But, what do you see as likely impacts on the film industry going forward? Let us know by leaving at message at 1-720-6NERDS5 or by emailing reelnerds@gmail.com.

Catching the Miyazaki Classics (BONUS) – Whisper of the Heart

Amazon.com: Whisper of the Heart (Two-Disc Blu-ray/DVD Combo): Yoshifumi  Kondo, Screenplay And Storyboard By Hayao Miyazaki: Movies & TV

Japanese filmmaker Hayao Miyazaki, perhaps best known for his work with Studio Ghibli, has gained popularity around the world for his creative and imaginative animated feature films. While they were originally released in Japanese, all of them have been dubbed into English with prominent voice actors and Hollywood stars. Over the past few months, I’ve watched and reviewed the English-dub versions of each of Miyazaki’s 11 films as writer and director.

And, as I discussed at the end of my CtMC series recap last year, this will be the first of three bonus posts to review the three films that Miyazaki wrote but didn’t direct. They are: Whisper of the Heart (1995); The Secret World of Arrietty (2010); and From Up On Poppy Hill (2011).

Now, after a year, I’m finally finishing these bonus posts with Whisper of the Heart (1995).

Synopsis: Based on a late-80s manga, the film follows junior high student Shizuku (voiced by Brittany Snow) as she’s on the cusp of young adulthood. She’s preparing to go to high school, but seemingly doesn’t know what she wants to do with her life beyond reading. After forming a connection with a boy at her school, she’s inspired to start writing and draws on her love of fairy tales and some memorable scenes at a local antique store to craft her very own fantasy story, “Whisper of the Heart.”

Spoiler-free review: So, the reason it took me so long to finally write this is because I watched the film a year ago, meant to write this review, didn’t, and then by the time I finally could, I was too far removed to do it justice. So, I finally decided to rent it again last week and now I can give you the review you’ve all been waiting for. This is ultimately a very dull movie. That’s not to say it doesn’t have its moments — the animation and music are both of the typical Studio Ghibli quality — but it’s slow, uneventful, and hollow. Granted, I think I liked it better when I watched it a year ago, but I think this was a bad one to end the bonus series on.

Letter grade: C-

Full review and critique: (Warning: here be spoilers!)

I think the root of the problem is that there’s no real conflict in this movie.

The only thing we have that resembles conflict is Shizuku figuring out what she wants to do with her life, because that does have a few stakes involved given that she starts devoting more time to writing and her grades drop. However, that comes in the last 20-30 minutes of the film.

Additionally, so much of the runtime is spent on Shizuku walking or running or people playing or singing a rendition of John Denver’s “County Roads” (it’s like a whole thing in the movie), and ultimately nothing happens. I have no problem with “slice of life” movies, like “Ladybird,” but there have to be more compelling elements than what we have here.

The few sequences where we see inside Shizuku’s imagination as she’s writing her book and imaging scenes from it would make for a much better movie than what we have here. The scenes we get building up the relationship between Shizuku and her love interest are also pretty good, but he leaves two-thirds of the way through the film and only returns at the very end. And the first scene in the antique shop is also well-done, and I wish the whole movie would’ve been of a similar quality.

Overall, I think tweens and teens might like this film best, as it might speak more to their insecurities, the transitions and decisions they face, and their need to discover what they can accomplish when they set their mind to it.

Again, I don’t think the film is worthless, just boring and a bit padded. I honestly think it would’ve worked best as a short film.

Personally, I think Miyazaki and his colleagues at Studio Ghibli do best when adapting or creating more fantasy-based stories. So it makes sense that something more grounded and everyday is going to be one of the lesser (although still not bad) movies in their filmographies.

Blu-Buried: My Darling Clementine-Criterion Collection

Being a movie collector is lots of fun. You go to the store or the online site and shop for hours looking for deals on your favorite movies. But, a problem for me is I go to secondhand stores and will sometimes buy movies that maybe I wasn’t crazy about when I saw them but now it’s only $6, so I figure “Why not?” Or, I buy a movie I’ve seen and I forget to watch it.

I have mentioned before that my wife is supportive of my collecting, but she also gets annoyed because I buy movies and they sit on my shelf, never seeing the inside of my blu-ray player.

At first, I told my wife “I’ve watched most of them!” But recently I decided to separate the films that I have not watched. And darn it, my wife is right!

So, I took all those discs and placed them on the bottom of my shelf. My movies are organized alphabetically, so I thought for fun I would mix them up, place them back on the bottom of the shelf and watch whatever movie is next.

I will review the discs as it will help keep me focused on completing my task of finally being able to tell my wife, “I have watched them all!”

Welcome to Blu-Buried!

My Darling Clementine-Criterion Collection

Cattle Ranchers and brothers, Wyatt Earp (Henry Fonda), Virgil (Tim Holt), Morgan (Ward Bond), and James (an uncredited Don Garner) arrive at the lawless town of Tombstone, Arizona. The brothers plan to just rest there and be on their way, but when James is murdered and their cattle stolen, Wyatt soon decides that he will become Tombstone’s Marshall.

While searching for his brother’s murderer, Wyatt soon becomes friends with Doc Holiday (Victor Mature) a hot-headed local suffering from tuberculosis.

Holiday’s former love interest, Clementine (Cathy Downs) soon arrives in Tombstone looking for Holiday. She meets Wyatt, who becomes taken by her loveliness. Holiday is not excited to see Clementine and demands that she returns to Boston. We also meet Chihuahua (Linda Darnell), a fiery Latina, who happens to be Holiday’s current love interest.

Clementine refuses to leave Tombstone, and Holiday good on his word, leaves for Tucson. After Holiday leaves, Wyatt discovers a silver cross that was worn by James the night he was killed being worn by Chihuahua. Chihuahua tells Wyatt that Holiday gave it to her.

Wyatt chases after Holiday and catches him. Wyatt soon learns that he was lied to by Chihuahua and was given the cross by Billy Clanton. Billy shoots Chihuahua and attempts to escape. Wyatt tells his brother Virgil to go after Billy. Billy is shot but makes it home. Virgil arrives at the Clanton home and makes his way to the bedroom where he discovers Billy has died from his gunshot wounds. Virgil offers his condolences and turns to walk out the room but is shot in the back by Old Man Clanton.

The Clanton’s dump Virgil’s body in the streets of Tombstone, telling Wyatt that they will be at the O.K. Corral, setting up the most famous shootout in history.

My Darling Clementine is an outstanding Western. Although it’s loosy-goosy with historical facts, (Doc Holiday does not die in the shootout, he lives a few more years before he dies in Glenwood Springs, Colorado from tuberculosis and years of alcohol abuse) it is one entertaining film. Henry Fonda is on point as Wyatt Earp, and Victor Mature is cold and rough as Doc Holiday making their eventual team up and friendship flimsy at best.

My Darling Clementine has all the things you would expect in a western. Lawless town, gambling, singing and shootouts. It is directed with style by John  Ford, but I learned in the bonus features that he actually made a slightly different movie than the one that made it into theaters, which Criterion has included on this release.

It was joy watching My Darling Clementine again. I used to watch these old western movies all the time with my grandfather. Watching them again brings back great memories of root beer floats and staying up late.

Criterion has given the theatrical release of My Darling Clementine a brand new 4K restoration for this release and it looks stunning. The black and white photography is brought to life with several standout scenes. The moment that it is pouring rain and the Earp brothers discover that James has been murdered is a breathtaking example of how black and white movies can evoke moments that can’t be replicated.

The Prerelease version isn’t quite as good as the theatrical as you can see the film wasn’t given the same make over as the theatrical. It does look pretty sharp though and the differences are miniscule.

The audio is much like the video presentation of My Darling Clementine. The theatrical version has no pop, hiss or other distracting noise imperfections.

The Prerelease version is no slouch but there are some pops and an underling hiss that does occasionally affect some scenes.

It should also be noted that the soundtrack is slightly different.

Being a Criterion release you will get some truly great bonus features.

Prerelease Version: This version has different edits and runs about six minutes longer. I’m not sure which version I prefer but they are both great.

Version Comparison: See the differences in the two cuts of the film.

Lux Radio Theatre Presentation: Radio play of My Darling Clementine.

Bandit’s Wager: A silent film short directed by Ford’s brother Francis.

Lost and Gone Forever: Focuses on John Ford’s films and themes but with an emphasis on My Darling Clementine.

Today: Report on Monument Valley: From 1975, a look at where My Darling Clementine was filmed.

David Brinkley Journal: Tombstone: A look at the infamous town, from 1965.

Print the Legend: A great documentary about the legend that is Wyatt Earp.

Commentary: A great listen with Joseph McBride, who wrote a book on Ford and explores the film and its inaccuracies. McBride also discusses Ford’s career.

A trailer is also included.

My Darling Clementine is a great western film. Criterion did an amazing job bringing this all time classic to high definition. This is a must buy.

Film: A

Video: A

Audio: A

Extras: A+

Overall: A

Scroll to top