Review

The Blood at the End of the Rainbow: Leprechaun franchise review

lepsmileI love being a fan of horror comedies.  I was in high school  when I really started watching and enjoying them. My friend Branden and I would hang out almost every weekend and his mom would take us to Blockbuster where we would pick some great(or not so great) horror movie. The Leprechaun franchise was always a favorite. It’s funny and gory and I spent last night watching the first 4 which I will review right here! (sorry fans of the Leprechaun in tha Hood movies, I couldn’t find them, hopefully I will have them next week).

Some people might not know that the first Leprechaun was released in theaters, yes these movies did not start out as direct to video movies. And one year before Jennifer Aniston was Rachel,she was Tory, leprechaun-posterthe spunky daughter of  her recently divorced dad. Her father purchased a house that needs a lot of work, it was owned by an old Irish couple who were murdered by an evil Leprechaun that they captured and trapped in their basement. When the Leprechaun gets out he is in search of his pot o’gold that was stolen from him and he will get it back at any cost, and that usually means killing someone in some gruesome manner. The  movie is a little silly but it is also lots of fun. Warwick Davis is absolutely killer as the devilish elf. He talks in rhymes that usually end in someone being killed, example “This old Lep, he played one, he played pogo on your lung!” The movie was a modest hit, it grossed $8 million and on a shoestring budget that meant a sequel.  This movie started a trend of taking creatures from fairy tales or folklore and turn them into horror movie villains, I saw a few, Rumpelstiltskin comes to mind, it also started a trend of having the villains be comic relief, a la Freddy Krueger.

After the success of the first movie, Leprechaun 2 was released into theaters the following year. Yes Leprechaun 2 was released in theaters it was the last of the series to be in theaters because the home video market started to boom. And studios realized that they didn’t need to spend a lot of money on prints and marketing when they were making more money just releasing it straight to video. Anyways in the second film Warwick Davis returns as the evil Leprechaun and that’s the only part of the first film that carries over. The mythology changes (this happens in every film, the Leprechaun has different weakness’ and different means of being killed.) and so too does the Lep’s motivation. He wants a bride, and is only allowed to marry every 1,000 years. He casts a spell on a girl he intends to marry that causes her to sneeze, “Sneeze once, sneeze twice, she’ll be my bride when she sneezes thrice!” She is saved if someone says “God Bless you” before her third sneeze. A father saves his daughter from this horrible fate but the Leprechaun curses his family and promises to marry a member of his bloodline, 1,000 St. Patrick Days from then. And according to historians there have been St. Patrick Day feasts as far back as the ninth century so this little detail checks out. Anyways, in a thousand years the linage finds it way to Los Angeles and so too does the Leprechaun. leprechaun-2He finds his bride, and loses a gold coin in the process. So Lep goes on a murderous rampage to retrieve it.  Warwick Davis again steals the movie. He plays the Leprechaun with such viciousness and playfulness that you really do love to hate him. Not as good as the first one but still a lot of fun.

Leprechaun 3 finds the mischievous elf in Vegas. He is brought there by a man who pawns him at a shop. Soon the Leprechaun gets out and is up to no good yet again. The Leprechaun kills the shop owner who has taken a gold schilling from him before he can tell him where it is. As the Leprechaun is searching for it a college kid who blew his tuition at the Lucky Shamrock casino enters the shop. He is going to pawn his watch when he sees the dead shop keeperlep3. He calls the police and notices the gold coin that the Leprechaun is searching for, he makes a wish to be back at the casino winning. The wish is granted and he’s back winning big. This leads to the Leprechaun to visit Las Vegas and interact with the people. Warwick Davis again is fantastic, but so too is John DeMita as the great Fazio, a washed up magician. Of all the Leprechauns this one is the most fun. It’s silly but the Leprechaun dispatches people in creative ways, making their wishes into nightmares. The Fazio death scene where he is sawed in half is gleefully gruesome.

And that leads us to the least fun Leprechaun, and that’s Leprechaun 4: In Space. I have mentioned before that the only horror icon that does well in space is Jason Voorhees in Jason X. The Leprechaun does not fare as well, but it’s not all bad. Davis plays the Leprechaun with the same passion he did in the previous films but the rest of the characters are not well fleshed out and not well acted. It also should be noted that in a series that is predicated on camp, this movie is a little too heavy on the camp. I do like the scenes where it’s a parody on Alien, with Marines searching for the Leprechaun in the vents.

I had so much fun reliving these movies. It took me back to the good old days of sleepovers, stuffed crust pizza, and Jolt Cola. The movies are still fun and I do recommend them to anyone with an evil sense of humor.

 

 

Army of Darkness, The Greatest Movie of All Time!

army-of-darkness-movie-posterBecause I am the host of the best podcast about movies, in Denver,Colorado I am often asked what movie is my favorite of all time. Citizen Kane, no too boring. My favorite movie is and always will be Army of Darkness. Starring my cult hero Bruce Campbell, Army of Darkness is actually the third part in the Evil Dead trilogy. And it is the most fun you will have watching a movie, period.

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“This is my Boomstick!”

Army of Darkness takes place immediately after the events of Evil Dead 2. Our hapless hero Ash is sucked into a vortex that literally drops him in Medieval times. Ash is captured by King Arthur, who believes he is one of his enemies soldiers. He is taken to Arthur’s castle where he learns that the deadites that terrorized him at the cabin are plaguing both Arthur and Henry the Red. Although Ash is not one of Henry’s men he is sentenced to die in a pit that is inhabited by monsters. Ash kills both of them with his trusty chainsaw that he fashioned to his severed hand in Evil Dead 2. He orders Arthur to let Henry go and sets out on a quest to finish off the deadites. Along the way he hooks up with Shelia, splits from his bad self, and misspeaks ancient words while retrieving the Necronomican awaking the Army of the Dead!

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“Gimme some sugar baby.” Greatest pick up line ever

Why do I love this movie? Easy. It’s funny, directed by my favorite director, scary, and all sorts of awesome. The movie never takes itself seriously and is tons of fun. Bruce Campbell totally owns this movie as Ash. He’s funny, confident, and a coward all at once. He has so many great one liners that are now such a part of pop culture you might not know that this movie was a flop when it was released. It found a huge audience thanks to the video market and midnight screenings. In fact I remember the first time I saw it. When my parents got divorced we would spend weekends with my dad. He lived right near a Blockbuster Video(remember those) and he would let each of us pick a movie to watch over the weekend. He never told us that we couldn’t watch a movie because it was rated R, or violent. If we wanted to watch it we could. Anyways, my brothers went their way and I went mine. And there sitting in the new releases was the coolest movie art I had ever seen.

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“Hail to the King, Baby”

I remember watching for the first time and just laughing my ass off. I loved how silly it was and I hoped my brothers liked it as well. They did. The next day I begged my dad to buy it for me. At first he was a little hesitant, he said we just rented it. I was bummed. The next weekend we couldn’t go water skiing because it was crappy outside so my dad took us to Blockbuster again and I again wanted to get Army of Darkness. My dad looked at me like I was crazy and said let’s just buy it. Score! It was only $24.99 on VHS back then, what a steal! I’m pretty sure that moment started my love for movies, and my love of purchasing every version of Army of Darkness that was released after. Yes. I am one of those guys who fuel multiple versions of movies, but hey there is 2 different cuts of AoD and 2 different endings. I know most fans prefer the original ending, including Bruce Campbell and Sam Raimi where Ash awakens in post apocalyptic London, but I like the happier ending.

I wanted to write this as we are seeing the remake of The Evil Dead this weekend(yes, I have already seen it and it is awesome.) and it was a perfect time to revisit my favorite movie ever. So as I write this watching the Blu-Ray version of Army of Darkness, I urge all horror movie fans and movie fans to see the new Evil Dead, Sam and Bruce want to make an Army of Darkness 2 and we can all show them that we want it too by seeing the new Evil Dead, Groovy.

As a little PS I would give this more stars if I could but as it stands this movie gets 5 stars from me and a whole life of amazing memories.

 

Reel Gamers Review: Tomb Raider (PS3)

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The original Tomb Raider debuted on Playstation in 1996, and boy have video games changed for the better. Of all the video game characters that needed an upgrade Lara Croft might have needed it the most. The biggest selling point of the original game was Ms. Croft’s unbelievable *ahem* assets. This new Tomb Raider takes what you know about Lara and turns it on it’s head. Gone are horrible controls and an even worse camera angles, this game is full of amazing graphics, tight controls, and a Lara Croft that learns to be tough and self reliant.

Tomb Raider takes gamers on basically an origin tale of Lara becoming a Tomb Raider. Lara and several of her friends are on a journey to a mysterious island that holds many secrets. In a tale that owes a lot to the Uncharted series, where nothing is what it seems. Tomb Raider starts with a bang dropping players into several intense action sequences. Lara is beat up and hurt and worst for wear after the boat she’s on wrecks and sinks. Separated from her colleagues Lara fights her way back to them.tomb-raider-2013-screenshot-3 On the way Lara meets other people that are trapped on the island and they are not friendly. One of my favorite moments in the game is when Lara is forced to kill them and how great this moment is handled. Throughout the game I still felt guilty about killing people, just like Lara. As the story progresses I found myself just engrossed in Lara’s journey and I did not want it to end.

The graphics are absolutely stunning. Lara looks beautiful and strong. The game also has some sweet effects, when it rains rain drops hit the screen and slid down as if we are watching this game through a camera that’s really there. Not only does water trickle down the screen but so too does snow, blood, and sparks from explosions. The lighting effects are also amazing, I loved the way this game looked every nook and cranny is beautifully realized.

The controls are super tight and precise. This is needed in game like this where perfect timing in jumping is crucial. You must traverse hostile terrain where ledges and branches break without warning. The weapon controls are spot on as well. Although Lara doesn’t like to kill she sure knows how to use weapons. She needs them too because not only does she have to deal with crazy “locals” but also wildlife. Yes, hunting is an important part of this game and by hunting you are rewarded with HP and skills.tmbradierdeer Almost everything on this game is top notch. Story, production value, but I think one best things this game has going for it is Camilla Luddinton’s performance as Lara Croft. You believe everything that she says and feel the heartbreak everytime she loses someone close to her. As far as Tomb Raiding it’s optional in the game. Now don’t freak out it’s still fun and there are a lot of tombs to discover. After you beat the game you are free to explore the island without the story pushing you in a direction and it is lots of fun. Trust me you will want to play this game after you beat it because there is so much to do and lots that you missed the first go around. The only blemish in the game is the multi-player is just alright. It’s bad, it’s just not that great either. It is fun but unnecessary.

This is a very welcome return. Lara Croft is back and kicks so much more ass then she did before.

Here are the ratings for Tomb Raider:(These are the old Gamepro magazine ratings, I loved this magazine when I was little and it hasn’t been published for over year so I’m bringing it back! Brad is working on something that will look better, here is a sample of how they looked when I was growing up)

Graphics 5.0

Control 5.0

Sound 5.0

Fun Factor 5.0
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Reel Advanced Review: Evil Dead (Spoiler Free!)

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Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore

Directed By: Fede Alvarez

It’s no secret that I am a big The Evil Dead fan. To Me it’s one of the most innovative horror films of all time. It is also made by my favorite director Sam Raimi. So when I heard that it was being remade like most fanboys I was a little scared. It’s my sacred cow, and a lot of times when horror is remade they neuter it. THIS IS NOT THE CASE WITH EVIL DEAD. It is a hardcore, violent, bloody good time.

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Reel Review: The Perfect House

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Starring: Felissa Rose, Jonathan Tiersten, John Philbin, Dustin Stevens, Monique Parent

Directed: Kris Hulbert, and Randy Kent

Horror anthologies are a tough cookies. A lot of times they are  hampered by inconsistent stories and uneven performances.   What makes The Perfect House a really good horror film is it avoids most of these pitfalls, and yes not all the moments in this movie are great but when this movie is firing on all cylinders it is truly scary and full of tension.

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Evil Gets An Upgrade: Ryan goes back to the Future with Jason X

Having recently watched Hellrasier: Bloodlines, a movie that takes a movie maniac and puts him in space, I was reminded of a movie that I think is overlooked by the horror movie crowd and written off by Friday the 13th fans, Jason X. Going into space can be bad news for a horror franchise(Leprechaun 4, and the before mentioned Hellrasier) but I think Jason X actually succeeds in placing its villain in space.

 The Friday the 13th franchise was in trouble. After disappointing fans and movie goers with the dreadful Jason Goes To Hell, people wondered if the stalker of Crystal Lake had indeed gone to Hell. And for 7 years it seemed that Jason had in fact been laid to rest. But interest in the character had not waned and New Line was still circling Freddy vs Jason. Instead of waiting for Freddy vs Jason to get made(one of the few bright spots in Jason Goes to Hell was the ending, and New Line had been trying for years to make a VS. movie) Sean Cunningham decided to make another Jason movie.

Todd Farmer(the writer on the movie) only pitched one idea and that was placing it in the future and space so it would not factor in the timeline for a Freddy vs Jason movie. He was given the assignment and James Issacs was selected to direct. Being a fan of Friday the 13th I was really worried about this film. Of course I would go and see it but Jason in space sounded really lame. It was then delayed for a year where it collected dust for a year before it was released April 24, 2002 to a very weary horror audience. In fact it opened #3 with just 6.6 million. And it is to this date the lowest grossing film in the franchise but I think the fans missed a good slasher movie

The movie opens with a captured Jason. He is on his way to be placed in cryogenic suspension. The reason is they can’t kill him so they are going to put him on ice. However an idiotic doctor decides that he is too valuable to just freeze and wants him “soft”, stating that his ability to regenerate cells needs to be studied further. Of course Jason gets free and starts killing everyone. Rowan, the one person who believes Jason is too dangerous to be contained is able to lure him into the cryogenic chamber and freeze him. But Jason is able to stab her through the chamber and thus unleashing the gas freezing both him and Rowan in the room…

Flashforward 450 years and a student expedition finds both Rowan and Jason frozen. They take both of them on their ship and use future technology to revive Rowan because Jason appears “dead”. Soon Rowan wakes up from a very long nap and is told Jason is on board as well, and is assured that he is quite dead, we know better. Jason has already awaken and killed a woman in a very gruesome way.

Jason next plays a game of cat and mouse with a bunch of army guys on the ship, which I think is the movies strongest and scariest part. The scene takes place in the cargo hold with tight corridors and dark places to hide. Jason systematically picks off the grunts one by one until they are all dead.

 Jason continues to pick off the crew members one by one when one student decides to do something about it. He uploads his android with the ability to use weapons with extreme effectiveness. So effective in fact she kills Jason. End of movie! The kids win! Oh wait, it just so happens that Jason was knocked into the medical bay and is being automated. And Uber Jason is born! I won’t ruin the end of the movie but there is a great scene involving VR and Jason is deadlier then ever.

 This movie is lots of fun. Granted there are some silly parts but I do think it’s one of the better Friday sequels. The one glaring weakness and it pains me to say this but Harry Manfredini’s music is horrible. It actually hurts the movie a lot. I love the old theme music but the rest is sloppy and does not fit the tone of the movie. The lighting is weird at parts too making it look a little like a SyFy made for TV movie. But those complaints are minor and I still enjoy the movie. According to an interview with the director there is a lot of deleted scenes that I would love to see, and I am keeping my fingers crossed for an ultimate edition of this movie on Blu-Ray. So there you go if you are a horror movie fan give this one a try, it’s good I promise.

SH*T SH*W REV*EW: Sand Sharks

This whole idea to review movies like these began with our DVD Releases segment on the podcast. Each week when I went through what was coming out that next Tuesday I always scrolled to the bottom to see what things nobody cared about, and what I noticed what just how many shark movies get tossed to the bottom of bargain bins each year. It sometimes felt like there was one every week. But when I saw the cover of Sand Sharks I knew I needed to see it. And when Ryan texted me and said Sand Sharks was on Netflix, I dropped what I was doing and started wasting my time. After that I knew I needed to start doing this blog series, so it’s only fair that Sand Sharks get its own entry.
 
Entrepreneur Jimmy Green has borrowed money from the mob to fund a Spring Break Party on the island that he called home growing up only to find that the beach where he wants to party is infested with a brood of young sharks specially adapted to swim through the sand like it was water. Jimmy struggles to navigate the treacherous sands berween against his ex-girlfriend and her brother—sheriffs of the island—the mayor, a woman from the mob sent to protect their investment, and the deadly sand sharks. People get eaten, there’s dancing, and a guy named Angus fires a flamethrower fueled with napalm.
 
“Are you serious right now?” “As a heart attack… or a shark attack.”
 
Sand Sharks gains points for having built in the makings of a drinking game. It appears that once the script was finished it was given to to another writer whose assignment was simply to work in as many shark puns as possible. Everything ‘bites’, every argument ends with someone saying they had their head bitten off, and beach parties are ‘to die for.’ Some of the puns are awkwardly forced into phrases that don’t even make sense, like ‘you really are a shark-tongued devil’ or ‘we’re kinda stuck between a rock and a shark place.’ These lines are so ridiculous that the only thing that could make them better is if each one were accompanied by a shot.

“You know that this isn’t a party that ends at midnight, it’s you life!”
 
If I thought Brooke Hogan was brilliantly bad in 2-Headed Shark Attack that is only because I didn’t realize how under-utilized she was in that movie. Here she plays Sandy Powers, the daughter of some  kind of super shark scientist who was killed by sharks since the last time that this island called him for help with a shark attack. What’s great about her in this movie is that she spends sixty-percent of her dialogue talking about how she needs to do more tests, “carbon dating, DNA, stuff like that.” I don’t know how a DNA test is going to tell her anything about the shark, but she sure does talk about DNA tests often and apparently it reveals how the sharks scales turn into suction cups and grip each grain of sand while also drawing moisture from them… or something important like that.
 
There are some genuinely fun things about this movie. I really mean that. Jimmy Green is ham-fisted and silly but there is something about Corin Nemec’s performance that is just the right level of over the top. When Jimmy goes to the pier to get everyone to evacuate and he sees two kids—who, by the way, watched a girl get eaten only minutes ago but somehow don’t know that they aren’t safe on the beach—and he screams to get them to run away. The scene is clearly improvised and they allow it to go on so long that when he finally says, “Oh my God, you guys are idiots” it’s genuinely funny. The character is stupid and corny and cliché but there are times when all that is in balance and you’ll actually smile a little at stupid lines of dialogue. Jimmy also finds ways to be distracting the the background of scenes, just acting goofy and drawing attention away from everything else that’s just a normal kind of stupid. I’m not saying I want to see a sequel with this guy in it… I’m just trying my best to say something good about the movie.

The last great character that graces us with his presence is Angus, the shameful replication of Quint from Jaws. He first shows up at the town meeting, just like the actual Quint, and gives a speech about how much he knows about the sharks and that he can catch and kill them, “hook, line, and sinker”—which is completely the wrong idiom for the situation but he just keeps saying it. Maybe the most creative line in the movie is when Angus shows up at the end to usher us into the third act, shouting about killer sharks, and the sheriff asks, “Are you ever seen before you’re heard?” It’s a funny little commentary on that kind of scene transition.
 
I’ve said too many good things about this movie, you’re going to start thinking that it isn’t any fun to watch. This movie is full of dumb. One of the guys who works for Jimmy says he can “crash the internet” and when he tries to prove it he causes the lights in the room to flicker. Right after watching someone get eaten, Jimmy’s dad walks out onto the beach and starts yelling about how he’s tired of all these sharks and that he’s “drawing a line in the sand” and then of course he gets eaten and Jimmy is very sad. The ex-girlfriend cop gets bitten in half yet survives long enough to call Jimmy a jerk as he tries to push her guts back together to keep her alive. This is one of those moments when his ridiculousness is in perfect balance. At that same time the Sheriff and Dr. Sandy Powers are stuck on a rock in the middle of the beach and when Jimmy tells them on the walkie that his sister was bitten in half the Sheriff goes off on Jimmy only to forgive him seconds later. Don’t worry about them by the way, the next time they are needed they will simply show up and when asked how they got off the rock they’ll explain that they “got away.” Did I mention that one of the reasons that the town is hesitant to let Jimmy throw the party is that the last time he did this fifteen people died. They never say what they died from, clearly it wasn’t sand sharks, so I assume that it was just that they partied so hard that they died from over-exposure to partying. Speaking of which once the party starts there are only about thirty people there and the stage is less impressive than a cheap booth at a second rate convention. If something that insignificant can boost the island’s economy like Jimmy promises it will I think they might be better off setting up a lemonade stand, provided they can borrow the pitcher from their parents.

The sharks here are particularly bad. They hardly look like sharks by the way they are designed which only makes the CG stand out even more. Most of the time the sharks are simply seen as fins in the sand, which at least leave a trail wherever they go, but that means the only actual animation is when the sharks jump out of the sand and beach themselves to eat someone. The most we actually see the sharks move is at the end when the really big one—big enough that its dorsal fin is popping out of the top of the nearby ridge—pops up inside of the shack, suddenly much smaller, and wiggles its head back and forth… menacingly! Then Brooke Hogan throws a jar of napalm in its mouth and it explodes.
 
“Eat this you sand of a bitch!”
 
The most jarringly bad part of the movie is the end. They try to draw the sharks to a part of the beach where there is a shack they can hide in while they shoot the sharks with napalm (as I’ve noted before, it’s always fire). But the place where they film the shack and the place where the sharks congregate are clearly two different places filmed as if we wont notice. In a final moment of heroism, Jimmy runs out and attracts the sharks to him by singing Row Row Row Your Boat and then letting them eat him.

“Until then your party isn’t on the sand… it’s on the ice.”
 
And the final score is: 4 out of 5. This movie is really bad in many great ways. From the bad puns and the worse creature effects to the languid set-up for anti-climactic nudity and violence, Sand Sharks is actually pretty funny to watch. Some of the acting and writing manages to actually be palatable enough that it makes the down time between shark attacks watchable. All this would probably only get it a 3 normally but since the points don’t really matter I’m giving it a boost for being on Netflix Instant and being a movie that you could drink to, though honestly if you did a shot every time they made a shark pun you might put yourself in danger. So Have FUN!
 
SH*T SH*W REV*EW will return with Transmorphers 2: Fall of Man 
It won this honor by using modem sounds in the trailer.
– James Hart
Have a bad movie you think I might love. Leave it in the comments below.

SH*T SH*W REV*EW: Pinata: Survival Island

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When I decided to start writing these reviews of the film world’s version of ‘shovel-wear’, starting with Two-Headed Shark Attack a few weeks ago, the first film I put on my ever-expanding list of potentials was Piňata: Survival Island. I’ve seen Piňata about half a dozen times in my life because there was a spring break during college when it was on late night tv every night… so what else was I going to do but watch it. Now I’m a proud owner.

“Oh, scary… Let’s open you up there, big guy.”

Piňata: Survival Island starts with a convoluted origin of an evil Piňata. Joaquim de Almeida narrates the story of a magical shaman in an ancient village who builds a clay Piňata to house all the sins of the villagers. Note: If this sounds like something you’d be interested in attempting, the movie gives you exact instructions about what pig parts should be used and how, as well as the construction of a good-luck Piňata, and the details of performing the required ritual. Educational attributes will not affect the film’s final score. The Piňata is then set adrift in the ocean where it gets struck by lightning, which… probably… gives it powers or something. Where might the Piňata run aground??

We join our party of boating college students on their way to an island to celebrate Cinco de Mayo by doing an underwear scavenger hunt put on by the greek community at their college. The frat brothers and sorority sisters are handcuffed in pairs and sent out onto the island to gather undies. Kyle (Nicholas Brendon) and Tina (Jaime Pressly) just went through a breakup but they end up handcuffed together, which would be the worst of their problems if a pair of loopy pot-smokers didn’t come across a clay demon statue and try to break it open, hoping that it’s filled with underwear. Then people die!

“And when we cracked it, we heard a sound like we were letting out the pain and suffering of an entire village. I had no idea how to describe it until you just put it into words. We thought it was because we were high but that is exactly what it sounded like.”

The best things about this movie are tied into that ridiculous premise. I don’t know what the actual origins of the modern, candy-filled piňata are, but if I found a clay demon statue on an island I wouldn’t immediately call it a piňata. Any time the piňata is on screen its comedy gold without hardly doing anything. It spends most of its time walking around the jungle watching people harvest underwear, we spend plenty of time watching close-ups of its footsteps and repeated animations of the demon walking, or eventually flying—because eating souls causes it to evolve—and when it does descend upon our victims it usually just bashes their heads in with a shovel. He does rip one guys heart out and tries to kill another with his magical boomerang club, but that’s as creative as it gets. It’s clear that they use a guy in a suit for most of the shots where we see the whole creature, but they have a more articulate head that they use for extreme close ups, and the attacks are mostly done by a CG entity. The worst thing about this is that because the guy in a suit can’t articulate his face it seems they resorted to just distorting the image to make it look like the creature has some life. As the movie moves forward they rely on this idea that the piňata can change, using an entirely CG version instead, and eventually teaching it to fly so that they can save on animation.

As you expect we get some pretty ridiculous scenes. While running away from the piňata, one woman feels it is necessary to slowly walk along a fallen long rather than simply jump over it, allowing her to dramatically fall over in slow-motion. Nicholas Brenden has a scene where he retells the entire opening origin story from memory, I guess because he studied Megonyo history in college. There is an ominous chapter break that decides we need to know that it is now May 6th. Maybe my favorite thing about this movie is how much the piňata loves trees and vines but can’t use them. It ties a noose around its neck twice, once to lure in victims who think it is a normal piňata, and again later to swing from the trees, turn one hand into a knife and cut a girl’s head off while her friend pees nearby. It even strings a guy up with fake looking hobby store vines while he stops to get a rock out of his shoe.

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No SH*T SH*W is really complete without seeing through the monster’s eyes. Here we get Piňata Vision!

“Time for us to stop being hunted and start doing the hunting.”

Like any other movie that doesn’t leave a way out for its characters, they resort to makeshift explosives to defeat the piňata. There is really no mention of a plan until the other remaining survivors start telling Kyle that they hope his plan works. Preparation involves a montage and an intense gas siphoning sequence, later followed up with a swinging kick and an equally intense gas pouring sequence. It turns out all they have to do is handcuff a molotov cocktail to the piňata’shead and it’ll explode. Then campus police show up and ask them what happened.

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“Someone, or something, is out there and it’s majorly fucked up.”

What’s not good about this movie might surprise you, it’s the acting… it’s too good. The parts of this movie that don’t involve the piňata demon are too serviceable. Movies like this are more fun when the dialogue is cringe-worthy and poorly delivered. Nicholas Brendon, Jaime Pressly, and the rest of the actors do their best to channel performances from a mid-nineties sitcom, which really takes the edge off of the majority of the scenes without the piňata. If this were really just a movie about an island possessed by a demon, if you removed all the piňata context, it wouldn’t be anywhere near as much fun.

I’m disappointed to say that I’m giving this movie a 3. I remembered it being much worse, and therefore much more fun to watch. But for as stupid as the premise is, most of the scenes are borderline watchable and there is too much time between the stupid sequences. If you had your friends over to watch Piňata: Survival Island, you would be doing it for the sake of saying you’d seen a movie about a killer piňata, not because you want to.

Oh, and GOOD NEWS EVERYONE! In my research I found that the entire film is on Youtube… so… if you feel like it:

– James Hart

SH*T SH*W REV*EW will return with another Brooke Hogan joint, Sand Sharks

Have you seen Piňata: Survival Island? Tell us what you think about it below!

SH*T SH*W REV*EW: 2-Headed Shark Attack

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I’m really not sure how to reconcile what I’m about to do. Our motto this past year has been “Want to like the movie” because I truly believe that cynicism is becoming far to prevalent in the film criticism world, it’s become too popular to hate things that other people like or that are just trying to be fun because it makes the critic look smart. But I’m starting a series here that I’ll return to throughout the year where I’m gonna hate on stuff. But not just any stuff, this stuff is real, genuine shit that no one has delusions about being good—except, it appears, maybe Brooke Hogan. If you’ve been listening to the show, you know that I love torturing myself with really bad films, and I love the idea of bad shark movies with low budgets and silly premises, but I haven’t seen enough of them. So I’m about to get educated.

2-Head Shark Attack

“It’s got two heads.” 

“Two Heads is twice as many Teeth!”

You know what’s scarier than a two-headed shark? Two sharks.

2-Headed Shark Attack drops a boat full of students who are studying… sextants?… into the waters around an unstable atoll where a mutated shark with two heads has been eating water-skiers two at a time. When they come upon the carcass of a large shark that the shark-and-a-half has killed, they accidentally guide it into their propeller, punching a slow leak in the hull, and they are forced to evacuate to the atoll. This is the point where you look up the definition of an atoll, since this one is apparently sinking because the two-headed shark keeps running into the corral supporting it. As they plunder the island for “scrap metal” to fix the boat they find plenty of reasons to motor back and forth between the atoll and the ship so that the shark has more opportunities to pick them off.

There are “good” things about 2-Headed Shark Attack. Hmm… no, let’s try again.

There “are” “good” “things” about 2-Headed Shark Attack. Better.

imageThe two heads of the shark have pronounced jowls that are either an homage to the design of Bruce from Jaws or evidence that the makers of 2-Headed Shark Attack don’t know what sharks actually look like, so they just re-watched Jaws and modeled the shark heads after that. Note: I just realized how much better this movie would have been if one of the shark heads had an eyepatch and the other one had some missing teeth or a beard, so that they were individualized like a two-headed ogre. The other “good” “thing” about the CG is that it is sometimes actually unique to the scene taking place. What I mean is that in most Asylum movies they simply create a few CG animations for their creature and then reuse them, so that the monsters never actually feel like they are interacting with the scene. In 2-Headed Shark Attack they still reuse plenty of footage but they also have a sequence where the shark attacks a guy and throws him up in the air and slaps him with its 1-tail, and another shot where they attack someone and the two heads pull the victim apart underwater like the T-Rex’s (T-Rexi?) in The Lost World. It’s not particularly convincing, but it’s evidence that anyone tried. Part of the fun of the idea of a two-headed shark is what interesting ways it might kill someone, or that while the shark is eating someone you still aren’t safe, and at least 2-Headed Shark Attack “tries” to fulfill on that promise.

“The boat just needed a little tuning up. Now we just need gas.”

“We just found this gas can.”

“Is there anything in it?”

“It smells like gas.”

Asylum films are fairly desperate, but I’ve never seen them moving in the direction of straight to DVD American Pie films that make them money on teenagers who want to rent films full of nudity, until now. 2-Headed shark attack isn’t full of nudity, but it wants to be. I’ve never seen a director so excited to have Carmen Electra in their movie since Baywatch: White Thunder at Glacier Bay. There are a bizarre, if not creepy, number of shots of Electra laying on the deck of the ship in a bikini, zooming in and out like the eyes of a lusty animated wolf. Nine out of ten of the students are busty women who, if they aren’t wearing a bikini are either made fun of for their one-pieces, or are wearing a shirt that they later take off in order to cover one of the men’s wounds. Every minor occurrence is followed by multiple reaction shots of bikini clad ladies screaming or running. Especially if the law suits against Asylum continue, then in three years these movies will have titles like Shark Attack in the Grotto or Busty Beauties get Hammer-Head.

“Once this atoll sinks, we will be.”

If you’re like me and you love these bad movies, there are plenty of funny scenes to appease you. The excruciatingly long topless makeout sequence ends with both the fine young ladies attacked by the shark-and-a-half. The shark doesn’t eat them though, it apparently has some kind of power to cause them to spasm and cough up blood before falling over in waist high water. Considering the depth of the water the shark can use this power from at least thirty-five feet away. As can usually be expected there is plenty of disembodied dialogue, clearly added in post, but what’s great about it here is usually that kind of ADR is to clarify clunky plot points, like someone yelling “it’s being drawn towards the electro-magnetic pulse of the welder,” but there are also some lines that are clearly added and just as clearly unnecessary. And that’s another thing, there is a whole subplot about the shark being drawn to vibrations, but sometimes it’s electro-magnetic pulses, and in the end they just draw it in with blood… so none of that matters. Their final plan to kill the shark-and-a-half is to feed the shark a barrel of oil with a lit fuse in it… but the fuse is a guy’s shirt… which is soaked… and they actually say that they’ll wring it out… which wont do much good since while they try to light it the fuse the shirt is still floating in the water… and then they are surprised when it doesn’t work.

“I think it’s a Jellyfish.”

I genuinely think that Brooke Hogan thinks she is breaking in with these films. I think that she expects someone to see her irritable delivery of lines like, “fears don’t get over themselves” and hire her to be in their movies. I hope that doesn’t happen though, because I need her to return for 2-Headed Sand-Shark Attack.

I’m going to rate these movies on a scale from 1 to 5 based on how much fun they would be for you and your friends to watch drunk. 5 being something genuinely good but still crazy and knowingly tongue-in-cheek like Stephen Sommer’s Deep Rising, and 1 being a movie that is bad, but boring, like Dragonheart 2: More Dragons, or whatever that movie was called.

image2-Headed Shark attack gets an un-ironic 2. If the scenes didn’t feel like they dragged on so long and the attacks weren’t always preceded by what feels like eons of the shark’s approach then the movie might be higher. The acting is horrible, sure, but the real gem here is how deranged the plot-points are. This isn’t a bad movie to put on in the background while your friends are over, but it’s one you’ll find yourself drawing everyone’s attention to during the best-bad parts and then ignoring the rest of the time.

– James Hart

SH*T SH*W REV*EW will return with Pinata: Survival Island.

Seen 2-Headed Shark Attack? Tell me why in the comments below!

Best Film of 2012 You Didn’t See: The Battery

This is honestly my favorite award each year because I like drawing attention to movies that most people will love but haven’t been told about. The Battery was always the perfect choice for this award because not only if the movie great, it is much more obscure at this point than last year’s winner, Tucker and Dale Vs. Evil.

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It is a common trend for first time directors—especially writer/directors—to make movies that impress more with their style than their characters because they have so many things that they want to do that their fear of never getting to make a second movie causes them to cram everything into that first try. It has made for some spectacular films (Primer, Brick, THX 1138, Bad Taste) but it is refreshing when you see a filmmaker who focuses more on character and tone than style and action. The Battery is exactly that film. And while some of that minimalism may be driven by its impressively low six-thousand dollar budget, that in no way diminishes the masterful way in which Jeremy Gardner and his team execute their story, in the same way that a broken mechanical shark does not diminish the greatness of Jaws.

The Battery plays in a genre so over-wrought with submissions that it has become little more than monotonous noise, and so as I sat in the theater watching the first ten minutes I realized that I had never seen an apocalypse like this. This wasn’t about fighting the dead, relishing in brain bashing. This was a character study with zombies at the edges. The tone of the film is set more by the emptiness of the world and the tension between these characters than by the zombies who could show up and tear them apart at any time.

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Ben and Mickey are baseball players who are traveling the northeast, sticking to rural areas and spending their nights camping out or staying in abandoned homes. As Ben tries to prepare Mickey to face a world of the undead their friendship is strained by the temptation of a mysterious place called The Orchard that Mickey hopes is a place where his life can settle. Writer/Director Jeremy Gardner’s performance as Ben is relentlessly veracious, grounding the fantasy of the plot in a pedestrian tone of day to day struggles while possessing the ability to bring levity to Mickey’s austere nature with little more than a well placed line, a audacious dance, or a playful look. While it’s easy to feel that Jeremy steals many of the scenes (men with beards like his usually do) without the dramatic faculties that Adam Cronheim brings to Mickey, Gardner’s performance would be little more than a flash in a pan. In our interview with The Battery crew we discussed how frustrating it must be to have to play the straight man while Gardner has all the fun, but Cronheim takes on the task bravely. Often characters like Mickey can be frustrating in zombie movies because we enjoy characters that are equipped to survive by slaughtering the dead, but Cronheim allows us to sympathize with Mickey because of his weaknesses, not in spite of them. Much of the script comes across as improvised, though Gardner told us that is a result of not being so in love with his own writing that he demanded lines be delivered verbatim from the script.

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It’s the nature of this award that I can’t talk much about the events of the movie, but we did spoil some of them in our interview so I can say that there is a very large portion of this movie that takes place in a very confined space that directly contrasts with the long, beautiful whimsy of the open fields and uninfected cows that proceed it. Knowing that won’t ruin the movie for you, nor will it take away from how daring the sequence is. It asks so much of the audience to endure the passage of time along with its characters, and asks even more of the structure of the film and the characters in order to support it. Were anything about this story lackluster the audience would surely walk out relieved that its over. But that is not the effect. I like these guys and I want to survive right along with them. When it’s over, it feels more like I’ve been through an experience with them, one that both took something out of me, while leaving something behind for me to think about.

I’m sure that this will come across like I’m being indulgent of some filmmakers we interviewed, but I’m not. We interviewed them because I walked out of that theater in love with the story they had told me. Sure there are things about this movie that aren’t perfect. A few lines of exposition get delivered in a way that feels forced, I had to look at a man’s penis, the last shot before the credits first roll invites misinterpretation that the mid-credit sequence then corrects, and while I enjoy the torturous third act not everyone will. But these complaints are either miniscule in their importance and common amongst big budget films, or artistic choices and therefore subjective. This is a great picture unlike any that you’ve seen and it is well worth your time and any effort that it takes to see it.

While deftly coordinating the pendulums of comedy and suspense, The Battery is never short of intensely personal. It’s personal for the characters lost within its borders, for the audience trapped alongside them, and for the filmmakers whose passion for the story they are telling is infectious.

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Nothing concrete has been announced yet but you will get a chance to see The Battery eventually. They have signed a distribution deal and continue to tour film festivals around the country. Go to The Battery website for news and follow their Facebook page for announcements so that you know when they show up in your town. And, of course, check out our interview with Jeremy Gardner, Adam Cronheim, and Christian Stella at the Telluride Horror Show following their World Premiere.

-James Hart

Are you one of the lucky few who have seen The Battery? Leave a comment below and tell us what you thought.

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