Month: September 2016

Art House Asshole : Goat

You know how when you’re wanting to go to the movie theater and you look up all the films that are showing and there are alway at least three that you’ve never heard of, let alone have any interest in seeing? Well, good news! I’ve seen those movies. I spend most of my theater experiences in art house theaters watching those movies that you’ve never heard of and then never watch. Yeah, I’m that hipster asshole. My goal with this is to spread information out about these films, that way you can decide one of the following. “That actually sounds pretty cool! I want to see that now!” or “Man, I’m glad I decided to go see the new superhero movie!”. So without further ado, here is my article and review of Goat.

Between this film and White Girl, it has been made clear to me that being a young college age person is where you are probably going to die. Which isn’t a pleasant thought for me as I am a young college age person. So if I die in the next four years or whatever, know it’s not because of whatever the police are saying. It’s because I’m a young college age guy.

I should start this review by stating my opinion on the subject matter. If you are unaware, Goat is a psychological drama about fraternities. Before I say anything else about this film, know that I am very anti-greek life. I think that the greek system should be abolished and that it does close to no good for everyone involved. That being said, I didn’t feel like this film was as extremely anti-greek life like I thought it would. The film at the end of the day wasn’t against greek life, but the people that are drawn to greek life.

Goat, directed by Andrew Neel of King Kelly fame, follows a young college age guy who decides to join his brother’s fraternity after a traumatic experience. I would say more, but I don’t think there is much else to say. From that one line, you can probably guess exactly where this film is going. Hell Week happens and just like you would imagine, things don’t go well. Then things happen because of Hell Week, something that also shouldn’t be a surprise. None of this should be surprising because this film follows the exact structure as every other frat-house drama ever made.

The film is written by David Gordon Green. David Gordon Green I think writes some fantastic indie films. If you haven’t yet already, go watch George Washington and Prince Avalanche. Both of those films are written by David Gordon Green and are some of the best indie filmmaking I’ve seen, and not in the weird pretentious way either. David Gordon Green also made Pineapple Express and Your Highness but we are going to conveniently forget those films for the time being. This is why I am somewhat surprised at how bland this film is written. Like I said earlier, if you have ever seen any drama about frat-life then you’ve seen all of the beats of this film. Specifically, I point to 2014’s The Riot Club. The Riot Club is a god-awful film based on a fantastic play. I will say right now that I liked this film a lot more than I liked The Riot Club. But halfway through this film I actually looked up to see if this film was based on the same play because you could argue that this film is straight up plagiarism. This film hits the exact same beats at the exact same moments. The original part of this film is the traumatic event at the beginning of the film, but that really doesn’t play into the large frat story as much as you think it would. I was expecting, and hoping, that something would come from that part to make this film unique but nothing really ever happened.

The rest of the film is equally as bland. The film doesn’t break any real ground. There is no real component of this film that I can say is great. Everything in this film is done so averagely that I feel like I will forget this film ever happened by this time next week. The acting is better than I was expecting, especially from Nick Jonas. But no one has a real stand out performance. The lead, who I would also like to point out was in The Riot Club (I know this is coming out of nowhere but I just looked him up and I think it’s hilariously ironic that he was in both films), was also good. James Franco was touted as the second billed person but he has two minutes of screen time literally. I honestly don’t know why he is in the film besides one point the film is making that has no purpose to the greater story. The cinematography is bland. The direction is bland. It feels like everyone one set knows what they’re doing, but no one really cares.

Going back to one of my earlier points, the film isn’t anti-frat. I feel like the filmmaker thinks that frat houses can be really good. Which I agree with. On paper, fraternities can be a great way to make connections, live with your friends, do good, and do all of these great things that can help your future. The problem is that lifestyle attracts Frat Bros. And that is what I think the director is saying. The film hints, not very subtly, that the hazing and Hell Week that the main character is going through mirrors his traumatic experience at the beginning of the film. You see the brutality the pledges have to go through. Now that I’m thinking about it, there was one thought provoking scene between the leader of the frat and Nick Jonas’s character where the discussion is based on “are we going too far?”. That scene is very brief and goes by quickly. I might be looking too far into it but I do think this is the best scene in the film. How I put the scene together was that it was showing why the frat gets progressively more aggressive every year. Linking Hell Week as a revenge that everyone goes through but everyone then wants closure on as well. I might be looking too close to the film but that is what I was seeing.

Goat does to masculinity what King Kelly did to femininity. I haven’t seen King Kelly in a couple years, but I think that the two would make an interesting double feature. I don’t think I recommend this film. I think that if you accidentally watch it then you won’t be mad, but I can’t see anyone truly loving this film. I think there are better Frat House Dramas, but there are a lot worse you could do as well.

This Week at the Alamo Drafthouse Denver – 9.26.16

Tuesday, September 27
Hitchcocktails: The Trouble with Harry @ 7:30 p.m.
Wild at Heart @ 10:00 p.m.
Wednesday, September 28
The Graveyard Shift: Perfume @ 7:30 p.m.
The Late Show: Lost Highway @ 10:00 p.m.
Thursday, September 29
PBS Kids at the Alamo: Peg + Cat Mystery Hour @ 11:45 a.m.
My King @ 7:30 p.m.
Friday, September 30
No events
Saturday, October 1
Beetlejuice Movie Party @  5:30 p.m. (sold out), 6:00 p.m.
Beetlejuice @ 8:05 p.m.
Sunday, October 2
House of Dracula (1945) @ 2:00 p.m.
Weird Al Sing-Along @ 6:00 p.m.
Now playing…
Opening Friday, September 30: Miss Peregrine’s School for Peculiar Children, Deepwater Horizon, Queen of Katwe
 

The Magnificent Seven
Storks 
Blair Witch
Bridget Jones’ Baby
Snowden
Sully
Next week’s sneak peek…
Rurouni Kenshin Part III: The Legend Ends
Tough Guy Cinema: The Crow
Don’t Look Now
Idiocracy with live stream Q & A
The Late Show: Invasion of the Body Snatchers
Suspiria
The Neon Demon
A Short Film Dinner Party with Ryan Spindell
Blood Diner Party with Jackie Kong
Shaun of the Dead Movie Party
KOSI Brunchtacular: Dirty Dancing

Fall 2016 Fantasy Movie League – Week 4 Recap

Wow! It was a close one this week with only a couple million dollars separating the rankings. Most everybody had the same strategy of doubling-up on Storks and filling the rest out with Bridget Jones’ Baby because Magnificent Seven was SO expensive. Ultimately, actuals for this week’s new releases were well under their projections, so to win, it came down to how you programmed those other six screens. The Perfect Cinema this week was $90,016,121 from 1x Storks, 3x Sully, and 4x of the Best Performer of Don’t Breathe. It was late-comer Tyler Perry’s A Medea Cineplex’s investment in 3x Don’t Breathe, adding a bonus $6 million to his score, that made the big difference and rocketed him up the chart to #1 for the week.

At the bottom, Movies After Ass finally showed up. With three weeks worth of revenue lost, can he rise like the phoenix? “It’s a long way to the top if you wanna rock and roll.”

Gameplay and stats generated by fantasymovieleague.com

FML Fall Week 4

Ep. 269: The Magnificent Three

The Reel Nerds argue magnificently over The Magnificent Seven.

Art House Asshole : Blue is the Warmest Color

You know how when you’re wanting to go to the movie theater and you look up all the films that are showing and there are alway at least three that you’ve never heard of, let alone have any interest in seeing? Well, good news! I’ve seen those movies. I spend most of my theater experiences in art house theaters watching those movies that you’ve never heard of and then never watch. Yeah, I’m that hipster asshole. My goal with this is to spread information out about these films, that way you can decide one of the following. “That actually sounds pretty cool! I want to see that now!” or “Man, I’m glad I decided to go see the new superhero movie!”. So without further ado, here is my article and review of Blue is the Warmest Color.

I’ll be frank at the start of this review. Abdellatif Kechiche’s Blue is the Warmest Color is one of my favorite films of all time. If you listen to the podcast enough with me on it, I have brought this film up at least twice. I know some disagree with me on this, if you listen to Filmsplosion 2015 you can hear Steve of Alamo Denver and I talk about what is the greatest LGBT film of all time, but I do think this is the greatest LGBT film of all time. We can get into my rebuttal for the complaints people have about this film, but I will always absolutely adore this film from the bottom of my heart.

Sometimes I will go one step further than saying this is the greatest LGBT Film of all time and occasionally will say this is one of the greatest love stories of all time as well. Re-watching this film for this review reminded me how heartwarming and heartbreaking this film can be, and I do think this film affects me more than almost any other romance film I’ve seen almost ever. And I feel the reason for this being the fact that the film feels extremely real.

The film has a very realistic and personal view of the two characters lives. None of the cinematography is “beautiful” in the traditional sense. None of the shots look like they are set up, except for a few which we will get into later, they all have a very hand-held feel to them. With this setup, it doesn’t feel like you are watching a movie, but are actually with these characters. You feel less like you are watching the story play out, but are part of the story with them.

Along with the cinematography, the writing and the acting are very natural as well. Both the leads played by Adèle Exarchopoulos and Léa Seydoux, give the performances of their careers in this film. I understand that Adèle Exarchophoulous is only twenty-two as of writing this and has a very big career ahead of her, but I think it will be very difficult for her to ever top this performance. Both characters work so well with each other that it makes everything that happens in the film so much better and harder when the tones change. Both feel so natural. When the characters smile you see the smile in their eyes, not their mouths. When the characters are hurt you can see it in their eyes. If you are ever wanting to critique acting, watch the eyes. Because if you can’t see it in their eyes they aren’t feeling anything. And everything in this film is told through the eyes.

When I was watching the film this week, I was accompanied by a few friends who had also seen the film before. One of the complaints that one of my friends had was that there are so many eating scenes in the film and every character eats extremely sloppily. I will admit, that I did not notice this before. So when I watched the film, this time, I did notice that yes, there are a lot of eating scenes. For the first hour or so I was trying to figure out what the eating scenes meant, and it wasn’t until the next day that I realized that this is going into the natural aspect of the film. Kechiche was going for a very naturalistic view of love, relationships, and humanity. This is the same reason that there are many shots of Adèle Exarchopoulos sleeping, where the actress didn’t realize she was being filmed. Along with this feeling, you have the eating scenes. Yes, there are a lot of eating scenes. But people eat a lot. And what my friend was critiquing about everyone eating sloppily, I can say that is how people eat. We eat sloppily sometimes. This film doesn’t sugar coat life. It shows the dirty to everything. Including sex.

Now we get into what this film is, unfortunately, known for. The biggest complaint that I have heard about this film is that the sex scenes in the film are extremely long and in some people’s minds, unnecessary. Yes, the sex scenes are very graphic and go on for a long time, to the point where I think that one of the sex scenes is ten minutes long. I defend this saying that it goes with the natural view the film has. I view these scenes as somewhat uncomfortable and too long, because if you were watching your two friends have sex it probably wouldn’t be a fun and comfortable experience. The director wants you to know these characters. He wants you to be friends with these characters. And with that, he wants you to see all of them, even the parts you might not want to see. I understand if this doesn’t work for some people. It is definitely a choice that not everyone is going to agree with, but I personally agree with it and it is one of the reasons why I absolutely adore this film.

I one-hundred percent recommend this film. This is a three-hour long film that I have seen four times. I struggle to re-watch most films, and if I like this film enough to dedicate twelve hours of my life to it, then maybe at least try to watch it. It’s beautiful from start to finish. I sob at the end of the film and  laugh at the beginning. If you are a fan of romance films, you owe it to yourself to watch this film and figure out if you love it or if it isn’t for you.

Ep. 268: Rewitched

Don’t go in the woods. Listen to Reel Nerds review Blair Witch!

Alamo Drafthouse Idiocracy 10th Anniversary Screenings

ALAMO DRAFTHOUSE AND ART HOUSE CONVERGENCE

GOT WHAT AMERICA CRAVES

Reunion of Cast & Filmmakers to Mark the 10th Anniversary of IDIOCRACY with Screenings Nationwide, Worldwide Livestream Q&A and Voter Registration Drive

(September 21, Los Angeles, CA) Ten years ago, satirist Mike Judge told of an impossible future in which our collective intelligence had dropped so low it threatened to destroy the world. In this future, America was run by a corrupt, sociopathic former pro-wrestler with severe anger management issues, and the most popular entertainment in the land was a YouTube-esque video playlist called “Ow My Balls.”

Flash forward to today. We are approaching the end of the most bizarre, absurdist presidential race in U.S. history. Over the past months, thousands have questioned in social media whether IDIOCRACY was actually a documentary. Mike Judge’s sadly prescient film has transcended its cult classic status to become a vibrant and essential facet of this election conversation.

The Alamo Drafthouse, along with the network of Art House Convergence Theaters and local League of Women Voters chapters, want to invite everyone to revisit and rediscover IDIOCRACY on the eve of the 2016 presidential election.

Members of the cast and crew of IDIOCRACY will be live in person at the Aero Theatre in Santa Monica at 6:45pm on October 4th for a screening of the film and a post-movie conversation.

Concurrent IDIOCRACY screenings will also take place at Alamo Drafthouse locations and Art House Convergence theaters across the country and the post-movie conversation will be live-streamed to those audiences.

For those that can’t make it to an Alamo Drafthouse or Art House Convergence theater, fear not, you can still join in the fun. Watch the film from your own DVD, from Amazon, iTunes or the platform of your choice.  Press play exactly at 7:00pm Pacific Standard Time, and then tune into Facebook Live from facebook.com/alamodrafthouse for the post-movie conversation at 8:25pm PST.

Questions will be taken from the live audience in Santa Monica, but also from the live-stream and Facebook Live audiences via Twitter using the hashtag #IdiocracyToday.

In attendance at the event will be director and writer Mike Judge and star Maya Rudolph.

Also, the Alamo Drafthouse’s collectible art gallery Mondo is creating a licensed IDIOCRACY shirt for the occasion. It will be available on mondotees.com. A portion of proceeds from merchandise and participating screenings will be donated to local League of Women Voters chapters to support their non-partisan efforts to register and educate voters.

Whether you are voting for Donald Trump, Hillary Clinton, Jill Stein, Gary Johnson, or whether you just want to cast a write-in vote for Dwayne Elizondo Mountain Dew Herbert Camacho, these options are all your right — but first you must register to vote!

“If we learn one thing from this election cycle,” says Alamo Founder and CEO Tim League, “it’s that to truly be an American one must register to vote, join the debate and participate in democracy.”

 

Participating theaters at the time of this release:

Aero Theatre, Santa Monica CA

Alamo Drafthouse, Ashburn VA

Alamo Drafthouse Lakeline, Austin TX

Alamo Drafthouse South Lamar, Austin TX

Alamo Drafthouse Slaughter Lane, Austin TX

Alamo Drafthouse Village, Austin TX

Alamo Drafthouse, Littleton CO

Alamo Drafthouse, Dallas TX

Alamo Drafthouse, Richardson TX

Alamo Drafthouse, El Paso TX

Alamo Drafthouse Mason Road, Katy TX

Alamo Drafthouse Vintage Park, Houston TX

Alamo Drafthouse, Kansas City MO

Alamo Drafthouse, Laredo TX

Alamo Drafthouse, Lubbock TX

Alamo Drafthouse, New Braunfels TX

Alamo Drafthouse, Yonkers NY

Alamo Drafthouse, Omaha NE

Alamo Drafthouse Park North, San Antonio TX

Alamo Drafthouse, San Francisco CA

Alamo Drafthouse, Winchester CA

Cine Theatre, Athens GA

Cinema Arts Centre, Huntington NY

Cinema Detroit, Detroit MI

FilmBar, Phoenix AZ

IFC Center, New York NY

Michigan Theater, Ann Arbor MI

North Park Theatre, Buffalo NY

Nickelodeon Theatre, Columbia SC

Princeton Garden Theatre, Princeton NJ

Robinson Film Center, Shreveport LA

State Theatre, Traverse City MI

 

A complete list of participating theaters will be updated at drafthouse.com/idiocracy

Fall 2016 Fantasy Movie League – Week 3 Recap

Welcome back to the Reel Nerds Podcast Fantasy Movie League for Week 3!

This weeks Perfect Cinema was anybody’s guess. While it was expected that Blair Witch and Bridget Jones’ Baby were going to compete with Sully for first place this week, the reality is that those two movies barely made a dent in Sully’s box office. Radley Cinemas doubled up on this, as well as the better than expected returns for Snowden and the Best Performing movie of the week of Kubo, and easily won this week’s contest. Newcomers Detanatormonkey and Tyler Perry’s A Madea Cineplex managed to climb the rankings quite quickly and PeterParker has finally climbed out of the basement thanks to Jason’s Farthouse leaving three screens open this week and losing $6 million from his total which would have put him above most everybody. Movies After Ass, despite assurances he would pick a lineup this week, is once again a taco.

FML Fall Week 3

This Week at the Alamo Drafthouse Denver – 9.19.16

Monday, September 19
In A Lonely Place presents In A Lonely Place with author James Ellroy @ 7:30 p.m.
Tuesday, September 20
Feast: Looper @ 7:30 p.m. Three courses paired with cocktails.
Tough Guy Cinema: Training Day @ 9:00 p.m.
Wednesday, September 21
Science Friction: Children of Men @ 7:30 p.m.
Thursday, September 22
PBS KIDS at the Alamo: Peg + Cat Mystery Hour @ 11:25 a.m.
Edward Scissorhands @ 7:30 p.m.
Mondo x Chiller presents Black Swan @ 9:30 p.m.
Friday, September 23
Mile High Sci-Fi vs Batman & Robin @ 7:30 p.m.
Girlie Night: Magic Mike XXL @ 7:45 p.m.
Saturday, September 24
Phantasm with a live stream Q&A with writer-director Don Coscarelli @ 7:45 p.m.
Sunday, September 25
KOSI Brunchtacular: Ever After @ 11:00 a.m.
Indiana Jones Trilogy @ 12:00 p.m.
Afternoon Tea: Marie Antoinette @ 2:00 p.m.
Toro y Moi: Live From Trona @ 7:00 p.m.
Now playing…
Opening Friday, September 23: The Magnificent Seven, Storks 
 

Blair Witch
Bridget Jones’ Baby
Snowden
Klown Forever
Hell or High Water
Sully
Jason Bourne
Next week’s sneak peek…
Hitchcocktails: The Trouble with Harry
Wild at Heart
The Graveyard Shift: Perfume
The Late Show: Lost Highway
My King
PBS KIDS at the Alamo: Peg + Cat Mystery Hour

Reel Interview: Dan Myrick

The Reel Nerds interview director Dan Myrick at Mile High Horror Fest 2013.

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